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Nicholas Cook

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Nicholas Cook


Born
in Athens, Greece
June 05, 1950

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Nicholas Cook is a British musicologist and writer. In 2009 he became the 1684 Professor of Music at the University of Cambridge, where he is a Fellow of Darwin College. Previously, he was professorial research fellow at Royal Holloway, University of London, where he directed the Arts and Humanities Research Council Research Centre for the History and Analysis of Recorded Music (CHARM). He has also taught at the University of Hong Kong, University of Sydney, and University of Southampton, where he served as dean of arts.

He is a former editor of the Journal of the Royal Musical Association and was elected a Fellow of the British Academy in 2001.

Average rating: 3.59 · 1,214 ratings · 117 reviews · 41 distinct worksSimilar authors
Music: A Very Short Introdu...

3.51 avg rating — 995 ratings — published 1998 — 34 editions
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A Guide to Musical Analysis

3.82 avg rating — 60 ratings — published 1987 — 12 editions
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Rethinking Music

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3.89 avg rating — 38 ratings — published 1999 — 5 editions
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Music, Imagination, and Cul...

3.60 avg rating — 25 ratings — published 1990 — 6 editions
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Beethoven: Symphony No. 9 (...

4.06 avg rating — 16 ratings — published 1993 — 8 editions
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Beyond the Score: Music as ...

4.50 avg rating — 12 ratings — published 2013 — 4 editions
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The Cambridge History of Tw...

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4.08 avg rating — 12 ratings — published 2004 — 5 editions
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Analysing Musical Multimedia

4.30 avg rating — 10 ratings — published 1998 — 5 editions
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The Cambridge Companion to ...

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4.56 avg rating — 9 ratings — published 2009 — 11 editions
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The Schenker Project: Cultu...

3.71 avg rating — 7 ratings — published 2006 — 7 editions
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“I said that foundational figures of rock can be accommodated within a Beethovenian model of greatness, and the masculinism of 20th-century rock stars finds its contemporary equivalent in the sometimes overt misogyny of hip hop. I also”
Nicholas Cook, Music: A Very Short Introduction

“Joy through suffering: this phrase (extracted from one of Beethoven's letters, where it actually referred to an uncomfortable coach journey) became the central motto of the Beethoven cult [..].”
Nicholas Cook, Music: A Very Short Introduction

“This aggressive gendering of creativity renders it highly exclusionary, as reflected in Clara Schumann’s belief that women should not even wish to compose. Equally it genders the sense of identification with the composer that was central to the classical star culture.”
Nicholas Cook, Music: A Very Short Introduction



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