Sigrid Rausing

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Sigrid Rausing


Born
in Lund, Sweden
January 29, 1962

Twitter


Sigrid Rausing is Editor and Publisher of Granta magazine and Publisher of Granta and Portobello Books. She is the author of History, Memory and Identity in Post-Soviet Estonia: The End of a Collective Farm and Everything is Wonderful, which has been translated into four different languages.

Average rating: 3.67 · 5,361 ratings · 773 reviews · 46 distinct worksSimilar authors
Mayhem: A Memoir

3.58 avg rating — 1,093 ratings — published 2017 — 2 editions
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Granta 139: Best of Young A...

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3.48 avg rating — 247 ratings — published 2017 — 3 editions
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Everything Is Wonderful: Me...

3.61 avg rating — 227 ratings — published 2004 — 9 editions
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Granta 163: Best of Young B...

3.56 avg rating — 204 ratings — published 2023 — 3 editions
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Granta 135

3.95 avg rating — 167 ratings — published 2016 — 5 editions
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Granta 147: 40th Birthday S...

4.04 avg rating — 161 ratings — published 2019
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Granta 152: Still Life

3.98 avg rating — 160 ratings2 editions
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Granta 128: American Wild

3.79 avg rating — 158 ratings — published 2014 — 3 editions
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Granta 148: Summer Fiction

3.84 avg rating — 144 ratings2 editions
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Granta 144: Generic Love Story

3.69 avg rating — 148 ratings — published 2018 — 3 editions
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“Orden har så stor innebörd om man har sett och levt med verkligheten de beskriver, och de är så tomma om man inte har gjort det.”
Sigrid Rausing, Everything Is Wonderful: Memories of a Collective Farm in Estonia

“Orden har så stor innebörd om man har sett och levt mes verkligheten de beskriver, och de är så tomma om man inte har gjort det.”
Sigrid Rausing, Everything Is Wonderful: Memories of a Collective Farm in Estonia

“What will you find in these pages? Juror Chloe Aridjis writes: ‘Ruminative narratives and more boisterous ones; some raw and instinctive, others crafted and scholarly; narratives that interweave highbrow and popular culture, others that possess a poetic stillness or otherworldly aura; works in which the author creates an elaborate alternative reality, and those in which the author is the construct him or herself. The Spanish language is being put to use in new and thrilling ways.’ And Rodrigo Fresán: ‘The adjective “interesting” is an ambiguous one. The expression, “May you live an interesting life” – apocryphally attributed to China by Westerners for many years – has been seen as either a curse or a blessing, but always as something worthy of attention. Beyond the obvious blessings, the quality of the writing, it seems to me that the additional forward-looking appeal of this selection is an eloquent sampling of how one can write in the proper direction/intention for a generation, yes, cursed by the excesses of life online and the easy and base temptations of the so-called literatura del yo – which young people think is a new trend, but is in fact very, very far from that – the compulsion for testimonial, fictions of the self that inevitably crash because they’re going too fast, or going too slow. I like to believe that here you’ll find a resistance to an era’s passing fad, and find instead the commitment to what is timeless and destined to continue engaging what has always nourished and given rise to good fiction: telling the story of a unique world, finding the form and style necessary to explore it, and make it known. In short: welcome to the work of decidedly interesting writers.”
Sigrid Rausing, Granta 155: Best of Young Spanish-Language Novelists 2

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