When Alexandra Rafferty was a girl, something unspeakably cruel happened to her on a summer afternoon. Her father, a cop, knew about it, but nobody else did. Or so she thought. Now a forensic photographer for the Miami P.D., Alexandra remains haunted by that horrible day, and it colors all of her relationships. Stan, her emotionally estranged and loutish husband, drives a Brinks armored car and has his own mindbending agenda. Her now aging, not-altogether-there father is more and more dependent and less and less dependable. And her work photographing crime scenes has become a life-consuming obsession.
Now Alexandra is about to get caught up in a gruesome series of rape/murders that seem to speak to her long-hidden past. But before she can understand the killer's message, her personal life spins out of control, sending Alexandra on the run -- from her husband, from the crooks after him, from a surprisingly persistent boyfriend, and from a killer who's bent on making sure Alexandra won't live long enough to translate his message.
With this "unputdownable" crime novel, the author of Under Cover of Daylight and Red Sky at Night heads for bestsellerdom.
James W. Hall is an Edgar and Shamus Award-winning author whose books have been translated into a dozen languages. He has written twenty-one novels, four books of poetry, two collections of short stories, and two works of non-fiction. He also won a John D. MacDonald Award for Excellence in Florida Fiction, presented by the JDM Bibliophile.
He has a master’s degree in creative writing from Johns Hopkins University and a doctorate in literature from the University of Utah. He was a professor of literature and creative writing at Florida International University for 40 years where he taught such writers as Vicky Hendricks, Christine Kling, Barbara Parker and Dennis Lehane.
Allora, superato lo sconcerto, passo alla mie note di lettura...
L'alfabeto dei corpi
La storia avrebbe anche potuto essere coinvolgente, ho trovato l’inizio interessante... Si apre con un ricordo, relativo a un tremendo evento, vissuto dalla protagonista, Alexandra Collins, appena undicenne, che, pur non avendo conseguenze "ufficiali", condizionerà la sua esistenza. Poi, la narrazione torna al tempo presente della storia, diciotto anni dopo. Troviamo Alexandra, oramai adulta, impiegata come fotografa scientifica per la polizia, impegnata sulla scena di un orrendo crimine, a raccogliere documentazione fotografica. Si tratta di un reato odioso, stupro e omicidio di una giovane donna, caso non isolato, ma che rientra in una sanguinosa catena di crimini, tutti della stessa natura e compiuti con la stessa modalità, da quello che è stato ribattezzato, dalla polizia, Lo Stupratore Sanguinario e che, ormai da mesi, tiene in scacco le forze dell'ordine. Dato rilevante: lo stupratore assassino lascia i corpi delle vittime nudi e disposti in posizioni non casuali, alle quali, tuttavia, gli specialisti non sono ancora riusciti a dare una spiegazione. Vengono introdotti progressivamente tutti i personaggi fondamentali per Alexandra, e scopriamo che non solo la sua vita è stata condizionata dal dramma vissuto in maniera profonda, ma tutte le scelte che ha fatto ne sono state, più o meno consciamente, una conseguenza... Ora, come scrivevo all'inizio, la storia avrebbe anche potuto darmi delle soddisfazioni se, da un certo punto in poi, non fosse stata sviluppata in maniera, per me, quasi assurda e paradossale... Tutto si svolge in pochi giorni, ma l'autore, invece di risolvere in modo forse, sì, prevedibile ma, diciamo, coerente gli avvenimenti, aggiunge una serie di accadimenti, non direttamente connessi alla vicenda dello Stupratore Sanguinario, cui però si intersecano, con conseguenti reazioni particolari. Questa propagazione, credo, sarebbe dovuta servire ad arricchire di suspense e colpi di scena la storia, ma, invece, a mio gusto, la rendono solo, appunto, paradossale, e, persino, a tratti, ho avuto voglia di saltare pezzi interi di testo, soprattutto per come agiscono o non agiscono i protagonisti. Insomma, sono rimasta abbastanza delusa. Peccato, poteva essere una lettura gradevole.
I didn't realize it wasn't a Thorn until I started. I generally avoid serial killer books, and this reminded me why. Crazy killer on the loose, watch out, again. Ho hum. The big twist seemed so contrived. The love scenes were overdone. The big clue that wasn't discovered until the end was obvious right at the beginning when it was introduced. Wacky bad guys with little quirks, yawn. Not all bad. Liked the Dad with the memory loss, interesting. Plot moved along nicely. Overall, it just seemed clunky and obvious.
For you Hall fans, this is not a Thorne. Hall has a new publisher and is trying something new. Trust me, you won't even miss Thorne. Alexandra Rafferty is a forensic photographer with the Miami Police. She is good at what she does. And her husband is a slime. And her ex-policeman father is losing his grip on reality. And there's a serial killer on the lose. This is a great story. It's got it all, great plot, great characters, some hysterically funny scenes and a wonderful telling of it all.
Alexandra is a forensic photographer with Miami PD. She photographs crime scenes which included the murder of a number of women. The murders have a link to Alex and her past, but it takes some time for her to make the connection.
This story has a few twists and turns and a surprise at the end.
Starting with a childhood attack, and a coverup, it quickly moves on to a robbery, two million in cash, and a serial killer that can't be stopped. The action comes fast and doesn't stop till the end.
