Anne Anlin Cheng

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Anne Anlin Cheng



Anne Anlin Cheng is Professor of English and African American Literature at Princeton University. She specializes in twentieth-century literature and visual culture. She received her B.A. in English and Creative Writing at Princeton, her Masters in English and Creative Writing from Stanford University, and her Ph.D. in Comparative Literature from University of California at Berkeley. She teaches a wide range of courses in the areas of comparative race studies, aesthetic theory, psychoanalytic theory, literary criticism, law, film and gender studies, poetry and poetics.

Average rating: 4.09 · 539 ratings · 74 reviews · 11 distinct worksSimilar authors
Ornamentalism

4.23 avg rating — 194 ratings — published 2019 — 4 editions
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The Melancholy of Race: Psy...

4.15 avg rating — 157 ratings — published 2000 — 10 editions
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Ordinary Disasters: How I S...

3.84 avg rating — 127 ratings — published 2024 — 3 editions
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Second Skin: Josephine Bake...

3.95 avg rating — 57 ratings — published 2010 — 8 editions
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Ruth Asawa: Retrospective

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4.71 avg rating — 7 ratings
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Monstrous Beauty: A Feminis...

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3.50 avg rating — 2 ratings
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NEW-ORNAMENTALISM C

it was amazing 5.00 avg rating — 1 rating
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Ghost in the Ghost

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it was amazing 5.00 avg rating — 1 rating
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Second Skin: Josephine Bake...

0.00 avg rating — 0 ratings2 editions
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Momenta Biennale de l’image...

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Quotes by Anne Anlin Cheng  (?)
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“the ancient Greek word for adornment, kosmos, means both “decoration” and “world order.” (This is, of course, why the words cosmetics and cosmology share an etymological root.)”
Anne Anlin Cheng, Ornamentalism

“the very premise of this project takes seriously, rather than simply decries, the intractable imbrication among femininity, the ornamental, and the Oriental, in order to explore the entanglement of living and living-as-thing.”
Anne Anlin Cheng, Ornamentalism

“What happens when we accept that style, mediated through yet detached from a racial referent, may not be simply the excess or the opposite of ontology but may in fact be a precondition for embodiment, an insight that challenges the very foundation of the category of the human? What is at stake here is not just the objectification of people but also how that objectification opens up a constitutive estrangement within the articulation of proper personhood.”
Anne Anlin Cheng, Ornamentalism

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