Walter Kerr
Born
in Evanston, Illinois, The United States
July 08, 1913
Died
October 09, 1996
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The Silent Clowns
5 editions
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published
1975
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The Decline of Pleasure
20 editions
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published
1962
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How Not to Write a Play
7 editions
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published
1998
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Tragedy and Comedy
8 editions
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published
1967
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Stardust
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The Shabunin Affair: An Episode in the Life of Leo Tolstoy
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God on the Gymnasium Floor and Other Theatrical Adventures
4 editions
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published
1971
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Thirty Plays Hath November: Pain and pleasure in the contemporary theater
3 editions
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published
1969
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The Russian Army: Its Men, Its Leaders, Its Battles
15 editions
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published
2014
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Harold Pinter.
4 editions
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published
1967
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“Half the world is composed of idiots, the other half of people clever enough to take indecent advantage of them”
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“Kerr, Walter (1968). Skin deep is not good enough. New York Times (April 14):D1, D3.
Today, … the immigrants—above all the Jewish immigrants—seem more American than [the WASP] does. They are the faces and voices and inflections of thought that seem most familiar to us, literally second nature. [The WASP] is the odd ball, the stranger, the fossil. We glance at him, a bit startled and say to ourselves, “Where did he go?” We remember him: pale, poised, neatly dressed, briskly sure of himself. And we see him as an out-sider, an outlander, a reasonably noble breed in the act of vanishing. … He has stopped being representative, and we didn’t notice it until this minute. Not so emphatically, anyway.
What has happened since World War II is that the American sensibility has become part Jewish, perhaps as much Jewish as it is anything else. … The literate American mind has come in some measure to think Jewishly. It has been taught to, and it was ready to. After the entertainers and novelists came the Jewish critics, politicians, theologians. Critics and politicians and theologians are by profession molders; they form ways of seeing.”
―
Today, … the immigrants—above all the Jewish immigrants—seem more American than [the WASP] does. They are the faces and voices and inflections of thought that seem most familiar to us, literally second nature. [The WASP] is the odd ball, the stranger, the fossil. We glance at him, a bit startled and say to ourselves, “Where did he go?” We remember him: pale, poised, neatly dressed, briskly sure of himself. And we see him as an out-sider, an outlander, a reasonably noble breed in the act of vanishing. … He has stopped being representative, and we didn’t notice it until this minute. Not so emphatically, anyway.
What has happened since World War II is that the American sensibility has become part Jewish, perhaps as much Jewish as it is anything else. … The literate American mind has come in some measure to think Jewishly. It has been taught to, and it was ready to. After the entertainers and novelists came the Jewish critics, politicians, theologians. Critics and politicians and theologians are by profession molders; they form ways of seeing.”
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