Robin R. Means Coleman
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The Black Guy Dies First: Black Horror Cinema from Fodder to Oscar
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5 editions
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published
2023
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Horror Noire: Blacks in American Horror Films from the 1890s to Present
9 editions
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published
2011
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Heroines of Film and Television: Portrayals in Popular Culture
by
4 editions
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published
2014
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Intercultural Communication for Everyday Life
by
13 editions
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published
2012
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Fight the Power! The Spike Lee Reader
by
3 editions
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published
2008
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Women of Color and Social Media Multitasking: Blogs, Timelines, Feeds, and Community
by
5 editions
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published
2015
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Representations of Black Women in the Media: The Damnation of Black Womanhood
by
8 editions
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published
2015
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Say It Loud!: African American Audiences, Media and Identity
4 editions
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published
2011
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African American Viewers and the Black Situation Comedy: Situating Racial Humor
3 editions
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published
2014
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The Oxford Handbook of Black Horror Film
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“According to the annual Hollywood Diversity Report from UCLA’s Division of Social Sciences, in 2019, only 5.5% of the directors and 5.6% of the writers of theatrical releases were Black,”
― The Black Guy Dies First: Black Horror Cinema from Fodder to Oscar
― The Black Guy Dies First: Black Horror Cinema from Fodder to Oscar
“Like the Magical Negro, the Sacrificial Negro is a “positive” stereotype that blossomed in modern cinema but has roots in age-old racist archetypes.”
― The Black Guy Dies First: Black Horror Cinema from Fodder to Oscar
― The Black Guy Dies First: Black Horror Cinema from Fodder to Oscar
“The Magical Negro is one of several “positive” Black stereotypes born out of the growing expectation that there should be SOME Black character included in a film.”
― The Black Guy Dies First: Black Horror Cinema from Fodder to Oscar
― The Black Guy Dies First: Black Horror Cinema from Fodder to Oscar
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