Nathaniel Mackey
Born
Miami, Florida, The United States
Genre
![]() |
Splay Anthem
4 editions
—
published
2006
—
|
|
![]() |
Bedouin Hornbook
3 editions
—
published
1987
—
|
|
![]() |
Eroding Witness
5 editions
—
published
1986
—
|
|
![]() |
Whatsaid Serif
2 editions
—
published
2001
—
|
|
![]() |
Blue Fasa
3 editions
—
published
2015
—
|
|
![]() |
Bass Cathedral
by
3 editions
—
published
2008
—
|
|
![]() |
School of Udhra
2 editions
—
published
1993
—
|
|
![]() |
From a Broken Bottle Traces of Perfume Still Emanate: Bedouin Hornbook, Djbot Baghostus's Run, Atet A.D.
3 editions
—
published
2010
—
|
|
![]() |
Nod House (New Directions Paperbook)
2 editions
—
published
2011
—
|
|
![]() |
Discrepant Engagement: Dissonance, Cross-Culturality, and Experimental Writing
3 editions
—
published
1993
—
|
|
“What any experimental art is trying to get you to do is move beyond your preconceptions and your expectations regarding what should be happening, what's going to happen, what kinds of effects it should have, and enter a liminal state in which those things can be redefined in the way that the particular artist or piece of art is proposing.”
―
―
“We became a tribe recalling the founding
two. Ducked in thru a door, we ate food
from Reunion, island in an ocean some-
where, we forgot which, ducked in, not a
trace
of them there. . . We clutched bodies, rubbed
each other's limbs, less in love with skin than
the memory of skin, skin's image, all the
more
extolling skin. . . Sexed insinuance, nixed
insistence in retreat. . . Would-be what-if,
what
if. . . We wanted it back, big promise, portent,
apocalypse,
urgency, plummet,
plunge”
― Nod House
two. Ducked in thru a door, we ate food
from Reunion, island in an ocean some-
where, we forgot which, ducked in, not a
trace
of them there. . . We clutched bodies, rubbed
each other's limbs, less in love with skin than
the memory of skin, skin's image, all the
more
extolling skin. . . Sexed insinuance, nixed
insistence in retreat. . . Would-be what-if,
what
if. . . We wanted it back, big promise, portent,
apocalypse,
urgency, plummet,
plunge”
― Nod House
“And it's a case in point of the fact that these traditions—the mythology, the lore—are not being gone to as some kind of fixed, given entity that one then has to have a subservient relationship to. They are active and unfinished; they are subject to change; they are themselves in the process of transformation and transition. They speak to an open and open-ended possibility that the poetics that I've been involved in very much speaks to as well. To see cracks and incompleteness as not only inevitable but opportune.”
―
―
Is this you? Let us know. If not, help out and invite Nathaniel to Goodreads.