Rob Young
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Electric Eden: Unearthing Britain's Visionary Music
4 editions
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published
2010
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All Gates Open: The Biography of Can
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The Magic Box: Viewing Britain through the Rectangular Window
4 editions
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published
2021
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No Regrets: Writings on Scott Walker
5 editions
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published
2012
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The Wire Primers: A Guide to Modern Music
by
8 editions
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published
2009
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Warp: Labels Unlimited
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published
2005
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Rough Trade: Labels Unlimited
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published
2006
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Marathon Man: One Man, One Year, 370 Marathons
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Fairport Convention and Electric Folk: Faber Forty-Fives: 1967-1970
2 editions
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published
2012
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The Midi Files
5 editions
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published
1996
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“What the songs do,’ Shirley confides, ‘is take me into that world [of the past]; they take you back centuries. In a twelve-verse song, you can be transported, and I think that’s such a strength in a song, that it can take you on a journey. Sometimes you don’t even know what sort of journey you’ve gone on, because a lot of the meanings have eroded over the years, and you just get glimpses of lives. Not through the words of a great playwright or poet or author, but just through the minds and mirrors of ordinary people. I think one of the reasons the country’s in such trouble is that nobody’s connected to it, to their ancestors or what’s gone before. And if other people’s lives aren’t important, I don’t know how your own can be.”
― Electric Eden: Unearthing Britain's Visionary Music
― Electric Eden: Unearthing Britain's Visionary Music
“Armed with a hammer and sickle, singer and folklorist A. L. Lloyd hit the nail on the head and cut to the quick on page one of his monumental study of folk song: ‘The mother of folklore is poverty.’3”
― Electric Eden: Unearthing Britain's Visionary Music
― Electric Eden: Unearthing Britain's Visionary Music
“Inner Space: could any phrase be more appropriate, more suggestive of Can’s destination and destiny? The opposite direction from outer space, in contrast to the tendency towards ‘kosmische’, or cosmic, rock perpetrated by many German acts such as Tangerine Dream, Cluster and Ash Ra Tempel several years later. It suggested a retreat to a psychological state, a self-examination, a hermetic environment, a laboratory of the mind. It is possible that, while in New York, Irmin heard about or even saw Andy Warhol’s film Outer and Inner Space – premiered in January 1966 – and the phrase lodged in his mind.”
― All Gates Open: The Story of Can
― All Gates Open: The Story of Can
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