Alan S. Blinder
Born
in Brooklyn, NY, The United States
October 14, 1945
Website
Genre
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After the Music Stopped: The Financial Crisis, the Response, and the Work Ahead
12 editions
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published
2013
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A Monetary and Fiscal History of the United States, 1961–2021
7 editions
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published
2022
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Central Banking in Theory and Practice
10 editions
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published
1998
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Advice and Dissent: Why America Suffers When Economics and Politics Collide
7 editions
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published
2018
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Hard Heads, Soft Hearts: Tough-minded Economics For A Just Society
6 editions
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published
1987
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The Fabulous Decade: Macroeconomic Lessons from the 1990s
by
4 editions
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published
2001
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Asking About Prices: A New Approach to Understanding Price Stickiness
by
4 editions
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published
1998
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The Quiet Revolution: Central Banking Goes Modern
by
5 editions
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published
2004
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Abolishing the Penny Makes Good Sense
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Rethinking the Financial Crisis
by
5 editions
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published
2012
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“KEYNESIAN ECONOMICS AND STIMULUS Keynesian economics is based on the notion that unemployment arises when total or aggregate demand in an economy falls short of the economy’s ability to supply goods and services. When products go unsold, jobs are lost. Aggregate demand, in turn, comes from two sources: the private sector (which is the majority) and the government. At times, aggregate demand is too buoyant—goods fly off the shelves and labor is in great demand—and we get rising inflation. At other times, aggregate demand is inadequate—goods are hard to sell and jobs are hard to find. In those cases, Keynes argued in the 1930s, governments can boost employment by cutting interest rates (what we now call looser monetary policy), raising their own spending, or cutting people’s taxes (what we now call looser fiscal policy). By the same logic, when there is too much demand, governments can fight actual or incipient inflation by raising interest rates (tightening monetary policy), increasing taxes, or reducing its own spending (thus tightening fiscal policy). That’s part of standard Keynesian economics, too, although Keynes, writing during the Great Depression, did not emphasize it. Setting aside the underlying theory, the central Keynesian policy idea is that the government can—and, Keynes argued, should—act as a kind of balance wheel, stimulating aggregate demand when it’s too weak and restraining aggregate demand when it’s too strong. For decades, American economists took for granted that most of that job should and would be done by monetary policy. Fiscal policy, they thought, was too slow, too cumbersome, and too political. And in the months after the Lehman Brothers failure, the Federal Reserve did, indeed, pull out all the stops—while fiscal policy did nothing. But what happens when, as was more or less the case by December 2008, the central bank has done almost everything it can, and yet the economy is still sinking? That’s why eyes started turning toward Congress and the president—that is, toward fiscal stimulus—after the 2008 election.”
― After the Music Stopped: The Financial Crisis, the Response, and the Work Ahead
― After the Music Stopped: The Financial Crisis, the Response, and the Work Ahead
“If your negligent neighbor falls asleep with a lit cigarette in his mouth, setting his house on fire, he’s irresponsible and guilty. But you don’t want him to perish in the blaze. Nor do you want his house setting the whole neighborhood on fire. So you call in the fire department, even though it will cost taxpayers money.”
― After the Music Stopped: The Financial Crisis, the Response, and the Work Ahead
― After the Music Stopped: The Financial Crisis, the Response, and the Work Ahead
“Why did so many smart people believe these laissez-fairey tales? It’s a good question. Some of the blame surely goes to the excessive faith in free markets that was the elixir of the day. Some goes to economists who believed and extolled the efficient markets hypothesis—and taught it to their students, many of whom wound up as financial engineers on Wall Street.”
― After the Music Stopped: The Financial Crisis, the Response, and the Work Ahead
― After the Music Stopped: The Financial Crisis, the Response, and the Work Ahead
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