Srikanth Reddy
Born
in The United States
May 01, 1973
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Voyager
5 editions
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published
2011
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Facts for Visitors
by
5 editions
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published
2004
—
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Underworld Lit
3 editions
—
published
2020
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Poetry Magazine April 2022
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Readings in World Literature
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published
2012
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Conversities
by
2 editions
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published
2012
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The Unsignificant
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Changing Subjects: Digressions in Modern American Poetry
2 editions
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published
2012
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5 Steps to Beat Depression: Depression
by |
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From Poetry to Verse Essays on the Making of Modern Poetry
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published
2005
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“Then the pulse.
Then a pause.
Then twilight in a box.
Dusk underfoot.
Then generations.
—
Then the same war by a different name.
Wine splashing in the bucket.
The erection, the era.
Then exit Reason.
Then sadness without reason.
Then the removal of the ceiling by hand.
—
Then pages & pages of numbers.
Then the page with the faint green stain.
Then the page on which Prince Theodore, gravely wounded,
is thrown onto a wagon.
Then the page on which Masha weds somebody else.
Then the page that turns to the story of somebody else.
Then the page scribbled in dactyls.
Then the page which begins Exit Angel.
Then the page wrapped around a dead fish.
Then the page where the serfs reach the ocean.
Then a nap.
Then the peg.
Then the page with the curious helmet.
Then the page on which millet is ground.
Then the death of Ursula.
Then the stone page they raised over her head.
Then the page made of grass which goes on.
—
Exit Beauty.
—
Then the page someone folded to mark her place.
Then the page on which nothing happens.
The page after this page.
Then the transcript.
Knocking within.
Interpretation, then harvest.
—
Exit Want.
Then a love story.
Then a trip to the ruins.
Then & only then the violet agenda.
Then hope without reason.
Then the construction of an underground passage between us.
Srikanth Reddy, "Burial Practice" from Facts for Visitors. Copyright © 2004 by the Regents of the University of California. Reprinted by permission of The University of California Press.
Source: Facts for Visitors (University of California Press, 2004)”
― Facts for Visitors
Then a pause.
Then twilight in a box.
Dusk underfoot.
Then generations.
—
Then the same war by a different name.
Wine splashing in the bucket.
The erection, the era.
Then exit Reason.
Then sadness without reason.
Then the removal of the ceiling by hand.
—
Then pages & pages of numbers.
Then the page with the faint green stain.
Then the page on which Prince Theodore, gravely wounded,
is thrown onto a wagon.
Then the page on which Masha weds somebody else.
Then the page that turns to the story of somebody else.
Then the page scribbled in dactyls.
Then the page which begins Exit Angel.
Then the page wrapped around a dead fish.
Then the page where the serfs reach the ocean.
Then a nap.
Then the peg.
Then the page with the curious helmet.
Then the page on which millet is ground.
Then the death of Ursula.
Then the stone page they raised over her head.
Then the page made of grass which goes on.
—
Exit Beauty.
—
Then the page someone folded to mark her place.
Then the page on which nothing happens.
The page after this page.
Then the transcript.
Knocking within.
Interpretation, then harvest.
—
Exit Want.
Then a love story.
Then a trip to the ruins.
Then & only then the violet agenda.
Then hope without reason.
Then the construction of an underground passage between us.
Srikanth Reddy, "Burial Practice" from Facts for Visitors. Copyright © 2004 by the Regents of the University of California. Reprinted by permission of The University of California Press.
Source: Facts for Visitors (University of California Press, 2004)”
― Facts for Visitors
“Each week, I plan an assignment. Students, interrogate form down to the last comma. Students, broadcast the crimes of history.”
― Voyager
― Voyager
“I tried to cut through
all our hurried centuries,
lost in a forest within.
Men
broke by war
emerged in frightful shape—
more than human
but also less,
they were quite aware,
the sovereign dead,
that time is like a window
opening up the sad patterns of never.
As one they advanced—
Lloyd George
Georges Clemenceau
Adolph Hitler
—through history.
But the past does not follow
so straightforward a path
said I
(predictably in Italian),
and, burning
under their masters,
they proclaimed
the world a pendulum.
It is possible,
but this gives rise
to the often-heard complaint
that repetition is unavoidable.
Still time issues into today,
little fathers.
The years, I believe,
can be shaped with one’s hands.
The world
—its obscure moving fields,
Persian tragedies,
and countries in peace—
I had to inform
that council of the lost,
remains an instrument,
a valve instrument,
which, when waning,
is perfectly clear in the pit
—and, being given
to such classical concepts
as freedom and necessity,
laboriously continued
in the traditional way—
I believeI believe.”
― Voyager
all our hurried centuries,
lost in a forest within.
Men
broke by war
emerged in frightful shape—
more than human
but also less,
they were quite aware,
the sovereign dead,
that time is like a window
opening up the sad patterns of never.
As one they advanced—
Lloyd George
Georges Clemenceau
Adolph Hitler
—through history.
But the past does not follow
so straightforward a path
said I
(predictably in Italian),
and, burning
under their masters,
they proclaimed
the world a pendulum.
It is possible,
but this gives rise
to the often-heard complaint
that repetition is unavoidable.
Still time issues into today,
little fathers.
The years, I believe,
can be shaped with one’s hands.
The world
—its obscure moving fields,
Persian tragedies,
and countries in peace—
I had to inform
that council of the lost,
remains an instrument,
a valve instrument,
which, when waning,
is perfectly clear in the pit
—and, being given
to such classical concepts
as freedom and necessity,
laboriously continued
in the traditional way—
I believe
― Voyager
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