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Franz Rottensteiner

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Franz Rottensteiner


Born
in Waidmannsfeld, Austria
January 18, 1942

Genre


Franz Rottensteiner, never a comfortable critic, has enlivened sf discussion for many years. He is a long-tim editor of the respected Austrian fanzine, Quarber Merkur.

Average rating: 3.59 · 558 ratings · 68 reviews · 69 distinct worksSimilar authors
The Science Fiction Book: A...

3.80 avg rating — 46 ratings — published 1975 — 11 editions
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The Fantasy Book: An Illust...

3.76 avg rating — 21 ratings — published 1978 — 2 editions
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The Black Mirror and Other ...

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3.75 avg rating — 20 ratings — published 2008 — 5 editions
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View From Another Shore: Eu...

3.18 avg rating — 22 ratings — published 1973 — 9 editions
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H.P. Lovecrafts kosmisches ...

really liked it 4.00 avg rating — 7 ratings
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Der Einsiedler von Providen...

3.71 avg rating — 7 ratings — published 1992 — 3 editions
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Phantastische Träume

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liked it 3.00 avg rating — 8 ratings — published 1983
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Phantastische Welten

3.20 avg rating — 5 ratings — published 1984 — 2 editions
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Quarber Merkur: Aufsätze zu...

3.75 avg rating — 4 ratings — published 1979
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Phantastische Zeiten (Phant...

3.75 avg rating — 4 ratings — published 1986
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More books by Franz Rottensteiner…
Quotes by Franz Rottensteiner  (?)
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“Nevertheless, the potential and actual importance of fantastic literature lies in such psychic links: what appears to be the result of an overweening imagination, boldly and arbitrarily defying the laws of time, space and ordered causality, is closely connected with, and structured by, the categories of the subconscious, the inner impulses of man's nature. At first glance the scope of fantastic literature, free as it is from the restrictions of natural law, appears to be unlimited. A closer look, however, will show that a few dominant themes and motifs constantly recur: deals with the Devil; returns from the grave for revenge or atonement; invisible creatures; vampires; werewolves; golems; animated puppets or automatons; witchcraft and sorcery; human organs operating as separate entities, and so on. Fantastic literature is a kind of fiction that always leads us back to ourselves, however exotic the presentation; and the objects and events, however bizarre they seem, are simply externalizations of inner psychic states. This may often be mere mummery, but on occasion it seems to touch the heart in its inmost depths and become great literature.”
Franz Rottensteiner, The Fantasy Book: An Illustrated History From Dracula To Tolkien

“Fantastic literature has been especially prominent in times of unrest, when the older values have been overthrown to make way for the new; it has often accompanied or predicted change, and served to shake up rational Complacency, challenging reason and reminding man of his darker nature. Its popularity has had its ups and downs, and it has always been the preserve of a small literary minority. As a natural challenger of classical values, it is rarely part of a culture's literary mainstream, expressing the spirit of the age; but it is an important dissenting voice, a reminder of the vast mysteries of existence, sometimes truly metaphysical in scope, but more often merely riddling.”
Franz Rottensteiner, The Fantasy Book: An Illustrated History From Dracula To Tolkien

“Many of the best fantastic stories begin in a leisurely way, set in commonplace surroundings, with exact, meticulous descriptions of an ordinary background, much as in a 'realistic' tale. Then a gradual - or it may be sometimes a shockingly abrupt - change becomes apparent, and the reader begins to realize that what is being described is alien to the world he is accustomed to, that something strange has crept or leapt into it. This strangeness changes the world permanently and fundamentally.”
Franz Rottensteiner, The Fantasy Book: An Illustrated History From Dracula To Tolkien



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