Jay Johnson most recent work is a novella, The Soul's Tariff, about the painter Tintoretto and 16th century Venice on the cusp of war with the Ottoman empire to the east.
His novel Gold Diggers, a slipstream urban fantasy set in Las Vegas, follows dwarves and elves living at the fringes of society. It was reviewed favorably by Kirkus Reviews: "...maintain(s) a persistent sense of mystery. Johnson grounds his story by showing the peculiar beings from the perspectives of the humans..." "Johnson, not one to let his narrative lull, boosts his story with riveting subplots involving a conspiracy, a betrayal and a disappearing corpse." "... its creativeness and exuberance are unquestionable."
His first novel History of the Unnameables, based on a noJay Johnson most recent work is a novella, The Soul's Tariff, about the painter Tintoretto and 16th century Venice on the cusp of war with the Ottoman empire to the east.
His novel Gold Diggers, a slipstream urban fantasy set in Las Vegas, follows dwarves and elves living at the fringes of society. It was reviewed favorably by Kirkus Reviews: "...maintain(s) a persistent sense of mystery. Johnson grounds his story by showing the peculiar beings from the perspectives of the humans..." "Johnson, not one to let his narrative lull, boosts his story with riveting subplots involving a conspiracy, a betrayal and a disappearing corpse." "... its creativeness and exuberance are unquestionable."
His first novel History of the Unnameables, based on a novella originally published by Duct Tape Press in the late '90s under the title King of Siam, was one of the first works of fiction to address fears of cyberterrorism. He began the story after talking to a number of friends working in blackworks, mainly conflicted science and math academics, who were aware of the problem but were not being listened to.
Invisible City was orphaned by a major publisher but has found new life in ebooks formats. It adds the murky world of bioethics and the porous nature of the new digital reality to the world of spying.
As a filmmaker (under his given name Jay Wright) he was included at the Mexican National Museum of Art's (MUNAL) Biennial of Poetry and Video in 2002. His work has appeared at Cannes, and at other film festivals where the films have won numerous awards. His films and videos have also played internationally at galleries and exhibitions. He has also been nominated for a Guggenheim....more