Stuart Isacoff

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Stuart Isacoff



Average rating: 3.85 · 1,161 ratings · 165 reviews · 80 distinct worksSimilar authors
Temperament: How Music Beca...

3.88 avg rating — 593 ratings — published 2001 — 18 editions
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A Natural History of the Pi...

3.85 avg rating — 330 ratings — published 2011 — 17 editions
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Musical Revolutions: How th...

3.70 avg rating — 100 ratings3 editions
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When the World Stopped to L...

3.82 avg rating — 95 ratings8 editions
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Temperamento: Storia di un ...

4.13 avg rating — 8 ratings
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Thelonious Monk (Jazz Maste...

4.83 avg rating — 6 ratings — published 1987 — 2 editions
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Rivoluzioni musicali: Le id...

3.80 avg rating — 5 ratings
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The 20-Minute Chords & Harm...

3.25 avg rating — 4 ratings — published 1987 — 3 editions
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Great Lessons from Great Pi...

really liked it 4.00 avg rating — 3 ratings2 editions
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Early Music for Recorder

3.67 avg rating — 3 ratings — published 1997
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More books by Stuart Isacoff…
Quotes by Stuart Isacoff  (?)
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“The handful of leading craftsmen turning out pianos during that time produced only around thirty to fifty of them per annum. But by 1798, piano maker James Shudi Broadwood could barely keep up with demand, writing to a wholesaler, “Would to God we could make them like muffins!”
Stuart Isacoff, A Natural History of the Piano: The Instrument, the Music, the Musicians--from Mozart to Modern Jazz and Everything in Between

“Those admirers created so strong a ballast against possible Kremlin tampering with the jury vote that it was said years later by critic Tamara Grum-Grzhimailo that the seeds of perestroika were first planted in this moment,”
Stuart Isacoff, When the World Stopped to Listen: Van Cliburn's Cold War Triumph, and Its Aftermath

“As Victorian-era prudishness set in, some upstanding citizens also took to putting coverlets over the instrument’s legs out of an exaggerated sense of modesty.”
Stuart Isacoff, A Natural History of the Piano: The Instrument, the Music, the Musicians--from Mozart to Modern Jazz and Everything in Between

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