Marilyn Hacker
Born
in The Bronx, New York, The United States
November 27, 1942
Genre
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Love, Death, and the Changing of the Seasons
9 editions
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published
1986
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Selected Poems 1965-1990
4 editions
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published
1994
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Winter Numbers: Poems
5 editions
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published
1994
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Desesperanto: Poems 1999-2002
5 editions
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published
2003
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A Different Distance: A Renga
by
3 editions
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published
2021
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Squares and Courtyards: Poems
7 editions
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published
2000
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Names: Poems
3 editions
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published
2009
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A Stranger's Mirror: New and Selected Poems 1994 8211 2014
5 editions
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published
2015
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Calligraphies: Poems
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Presentation Piece
3 editions
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published
1974
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“From Orient Point
The art of living isn't hard to muster:
Enjoy the hour, not what it might portend.
When someone makes you promises, don't trust her
unless they're in the here and now, and just her
willing largesse free-handed to a friend.
The art of living isn't hard to muster:
groom the old dog, her coat gets back its luster;
take brisk walks so you're hungry at the end.
When someone makes you promises, don't trust her
to know she can afford what they will cost her
to keep until they're kept. Till then, pretend
the art of living isn't hard to muster.
Cooking, eating and drinking are a cluster
of pleasures. Next time, don't go round the bend
when someone makes you promises. Don't trust her
past where you'd trust yourself, and don't adjust her
words to mean more to you than she'd intend.
The art of living isn't hard to muster.
You never had her, so you haven't lost her
like spare house keys. Whatever she opens,
when someone makes you promises, don't. Trust your
art; go on living: that's not hard to muster.”
―
The art of living isn't hard to muster:
Enjoy the hour, not what it might portend.
When someone makes you promises, don't trust her
unless they're in the here and now, and just her
willing largesse free-handed to a friend.
The art of living isn't hard to muster:
groom the old dog, her coat gets back its luster;
take brisk walks so you're hungry at the end.
When someone makes you promises, don't trust her
to know she can afford what they will cost her
to keep until they're kept. Till then, pretend
the art of living isn't hard to muster.
Cooking, eating and drinking are a cluster
of pleasures. Next time, don't go round the bend
when someone makes you promises. Don't trust her
past where you'd trust yourself, and don't adjust her
words to mean more to you than she'd intend.
The art of living isn't hard to muster.
You never had her, so you haven't lost her
like spare house keys. Whatever she opens,
when someone makes you promises, don't. Trust your
art; go on living: that's not hard to muster.”
―
“Did you love well what you very soon left? Come home and take me in your arms and take away this stomach ache, headache, heartache.”
―
―
“Nearly a Valediction"
You happened to me. I was happened to
like an abandoned building by a bull-
dozer, like the van that missed my skull
happened a two-inch gash across my chin.
You were as deep down as I’ve ever been.
You were inside me like my pulse. A new-
born flailing toward maternal heartbeat through
the shock of cold and glare: when you were gone,
swaddled in strange air I was that alone
again, inventing life left after you.
I don’t want to remember you as that
four o’clock in the morning eight months long
after you happened to me like a wrong
number at midnight that blew up the phone
bill to an astronomical unknown
quantity in a foreign currency.
The U.S. dollar dived since you happened to me.
You’ve grown into your skin since then; you’ve grown
into the space you measure with someone
you can love back without a caveat.
While I love somebody I learn to live
with through the downpulled winter days’ routine
wakings and sleepings, half-and-half caffeine-
assisted mornings, laundry, stock-pots, dust-
balls in the hallway, lists instead of longing, trust
that what comes next comes after what came first.
She’ll never be a story I make up.
You were the one I didn’t know where to stop.
If I had blamed you, now I could forgive
you, but what made my cold hand, back in prox-
imity to your hair, your mouth, your mind,
want where it no way ought to be, defined
by where it was, and was and was until
the whole globed swelling liquefied and spilled
through one cheek’s nap, a syllable, a tear,
was never blame, whatever I wished it were.
You were the weather in my neighborhood.
You were the epic in the episode.
You were the year poised on the equinox.”
― Winter Numbers: Poems
You happened to me. I was happened to
like an abandoned building by a bull-
dozer, like the van that missed my skull
happened a two-inch gash across my chin.
You were as deep down as I’ve ever been.
You were inside me like my pulse. A new-
born flailing toward maternal heartbeat through
the shock of cold and glare: when you were gone,
swaddled in strange air I was that alone
again, inventing life left after you.
I don’t want to remember you as that
four o’clock in the morning eight months long
after you happened to me like a wrong
number at midnight that blew up the phone
bill to an astronomical unknown
quantity in a foreign currency.
The U.S. dollar dived since you happened to me.
You’ve grown into your skin since then; you’ve grown
into the space you measure with someone
you can love back without a caveat.
While I love somebody I learn to live
with through the downpulled winter days’ routine
wakings and sleepings, half-and-half caffeine-
assisted mornings, laundry, stock-pots, dust-
balls in the hallway, lists instead of longing, trust
that what comes next comes after what came first.
She’ll never be a story I make up.
You were the one I didn’t know where to stop.
If I had blamed you, now I could forgive
you, but what made my cold hand, back in prox-
imity to your hair, your mouth, your mind,
want where it no way ought to be, defined
by where it was, and was and was until
the whole globed swelling liquefied and spilled
through one cheek’s nap, a syllable, a tear,
was never blame, whatever I wished it were.
You were the weather in my neighborhood.
You were the epic in the episode.
You were the year poised on the equinox.”
― Winter Numbers: Poems
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