Omar Sakr
Goodreads Author
Born
Liverpool, Australia
Website
Twitter
Member Since
June 2012
URL
https://www.goodreads.com/omarjsakr
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This Arab Is Queer: An Anthology by LGBTQ+ Arab Writers
by
4 editions
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published
2022
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Son of Sin
7 editions
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published
2022
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After Australia
by
4 editions
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published
2020
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The Lost Arabs
4 editions
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published
2019
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Meet Me at the Intersection
by
2 editions
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published
2018
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Kindred: 12 Queer #LoveOzYA Stories
by
2 editions
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published
2019
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These Wild Houses
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published
2017
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Fire Flood and Plague: Australian writers respond to 2020
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Non-Essential Work
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published
2023
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The Nightmare Sequence
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published
2025
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“Language, I’m told, is built
to choose sides. What is meant:
the tool we believe connects us
maintains the divide. What I hear:
be careful of silence, what it holds,
how a word can take over your life.”
― Non-Essential Work
to choose sides. What is meant:
the tool we believe connects us
maintains the divide. What I hear:
be careful of silence, what it holds,
how a word can take over your life.”
― Non-Essential Work
Topics Mentioning This Author
topics | posts | views | last activity | |
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Aussie Readers: April 2022 Featured Author - Sulari Gentill | 135 | 215 | May 17, 2022 05:12PM | |
Aussie Readers: Annual Australian Authors Challenge 2022 | 259 | 329 | Dec 23, 2022 07:42PM | |
The Mookse and th...:
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32 | 162 | Feb 01, 2023 02:04PM | |
The Mookse and th...:
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350 | 193 | Feb 02, 2023 04:17AM | |
Aussie Readers: **Summer Challenge 1/12/22 - 28/2/23** | 294 | 244 | Mar 28, 2023 09:27PM | |
Shine & Shadow:
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50 | 26 | Jun 22, 2023 11:10PM |
“What I say is, a town isn’t a town without a bookstore. It may call itself a town, but unless it’s got a bookstore, it knows it’s not foolin’ a soul.”
― American Gods
― American Gods
“But anyway, I look around sometimes and I think - this will maybe sound weird - it's like the corporate world's full of ghosts. And actually, let me revise that, my parents are in academia so I've had front row seats for that horror show, I know academia's no different, so maybe a fairer way of putting this would be to say that adulthood's full of ghosts."
"I'm sorry, I'm not sure I quite --"
"I'm talking about these people who've ended up in one life instead of another and they are just so disappointed. Do you know what I mean? They've done what's expected of them. They want to do something different but it's impossible now, there's a mortgage, kids, whatever, they're trapped. Dan's like that."
"You don't think he likes his job, then."
"Correct," she said, "but I don't think he even realises it. You probably encounter people like him all the time. High-functioning sleepwalkers, essentially.”
― Station Eleven
"I'm sorry, I'm not sure I quite --"
"I'm talking about these people who've ended up in one life instead of another and they are just so disappointed. Do you know what I mean? They've done what's expected of them. They want to do something different but it's impossible now, there's a mortgage, kids, whatever, they're trapped. Dan's like that."
"You don't think he likes his job, then."
"Correct," she said, "but I don't think he even realises it. You probably encounter people like him all the time. High-functioning sleepwalkers, essentially.”
― Station Eleven
“Do not fall in love with people like me.
I will take you to museums, and parks, and monuments, and kiss you in every beautiful place, so that you can never go back to them without tasting me like blood in your mouth.
I will destroy you in the most beautiful way possible. And when I leave you will finally understand, why storms are named after people.”
― Literary Sexts: A Collection of Short & Sexy Love Poems
I will take you to museums, and parks, and monuments, and kiss you in every beautiful place, so that you can never go back to them without tasting me like blood in your mouth.
I will destroy you in the most beautiful way possible. And when I leave you will finally understand, why storms are named after people.”
― Literary Sexts: A Collection of Short & Sexy Love Poems
“Having a Coke with You
is even more fun than going to San Sebastian, Irún, Hendaye, Biarritz, Bayonne
or being sick to my stomach on the Travesera de Gracia in Barcelona
partly because in your orange shirt you look like a better happier St. Sebastian
partly because of my love for you, partly because of your love for yoghurt
partly because of the fluorescent orange tulips around the birches
partly because of the secrecy our smiles take on before people and statuary
it is hard to believe when I’m with you that there can be anything as still
as solemn as unpleasantly definitive as statuary when right in front of it
in the warm New York 4 o’clock light we are drifting back and forth
between each other like a tree breathing through its spectacles
and the portrait show seems to have no faces in it at all, just paint
you suddenly wonder why in the world anyone ever did them
I look
at you and I would rather look at you than all the portraits in the world
except possibly for the Polish Rider occasionally and anyway it’s in the Frick
which thank heavens you haven’t gone to yet so we can go together the first time
and the fact that you move so beautifully more or less takes care of Futurism
just as at home I never think of the Nude Descending a Staircase or
at a rehearsal a single drawing of Leonardo or Michelangelo that used to wow me
and what good does all the research of the Impressionists do them
when they never got the right person to stand near the tree when the sun sank
or for that matter Marino Marini when he didn’t pick the rider as carefully
as the horse
it seems they were all cheated of some marvelous experience
which is not going to go wasted on me which is why I am telling you about it”
―
is even more fun than going to San Sebastian, Irún, Hendaye, Biarritz, Bayonne
or being sick to my stomach on the Travesera de Gracia in Barcelona
partly because in your orange shirt you look like a better happier St. Sebastian
partly because of my love for you, partly because of your love for yoghurt
partly because of the fluorescent orange tulips around the birches
partly because of the secrecy our smiles take on before people and statuary
it is hard to believe when I’m with you that there can be anything as still
as solemn as unpleasantly definitive as statuary when right in front of it
in the warm New York 4 o’clock light we are drifting back and forth
between each other like a tree breathing through its spectacles
and the portrait show seems to have no faces in it at all, just paint
you suddenly wonder why in the world anyone ever did them
I look
at you and I would rather look at you than all the portraits in the world
except possibly for the Polish Rider occasionally and anyway it’s in the Frick
which thank heavens you haven’t gone to yet so we can go together the first time
and the fact that you move so beautifully more or less takes care of Futurism
just as at home I never think of the Nude Descending a Staircase or
at a rehearsal a single drawing of Leonardo or Michelangelo that used to wow me
and what good does all the research of the Impressionists do them
when they never got the right person to stand near the tree when the sun sank
or for that matter Marino Marini when he didn’t pick the rider as carefully
as the horse
it seems they were all cheated of some marvelous experience
which is not going to go wasted on me which is why I am telling you about it”
―

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