Meghan O'Gieblyn

“But each time I tried, something odd happened. At some point in the writing process I got stuck; I could not get the ideas to come together or the argument to take form—or rather, the argument kept changing. When writing in this divested way, in the realm of pure and unmediated ideas, anything is possible, and the possibilities overwhelmed me. I became too conscious of the words themselves and the fact that I could manipulate them endlessly, the way numbers can be manipulated apart from any concrete referent.”
― Meghan O'Gieblyn, God, Human, Animal, Machine: Technology, Metaphor, and the Search for Meaning

“Many of our friends who grew up here now live in Brooklyn, where they are at work on “book-length narratives.” Another contingent has moved to the Bay Area and made a fortune there. Every year or so, these west-coasters travel back to Michigan and call us up for dinner or drinks, occasions they use to educate us on the inner workings of the tech industry. They refer to the companies they work for in the first person plural, a habit I have yet to acculturate to. Occasionally they lapse into the utopian, speaking of robotics ordinances and brain-computer interfaces and the mystical, labyrinthine channels of capital, conveying it all with the fervency of pioneers on a civilizing mission. Being lectured quickly becomes dull, and so my husband and I, to amuse ourselves, will sometimes play the rube. “So what, exactly, is a venture capitalist?” we’ll say. Or: “Gosh, it sounds like science fiction.” I suppose we could tell them the truth—that nothing they’re proclaiming is news; that the boom and bustle of the coastal cities, like the smoke from those California wildfires, liberally wafts over the rest of the country. But that seems a bit rude. We are, after all, Midwesterners.

Here, work is work and money is money, and nobody speaks of these things as though they were spiritual movements or expressions of one’s identity.”
― Meghan O'Gieblyn, Interior States: Essays