Roger Luckhurst

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Roger Luckhurst


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Roger Luckhurst is a British writer and academic. He is Professor in Modern and Contemporary Literature in the Department of English and Humanities at Birkbeck, University of London and was Distinguished Visiting Professor at Columbia University in 2016. He works on Victorian literature, contemporary literature, Gothic and weird fiction, trauma studies, and speculative/science fiction.

Average rating: 3.85 · 7,500 ratings · 829 reviews · 55 distinct worksSimilar authors
Late Victorian Gothic Tales

3.85 avg rating — 632 ratings — published 2005 — 8 editions
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Gothic: An Illustrated History

4.30 avg rating — 263 ratings — published 2021 — 3 editions
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The Shining

3.81 avg rating — 222 ratings — published 2013 — 3 editions
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Zombies: A Cultural History

4.04 avg rating — 174 ratings — published 2015 — 5 editions
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Alien

4.02 avg rating — 160 ratings — published 2014 — 5 editions
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Science Fiction: A Literary...

4.18 avg rating — 78 ratings — published 2018 — 2 editions
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Supernatural Horror Short S...

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3.87 avg rating — 77 ratings — published 2017 — 2 editions
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The Trauma Question

3.84 avg rating — 57 ratings — published 2008 — 9 editions
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The Mummy's Curse: the True...

3.71 avg rating — 55 ratings — published 2012 — 5 editions
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Science Fiction

4.24 avg rating — 41 ratings — published 2005 — 4 editions
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More books by Roger Luckhurst…
Quotes by Roger Luckhurst  (?)
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“Modern science has killed the Fantastic, and with the Fantastic, Poetry—which is also Fantasy. The last Fairy is well and truly buried—or dried, like a rare flower, between two pages of Monsieur Balzac.”
Roger Luckhurst, Late Victorian Gothic Tales

“The most succssful monsters overdetermine these tansgressions to become, in Judith Halberstam's evocative phrase, 'technologies of monstrosity' that condense and process different and even contradictory anxieties about category and border. Some critics hold that the genre speaks to universal, primitive taboos about the very foundational elements of what it means to be human, yet the ebb and flow of the Gothic across the modern period invites more historical readings. Indeed, one of the princial border breaches in the Gothic is history itself- the insidious leakage of the pre-modern past into the skeptical, allegedly enlightened present. The Gothic, Robert Mighall suggests, can be thought of as a way of relating to the past and its legacies.”
Roger Luckhurst, Late Victorian Gothic Tales

“In the modern world, the city begins to pulse with the energy of a dynamic present, while depictions multiply of the countryside as a backwater, a place where things slow and swirl and the Old Ways linger on. Paths move outwards from the village, into the forest and further into the trackless wilderness before returning to the sketchy in-between edgelands. From there, the Gothic travels the world.”
Roger Luckhurst, Gothic: An Illustrated History



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