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Jonathan Buckley

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Jonathan Buckley


Born
Birmingham, The United Kingdom
Website

Genre


Jonathan Buckley was born in Birmingham, grew up in Dudley, and studied English Literature at Sussex University, where he stayed on to take an MA. From there he moved to King’s College, London, where he researched the work of the Scottish poet/artist Ian Hamilton Finlay. After working as a university tutor, stage hand, maker of theatrical sets and props, bookshop manager, decorator and builder, he was commissioned in 1987 to write the Rough Guide to Venice & the Veneto.

He went on to become an editorial director at Rough Guides, and to write further guidebooks on Tuscany & Umbria and Florence, as well as contributing to the Rough Guide to Classical Music and Rough Guide to Opera.

His first novel, The Biography of Thomas Lang, was published by
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So He Takes the Dog

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The Great Concert of the Night

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Telescope

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Rock: The Rough Guide

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Live; Live; Live

3.55 avg rating — 44 ratings4 editions
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Ghost MacIndoe

3.79 avg rating — 34 ratings — published 2001 — 4 editions
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The River Is the River

3.56 avg rating — 34 ratings — published 2015 — 3 editions
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Contact

3.29 avg rating — 34 ratings — published 2010 — 5 editions
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More books by Jonathan Buckley…
Quotes by Jonathan Buckley  (?)
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“If someone is thinking of you, it hasn't ended. Nobody knows how it ends.”
Jonathan Buckley, Telescope

“It makes Celia furious that around ninety percent of the women on Italian TV are fabulous specimens with great legs, superb chests and hair as glossy as a mink's pelt, and that every prime-time programme, whether it be a games show or football analysis, seems to require the presence of an attractive young woman with no discernible function other than to be decorative. She shakes her head in disbelief at the shopping channels, with their delirious women screaming about the wonders of the latest buttock-firming apparatus, and bald blokes in shiny suits shouting ‘Buy my carpets! Buy my jewellery, for God's sake!' hour after hour after hour. She can't resolve the contradictions of a country where spontaneous generosity is as likely to be encountered as petty deviousness; where a predilection for emetically sentimental ballads accompanies a disconcertingly hard-headed approach to interpersonal relationships (friends summarily discarded, to be barely acknowledged when they pass on the streets); where veneration for tradition competes with an infatuation with the latest technology, however low the standard of manufacture (the toilet in Elisabetta's apartment wouldn't look out of place on the Acropolis, but it doesn't flush properly; her brother-in-law's Ferrari is as fragile as a newborn giraffe); where sophistication and the maintenance of ‘la bella figura’ are of primary importance, while the television programmes are the most infantile and demeaning in the world; where there's a church on every corner yet religion often seems a form of social decoration, albeit a form of decoration that's essential to life - 'It's like the wallpaper is holding the house up,’ Celia wrote from Rome. She'll never make sense of Italy, but that's the attraction, or a major part of it, which is something Charlie will never understand, she says. But he does understand it to an extent. He can understand how one might find it interesting for a while, for the duration of a holiday; he just doesn't understand how an English person - an English woman, especially - could live there.”
Jonathan Buckley, Telescope

“Janina, clearly a woman under some stress, comes up to ask me if I might turn the music down, as she needs to get an early night. Leaving, she asks: 'Don't you get bored with it? Always the same music every day.'
I point out that it is not always the same music. More than five hundred sonatas here,' I tell her, whacking the CD
box.
‘Yes, but they all sound the same,' says Janina. She turns to Ellen. 'Do you like it? I don't know how you can bear it'
Ellen answers that she hardly hears it any more. We moved house when I was six or seven,' she says, 'and I thought I'd never get used to the noise of the traffic. But after a few months I didn't notice it. It's like that.’
'But do you find it interesting?' Janina asks her.
‘Sometimes,’ says Ellen. 'But I can't say it moves me at all.'
I have to intervene. ‘Nor me,' I tell them. 'That's not the point. It's not meant to move you. That's why I like it. It's just music. It doesn't mean something else. It doesn't mean anything.’
My guardians look at me, united in scepticism. ‘That doesn't make sense,' says Ellen.
‘Consider the blackbird singing in the garden,’ I suggest. ‘What does that mean? It means nothing but it's beautiful. It gives pleasure.’
‘It means something to the blackbird, presumably,’ says Ellen. If I could, I'd kiss her.”
Jonathan Buckley, Telescope
tags: music

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