Tim Robinson

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Tim Robinson


Born
Yorkshire, England
Died
April 03, 2020

Genre


Timothy Robinson (1935 – 2020) was an English writer, artist and cartographer. A native of Yorkshire, Robinson studied maths at Cambridge and then worked for many years as a visual artist in Istanbul, Vienna and London, among other places. In 1972 he moved to the Aran Islands, and in 1984 he settled in Roundstone, Connemara. In 1986 his first book, Stones of Aran: Pilgrimage, was published to great acclaim. The second volume of Stones of Aran, subtitled Labyrinth, appeared in 1995. His last work was the Connemara trilogy. He died of Covid-19 in 2020.

Average rating: 4.08 · 4,637 ratings · 666 reviews · 128 distinct worksSimilar authors
Connemara: Listening to the...

4.13 avg rating — 226 ratings — published 2006 — 5 editions
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Stones of Aran: Pilgrimage ...

4.17 avg rating — 204 ratings — published 1986 — 15 editions
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Connemara: The Last Pool of...

4.35 avg rating — 85 ratings — published 2008 — 5 editions
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Connemara: A Little Gaelic ...

4.37 avg rating — 65 ratings — published 2011 — 4 editions
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Stones of Aran: Labyrinth (...

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4.22 avg rating — 65 ratings — published 1995 — 8 editions
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Experiments on Reality

3.49 avg rating — 47 ratings4 editions
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Setting Foot on the Shores ...

4.26 avg rating — 35 ratings — published 1997 — 6 editions
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Oileáin Árann =The Aran Isl...

4.40 avg rating — 10 ratings — published 1996 — 2 editions
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Tobias, the Quig, and the R...

4.78 avg rating — 9 ratings — published 2000 — 3 editions
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A Tropical Frontier: The Wr...

4.50 avg rating — 8 ratings2 editions
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More books by Tim Robinson…
Connemara: Listening to the... Connemara: The Last Pool of... Connemara: A Little Gaelic ...
(3 books)
by
4.22 avg rating — 376 ratings

Stones of Aran: Pilgrimage Stones of Aran: Labyrinth
(2 books)
by
4.18 avg rating — 269 ratings

Quotes by Tim Robinson  (?)
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“These endless ankle-twisting contradictions underfoot, amorphous, resistant, cutting, dull, become the uncountable futilities heaped upon one’s own shores by the surrounding ocean of indifference. If then one could elevate gloom into metaphysical despair, see the human race as no taller than that most depressing of life-forms, the lichen that stains so many of these bare stones black, one might, paradoxically, march on with a weightier stride that would soon outwalk the linear desert. Instead, the interminable dump of broken bits and pieces one is toiling along stubbornly remains the merely personal accumulation of petty worries, selfish anxieties, broken promises, discarded aspirations and other chips off a life-worn ego, that constitutes the path to one’s own particular version of nowhere.”
Tim Robinson, Stones of Aran: Pilgrimmage

“Theories of flow must consider sinks as well as sources. There are locations - by definition they are not places, though we know too well where they are - that swallow up difference, leaving a desert of toxic sameness, an atmosphere of depleted possibilities of meaning, a dull residue of differences that make no difference. Our civilization produces them; it even needs them. We need them in Connemara - I am no purist in this - but must not allow them to drain away its essences. That should be the principle at the core of arguments around particular cases. And if the web of associations I have spun around these quaint landmarks in Garomna should lap out beyond the vague confines of Connemara to envelop more and more of the world, it might bring with it the suggestion of a way of looking at places as sources of difference; and surely taking note of the particularities of a place is the first step in taking care of it.”
Tim Robinson, Connemara: A Little Gaelic Kingdom

“Thinking now of the luminous cleanliness and bell-like resonance of Aran’s limestone rock sheets, their parallel fissures pointing one to the edge of clear-cut cliffs, and the solace on a summer’s day of its spring wells that image the perfection of the wildflowers attendant on them, I realize what a difficult terrain is south Connemara: multidirectional from every point, so complex in form it verges on the formless, disputing every step with stony irregularities, leachlike softness of bog or bootlace-catching twiggy heath. Often when visitors ask me what they should see in this region I am at a loss. A curious hole in the ground? The memory of an old song about a drowning? Ultimately I have to tell them that this is a land without shortcuts.”
Tim Robinson, Connemara: A Little Gaelic Kingdom

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