Robert Root-Bernstein
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Sparks of Genius: The Thirteen Thinking Tools of the World's Most Creative People
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14 editions
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published
2000
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Honey, Mud, Maggots and Other Medical Marvels: The Science Behind Folk Remedies and Old Wives' Tales
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11 editions
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published
1997
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Discovering : Inventing Solving Problems at the Frontiers of Scientific Knowledge
6 editions
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published
1989
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생각의 탄생
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2 editions
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published
2007
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Rethinking Aids
2 editions
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published
1993
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Kenneth Snelson: The Nature of Structure
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Autoimmunity: Role, Regulation and Disorders
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published
2008
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The Arts of Eminent Scientists: Essential Connections between Art and Science
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“While the universality of the creative process has been noticed, it has not been noticed universally. Not enough people recognize the preverbal, pre-mathematical elements of the creative process. Not enough recognize the cross-disciplinary nature of intuitive tools for thinking. Such a myopic view of cognition is shared not only by philosophers and psychologists but, in consequence, by educators, too. Just look at how the curriculum, at every educational level from kindergarten to graduate school, is divided into disciplines defined by products rather than processes. From the outset, students are given separate classes in literature, in mathematics, in science, in history, in music, in art, as if each of these disciplines were distinct and exclusive. Despite the current lip service paid to “integrating the curriculum,” truly interdisciplinary courses are rare, and transdisciplinary curricula that span the breadth of human knowledge are almost unknown. Moreover, at the level of creative process, where it really counts, the intuitive tools for thinking that tie one discipline to another are entirely ignored. Mathematicians are supposed to think only “in mathematics,” writers only “in words,” musicians only “in notes,” and so forth. Our schools and universities insist on cooking with only half the necessary ingredients. By half-understanding the nature of thinking, teachers only half-understand how to teach, and students only half-understand how to learn.”
― Sparks of Genius: The 13 Thinking Tools of the World's Most Creative People
― Sparks of Genius: The 13 Thinking Tools of the World's Most Creative People
“biochemist Szent-Györgyi argued, “Discovery consists of seeing what everybody has seen and thinking what nobody has thought.”
― Sparks of Genius: The 13 Thinking Tools of the World's Most Creative People
― Sparks of Genius: The 13 Thinking Tools of the World's Most Creative People
“Fleming’s lab partner, V. D. Allison, for example, was somewhat shocked when Fleming pulled “my leg about my excessive tidiness. Each evening I put my ‘bench’ in order and threw away anything I had no further use for. Fleming told me I was a great deal too careful. He, for his part, kept his cultures sometimes for two or three weeks and before getting rid of them, looked very carefully to see whether by chance any unexpected or interesting phenomena had appeared. The sequel was to prove how right he was.”
― Sparks of Genius: The 13 Thinking Tools of the World's Most Creative People
― Sparks of Genius: The 13 Thinking Tools of the World's Most Creative People
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