Alec Austin
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Hidden Youth: Speculative Fiction from the Margins of History
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2 editions
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2016
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The Book of Apex: Volume 4
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3 editions
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published
2013
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Insert Title Here
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2 editions
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published
2015
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Analog Science Fiction and Fact, July/August 2015
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published
2015
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Beneath Ceaseless Skies #140 (Beneath Ceaseless Skies #140)
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published
2014
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Analog Science Fiction and Fact, July/August 2013
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published
2013
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Andromeda Spaceways Inflight Magazine Issue 56
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2 editions
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published
2012
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Analog Science Fiction and Fact, Vol. 134, No. 9, September 2014
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2 editions
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published
2014
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Apex Magazine, Issue 38 July 2012
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published
2012
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Beneath Ceaseless Skies #129
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“As I stated earlier, I do not believe there is anything inherently wrong with even the most overused elements of epic fantasy. Magic swords, dragons, destined heroes -- even dark lords and ultimate evils can legitimately be used in literature of serious intent, not just mocked in satirical meta-fiction. To claim that they cannot would be much the same as claiming that nothing good can ever again be done with fiction involving detectives, or young lovers, or unhappy families. The value of a fictive element is not an inherent quality, but a contextual one, determined by its relationship to the other elements of the story it is embedded in.
In other words, whether a scene in which a dragon is introduced is affecting, amusing, or agonizingly dull depends primarily on the choices made by the scene's author. I say "primarily" because dragons have appeared in thousands of stories over the centuries, and almost any reader may be presumed to have been exposed to at least one such. The reader's reaction will naturally be influenced by how they feel this new dragon compares to the dragons which they have been introduced to in the past. (Favorably, one would hope. A dragon must learn to make a good first impression if it is to do well in this life.) Such variables are out of the author's control, as are any unreasoning prejudices against dragons on the part of the reader. All that can be done is to make the dragon as vivid and well-suited for its purpose as is possible. If all the elements of fantasy and fiction in a work are fitted to their purposes and combine to create a moving story set in a convincing world, that work will presumably be a masterpiece.”
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In other words, whether a scene in which a dragon is introduced is affecting, amusing, or agonizingly dull depends primarily on the choices made by the scene's author. I say "primarily" because dragons have appeared in thousands of stories over the centuries, and almost any reader may be presumed to have been exposed to at least one such. The reader's reaction will naturally be influenced by how they feel this new dragon compares to the dragons which they have been introduced to in the past. (Favorably, one would hope. A dragon must learn to make a good first impression if it is to do well in this life.) Such variables are out of the author's control, as are any unreasoning prejudices against dragons on the part of the reader. All that can be done is to make the dragon as vivid and well-suited for its purpose as is possible. If all the elements of fantasy and fiction in a work are fitted to their purposes and combine to create a moving story set in a convincing world, that work will presumably be a masterpiece.”
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Topics Mentioning This Author
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Sword & Sorcery: ...: Jan-Feb 2017 (a) Anthologies | 45 | 44 | Feb 13, 2017 05:07PM |
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