Vertamae Smart-Grosvenor’s Followers (22)

Vertamae Smart-Grosvenor

Born

in Hampton County, South Carolina, The United States

April 04, 1937

Died

September 03, 2016

Website

http://travelnotesofageecheegirl.com/

Genre

History, Cookbook, Nonfiction

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As a world-renowned author, performer, and chef from rural South Carolina, Vertamae Smart- Grosvenor has led a remarkably unique and complex life. Born April 4, 1937 in Hampton County, she was strongly influenced by her African American Gullah Geechee community. She was also determined to follow her imaginaLon and creaLvity beyond the Lowcountry. At the age of 10, Vertamae Smart moved with her family to Philadelphia. Although her existence was largely sheltered, she established friendships with the future poet Larry Neal, and Pulitzer Prize winning playwright Charles H. Fuller. There, she also met the up-and coming musician, Nina Simone who encouraged her move to Paris. Her basic knowledge of food preparaLon and Gullah culinary tradiLons wo As a world-renowned author, performer, and chef from rural South Carolina, Vertamae Smart- Grosvenor has led a remarkably unique and complex life. Born April 4, 1937 in Hampton County, she was strongly influenced by her African American Gullah Geechee community. She was also determined to follow her imaginaLon and creaLvity beyond the Lowcountry. At the age of 10, Vertamae Smart moved with her family to Philadelphia. Although her existence was largely sheltered, she established friendships with the future poet Larry Neal, and Pulitzer Prize winning playwright Charles H. Fuller. There, she also met the up-and coming musician, Nina Simone who encouraged her move to Paris. Her basic knowledge of food preparaLon and Gullah culinary tradiLons would serve her well, as she embarked on her new journeys.

At the Beat Hotel, she found a colony of expat arLsts and writers — the ScoVsh folk singer Alex Campbell, the American writers Jonathan Kozol, Herbert Kohl, William Burroughs, Allen Ginsberg, and the French painter Lucien Fleury. She would meet and marry one of them, the sculptor Robert Grosvenor. In Paris, Verta Kali Smart, as she called herself, wrote arLcles about life at the Beat Hotel for theLe# Bank This Month, a short-lived publicaLon which she has also been credited with helping to produce. Bob and Vertamae would return to the U.S., se\ling in New York where she would find herself in the center of two American cultural movements. She bore two children, hosted parLes for arLsts and intellectuals, pursued her goal of acLng, and divorced. By 1963, she had embarked on a new journey that took her across the country and again across the ocean, as costume designer and sun-goddess for Sun-Ra’s mysLcal Arkestra. Back in the U.S., she published three books, including the criLcally acclaimed Vibra4on Cooking: The Travel Notes of a Geechee Girl(1970), which has been called “the book that changed the nature of academic scholarship about women, race, and food.” She also pursued a career as a journalist for NaLonal Public Radio. In 1983, Grosvenor earned a Robert F. Kennedy Award and an Ohio State Award for her work on the documentary, “Dafuskie: Never Enough Too Soon.” In addiLon to her work on several notable films, she became a contribuLng writer for Essence, Ebony, Jet, Publishers Weekly and Redbook.

Today, at age seventy-seven, Grosvenor lives in an artist colony in Ridgeland, South Carolina. Surrounded by photographs and other historical ephemera documenLng her exceptional artistic life, Grosvenor is a treasure trove of stories about her experiences with some of the most influential artists, writers, actors, and musical performers of the twentieth century. Her long friendships with African American novelist and poet, Maya Angelou, and South African Jazz musician, Hugh Masekala, are examples of her wide circle of influential connecLons. Perhaps one of her most complex, yet fulfilling relationships was with the iconic musician and singer Nina Simone. With Simone, Grosvenor shared a deep friendship that ojen resembled sibling rivalry. Southern roots, love for family, and connecLons to Black culture kept the friendship between these creaLve women strong until Simone’s death in 2003.

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Combine Editions
Vertamae Smart-Grosvenor’s books

Average rating: 4.34 · 247 ratings · 31 reviews · 5 distinct works • Similar authors

	Vibration Cooking or the Travel Notes of a Geechee Girl 4.36 avg rating — 214 ratings — published 1970 — 8 editions	Error rating book. Refresh and try again. Rate this book Clear rating 1 of 5 stars 2 of 5 stars 3 of 5 stars 4 of 5 stars 5 of 5 stars
	Thursdays and Every Other Sunday Off: A Domestic Rap by Verta Mae by Vertamae Smart-Grosvenor, Premilla Nadasen (Foreword) 4.45 avg rating — 20 ratings — 2 editions	Error rating book. Refresh and try again. Rate this book Clear rating 1 of 5 stars 2 of 5 stars 3 of 5 stars 4 of 5 stars 5 of 5 stars
	Vertamae Cooks in the Americas' Family Kitchen (Americas' Family Kitchen 3.85 avg rating — 13 ratings — published 1996 — 3 editions	Error rating book. Refresh and try again. Rate this book Clear rating 1 of 5 stars 2 of 5 stars 3 of 5 stars 4 of 5 stars 5 of 5 stars
	Black Atlantic Cooking 0.00 avg rating — 0 ratings	Error rating book. Refresh and try again. Rate this book Clear rating 1 of 5 stars 2 of 5 stars 3 of 5 stars 4 of 5 stars 5 of 5 stars

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Quotes by Vertamae Smart-Grosvenor (?)

“The southern belle was something to write home about...One Yankee stationed in Mississippi wrote home: "[They are] sharp-nosed, tobacco-chewing, snuff-rubbing, flax-headed, hatchet-faced, yellow-eyed, sallow-skinned, cotton-dressed, flat-breasted, bare-headed, long-waisted, hump-shouldered, stoop-necked, big-footed, straddle-toed, sharp-shinned, thin-lipped, pale-faced, lantern-jawed, silly-looking damsels.”
― Vertamae Smart-Grosvenor, Thursdays and Every Other Sunday Off: A Domestic Rap by Verta Mae

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“A friend of mine who is a Black Christian Nationalist remembers that, "My grandmother was the first Black Revolutionary I ever knew. During the War, when everyone was prickin' those little red buttons on the plastic bag that changed the color of that lard-like stuff to make margarine—well, we didn't have that, cause my grandmother stole butter from the crackers. She did a number of other things like half doing the cleaning, scorching the clothes, half cleanin the vegetables, breakin the gall of the liver of the chicken." This kind of domestic action is not new. Been going on since slavery.”
― Vertamae Smart-Grosvenor, Thursdays and Every Other Sunday Off: A Domestic Rap by Verta Mae

tags: domestic-worker, humor, maid, revolt, revolutionary

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“The cities change. The bus line is different. The train runs on another track, but the scene is the same. Everyday in America, South Africa and other places in the world like them. Black people. My people. Travelin. To be cooks, janitors, housekeepers, porters, days workers, servants, Black boys, Beige girls, Brown daddies, Ebony mothers.”
― Vertamae Smart-Grosvenor, Thursdays and Every Other Sunday Off: A Domestic Rap by Verta Mae

tags: domestic-worker, maid, oral-history, unions

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