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Botho Strauß

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Botho Strauß


Born
in Naumburg, Germany
December 02, 1944

Genre


Botho Strauß is a German playwright, novelist and essayist.


Botho Strauß's father was a chemist. After finishing his secondary education, Strauß studied German, History of the Theatre and Sociology in Cologne and Munich, but never finished his dissertation on Thomas Mann und das Theater. During his studies, he worked as an extra at the Munich Kammerspiele. From 1967 to 1970, he was a critic and editorial journalist for the journal Theater heute (Theater Today). Between 1970 and 1975, he worked as a dramaturgical assistant to Peter Stein at the West Berlin Schaubühne am Halleschen Ufer. After his first attempt as a writer, a Gorky adaptation for the screen, he decided to live and work as a writer. Strauß had his first breakthrough as a drama
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Average rating: 3.24 · 877 ratings · 92 reviews · 105 distinct worksSimilar authors
Couples, Passersby

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3.02 avg rating — 173 ratings — published 1981 — 17 editions
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Die Widmung

3.35 avg rating — 127 ratings — published 1977 — 24 editions
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Herkunft

3.28 avg rating — 98 ratings — published 2014 — 8 editions
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The Young Man

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3.07 avg rating — 59 ratings — published 1984 — 19 editions
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Big and Little: Scenes

4.11 avg rating — 28 ratings — published 1978 — 8 editions
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Mikado

2.53 avg rating — 30 ratings — published 2007 — 4 editions
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Kalldewey

2.74 avg rating — 27 ratings — published 1981 — 3 editions
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Rumor

3.23 avg rating — 22 ratings — published 1980
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Le temps et la chambre

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3.20 avg rating — 20 ratings — published 1989 — 5 editions
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Trilogie des Wiedersehens

3.33 avg rating — 18 ratings — published 1976 — 6 editions
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More books by Botho Strauß…
Theaterstücke 1. 1972 - 1978. Theaterstücke 1981 - 1991 Theaterstücke 3. 1993 - 1999. Theaterstücke IV: 2001 - 2005
(4 books)
by
2.75 avg rating — 4 ratings

Quotes by Botho Strauß  (?)
Quotes are added by the Goodreads community and are not verified by Goodreads. (Learn more)

“Was wäre, wenn wir die Annahme explizit machten und konkretisieren müssten, dass alle ernst zu nehmende Kunst und Literatur, und nicht nur die Musik, auf die Nietzsche diesen Begriff anwendet, ein opus metaphysicum ist?”
Botho Strauß

“Perhaps such a book introduces us to ourselves on a higher plateau of sensibility, a plateau on which we then wish to continue outside the book. Though we have rediscovered our forgotten passion by way of the (novel’s) imagination, what it releases inside us, the emotion, is by no means imaginary, it is quite real, as tears or trembling are real; a feeling that wants to be used, that requires personal experience. But in our daily lives there is nothing corresponding to it. Here everything is on a low-calorie emotional diet. Our real life offers us no opportunities to experience satiety. And so a passion ready to be expressed crouches in us after we’ve read the book, but nothing touches it off. After a while this crouching in a tense, contorted position begins to be painful. We contain more feeling than we may release. The surplus of reality which the book junkie has acquired, he must keep bottled up”
Botho Strauss

“Nothing escapes, nothing final is accomplished, no one last step is taken. We live and we persist in the presence of parting and going away, nothing is worked out. Isn't love at all times the most virtual of all worlds? Overflowing with everything possible, but rather impoverished when it comes to actualities.”
Botho Strauß, Living Glimmering Lying

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