Robert Doisneau

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Robert Doisneau


Born
in Gentilly, Val-de-Marne, Paris, France
April 14, 1912

Died
April 01, 1994

Genre
Art


He was a French photographer. In the 1930s he used a Leica on the streets of Paris. He and Henri Cartier-Bresson were pioneers of photojournalism. He is renowned for his 1950 image Le baiser de l'hôtel de ville (Kiss by the Town Hall), a photograph of a couple kissing in the busy streets of Paris. Doisneau was appointed a Chevalier (Knight) of the Legion of Honour in 1984. ...more

Average rating: 4.33 · 617 ratings · 49 reviews · 148 distinct worksSimilar authors
Paris

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4.63 avg rating — 163 ratings — published 2005 — 7 editions
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The Best of Doisneau: Paris

4.56 avg rating — 34 ratings — published 2015 — 2 editions
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Les grandes vacances

4.06 avg rating — 18 ratings — published 1991 — 11 editions
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Three Seconds of Eternity

4.53 avg rating — 15 ratings — published 1997 — 3 editions
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Doisneau Paris

4.38 avg rating — 13 ratings — published 2014 — 3 editions
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A L'imparfait De L'objectif

3.47 avg rating — 15 ratings — published 1989 — 2 editions
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Robert Doisneau: The Vogue ...

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3.82 avg rating — 11 ratings2 editions
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Robert Doisneau: Paris Les ...

4.44 avg rating — 9 ratings — published 2012
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Les Doigts pleins d'encre

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4.63 avg rating — 8 ratings — published 1999 — 7 editions
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Robert Doisneau: Palm Springs

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3.50 avg rating — 10 ratings — published 2010 — 3 editions
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More books by Robert Doisneau…
Quotes by Robert Doisneau  (?)
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“If you stay right where you are, then people will eventually come to you”
Robert Doisneau

“The charm of a city, now we come to it, is not unlike the charm of flowers. It partly depends on seeing time creep across it. Charm needs to be fleeting. Nothing could be less palatable than a museum-city propped up by prosthetic devices of concrete.

Paris is not in danger of becoming a museum-city, thanks to the restlessness and greed of promoters. Yet their frenzy to demolish everything is less objectionable than their clumsy determination to raise housing projects that cannot function without the constant presence of an armed police force…

All these banks, all these glass buildings, all these mirrored facades are the mark of a reflected image. You can no longer see what’s happening inside, you become afraid of the shadows. The city becomes abstract, reflecting only itself. People almost seem out of place in this landscape. Before the war, there were nooks and crannies everywhere.

Now people are trying to eliminate shadows, straighten streets. You can’t even put up a shed without the personal authorization of the minister of culture.

When I was growing up, my grandpa built a small house. Next door the youth club had some sheds, down the street the local painter stored his equipment under some stretched-out tarpaulin. Everybody added on. It was telescopic. A game. Life wasn’t so expensive — ordinary people would live and work in Paris. You’d see masons in blue overalls, painters in white ones, carpenters in corduroys. Nowadays, just look at Faubourg Sainte-Antoine — traditional craftsmen are being pushed out by advertising agencies and design galleries. Land is so expensive that only huge companies can build, and they have to build ‘huge’ in order to make it profitable. Cubes, squares, rectangles. Everything straight, everything even. Clutter has been outlawed. But a little disorder is a good thing. That’s where poetry lurks. We never needed promoters to provide us, in their generosity, with ‘leisure spaces.’ We invented our own. Today there’s no question of putting your own space together, the planning commission will shut it down. Spontaneity has been outlawed. People are afraid of life.”
Robert Doisneau, Paris

“If I knew how to take a good photograph, I'd do it every time.”
Robert Doisneau