Marilyn Hacker

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Marilyn Hacker


Born
in The Bronx, New York, The United States
November 27, 1942

Genre


Marilyn Hacker is an American poet, translator, critic, and professor of English.

Her books of poetry include Presentation Piece (1974), which won the National Book Award, Love, Death, and the Changing of the Seasons (1986), and Going Back to the River (1990). In 2009, Hacker won the PEN Award for Poetry in Translation for King of a Hundred Horsemen by Marie Étienne, which also garnered the first Robert Fagles Translation Prize from the National Poetry Series. In 2010, she received the PEN/Voelcker Award for Poetry. She was shortlisted for the 2013 PEN Award for Poetry in Translation for her translation of Tales of A Severed Head by Rachida Madani.

Average rating: 3.98 · 3,007 ratings · 379 reviews · 110 distinct worksSimilar authors
Love, Death, and the Changi...

4.12 avg rating — 660 ratings — published 1986 — 9 editions
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Selected Poems 1965-1990

3.99 avg rating — 121 ratings — published 1994 — 4 editions
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Winter Numbers: Poems

3.99 avg rating — 119 ratings — published 1994 — 5 editions
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Desesperanto: Poems 1999-2002

3.79 avg rating — 66 ratings — published 2003 — 5 editions
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A Different Distance: A Renga

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4.17 avg rating — 60 ratings — published 2021 — 3 editions
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Squares and Courtyards: Poems

3.94 avg rating — 49 ratings — published 2000 — 7 editions
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Names: Poems

3.73 avg rating — 51 ratings — published 2009 — 3 editions
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A Stranger's Mirror: New an...

3.66 avg rating — 50 ratings — published 2015 — 5 editions
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Calligraphies: Poems

4.25 avg rating — 36 ratings3 editions
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Presentation Piece

4.12 avg rating — 33 ratings — published 1974 — 3 editions
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More books by Marilyn Hacker…
Quotes by Marilyn Hacker  (?)
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“From Orient Point

The art of living isn't hard to muster:
Enjoy the hour, not what it might portend.
When someone makes you promises, don't trust her

unless they're in the here and now, and just her
willing largesse free-handed to a friend.
The art of living isn't hard to muster:

groom the old dog, her coat gets back its luster;
take brisk walks so you're hungry at the end.
When someone makes you promises, don't trust her

to know she can afford what they will cost her
to keep until they're kept. Till then, pretend
the art of living isn't hard to muster.

Cooking, eating and drinking are a cluster
of pleasures. Next time, don't go round the bend
when someone makes you promises. Don't trust her

past where you'd trust yourself, and don't adjust her
words to mean more to you than she'd intend.
The art of living isn't hard to muster.

You never had her, so you haven't lost her
like spare house keys. Whatever she opens,
when someone makes you promises, don't. Trust your
art; go on living: that's not hard to muster.”
Marilyn Hacker

“Did you love well what you very soon left? Come home and take me in your arms and take away this stomach ache, headache, heartache.”
Marilyn Hacker

“Nearly a Valediction"

You happened to me. I was happened to
like an abandoned building by a bull-
dozer, like the van that missed my skull
happened a two-inch gash across my chin.
You were as deep down as I’ve ever been.
You were inside me like my pulse. A new-
born flailing toward maternal heartbeat through
the shock of cold and glare: when you were gone,
swaddled in strange air I was that alone
again, inventing life left after you.

I don’t want to remember you as that
four o’clock in the morning eight months long
after you happened to me like a wrong
number at midnight that blew up the phone
bill to an astronomical unknown
quantity in a foreign currency.
The U.S. dollar dived since you happened to me.
You’ve grown into your skin since then; you’ve grown
into the space you measure with someone
you can love back without a caveat.

While I love somebody I learn to live
with through the downpulled winter days’ routine
wakings and sleepings, half-and-half caffeine-
assisted mornings, laundry, stock-pots, dust-
balls in the hallway, lists instead of longing, trust
that what comes next comes after what came first.
She’ll never be a story I make up.
You were the one I didn’t know where to stop.
If I had blamed you, now I could forgive

you, but what made my cold hand, back in prox-
imity to your hair, your mouth, your mind,
want where it no way ought to be, defined
by where it was, and was and was until
the whole globed swelling liquefied and spilled
through one cheek’s nap, a syllable, a tear,
was never blame, whatever I wished it were.
You were the weather in my neighborhood.
You were the epic in the episode.
You were the year poised on the equinox.”
Marilyn Hacker, Winter Numbers: Poems

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