What a nice surprise this book was! I have had this book on my shelf for a very long time. This year's theme has me taking the books that were published longest. I did this theme a few years ago which ticked off Black Beauty (loved it!) and Frankenstein (hated it!) so we are up to the 90's now. This book was published in 1998.
Sometimes books do not age well. I have put off my older books because of this and there is always something newer that other people are talking about that I want to read. But here we go and guess what? I loved this one!
We have the main character, Alexandra, a crime scene photographer. Not an investigator but loosely tied to the force. There is a serial killer on the loose with some distinct details that are his signature: each woman is left lying in an unusual position and there is always a trail of blood that does not belong to the victim.
We also have her father, who we know a bit about in the prologue when we read a story about Alexandar at age 11. Fast forward and her father now has Alzheimer's or some form of dementia. The scenes with the two of them together was so heartwarming. He would say the funniest things and she patiently went along with the things he would say, some nonsense, and some maybe not nonsense.... I giggled quite a bit with his antics.
There is her husband, Stan, who is a real piece of work. And other very entertaining characters. As with most good murder mysteries, it kept me guessing and ended with a surprise.
A few details that, if they changed the details just a little bit, they could re-market this book today.
1. After taking her crime scene photos, she "dropped the film off for processing" and would put a rush on it so she could look them over the next day.
2. Later, her father is operating a camera that after taking a shot, he had to wind the film to take the next photo. I remember those!
3. No cell phones at all. At one point she needed to use the pay phone and someone else grew impatient waiting for her to get off the phone and urinated on her leg.
4. Full-service gas stations.
5. Another scene with a phone and she was walking back and forth on the front porch with the cord stretching as far as it would go.
Other than that, change the model of the cars and this was still a very good novel today!
4.3/ First, I want to specially mention for how I love its writing style. It is beautifully written especially when Hall tries to describe the intensely-consuming narrative of every critical details. It is very vivid that would paint an animated images and scenarios to your mind. In fact, I highlighted and annotated some of the lines that made me awe of how it constructed.
Moreover, what I learned from this novel is to not conclude when the collective things are not yet presented to you. I did conclude amid of the story who the killer was and attempted upon that very moment to observe his general conduct. All the presumptions, however, I had in my mind about his were actually untrue. Unanticipated matters just unfolded at the nearest end leading me to contemplate and connect the dots if it would make sense and hell yeah, it subtly, certainly did. It is brilliantly shocking for I never saw it would coming. When I finished, I went back to the pages when the killer was having a good time to his last two potential victims since I got confused and quite did presume all the time the wrong person; complimenting myself all along I get caught the right one that established a belief that I could be sort of detective(lol).
Ultimately, my greatest takeaway for this is to always notice the unnoticeable. Consider, at all times, those unknowably innumerable possibilities.
A young woman, photographer for the Miami police, finds herself caught up in a net of nasty circumstances. One has to do with her low-life husband and his clumsy attempts at being a criminal, and one is linked to a traumatic childhood incident. That's where the serial killer comes in - a man who leaves his victims bent into odd shapes. The novel is an easy read although I found Alexandra to be rather one dimensional. I did like the relationship she had with her father.
One of the better Hall books. A forensics officer is in danger--through her work, from her husband and his indiscretions and her friends. Bodies seems to be dropping all over the place as protagonist Alexandra and her Alzheimer's Dad race from point to point to get to the bottom of what's going on--in their present and from their past.
Really don’t know why James Hall is criminally ignored by readers - he’s such a beautiful writer, and for a crime writer that’s saying something!! This is yet again a taunt, well plotted thriller of the highest order, and right to the last page!! Brilliant stuff, so read Hall - he’s special and one of THE best crime writers of the world!!
A well-scripted thriller peopled with a couple of interesting characters (e.g., Alex), some rather weak characters (e.g., Emma), as well as some truly repulsive swine whose presence was extremely unpleasant (e.g., Stan). Like a wild roller coaster, it delivers the thrills while making some riders sick to their stomachs.
It was fast-paced and a very surprising and enjoyable book that was told from the point of view of different characters.
I didn't like that the end of the book was so abrupt with several questions left kind of unanswered, and events seemingly happening only to move the plot forward.
I picked up a signed copy of this book while on a vacation in Key West in December of 2021. I finally got around to reading it and boy, am I glad that I did! I thought it was quite the page-turner, and will recommend it to anyone looking for a good suspenseful read.
Probably one of the worst books I have ever read. Stereotyping, cliches, bigotry, no suspense, shallow characters, unbelievable storyline, etc. Why is this author a bestseller?
First book I’ve read by Mr. Hall. I really enjoyed it. A lot of mystery and intrigue. Thought I figured it out. I did not. Happy it worked out the way it did.
James Hall is a most interesting person. he was born in Kentucky, and graduated from Florida Presbyterian College with a B.A. in literature, and a deep love of Florida. He went on to earn an M.A. from Johns Hopkins University and a Ph.D. from the University of Utah. He then returned to Florida to teach literature and creative writing at Florida International University for the next 36 years.
The first books he published were four books of poetry followed by a collection of short stories and a book of essays. Since then he has published seventeen novels most of which feature an enigmatic loner named Thorn. This book, Body Language, is one of his Thorn series.
James Hall certainly catches the unique topographic heartbeat of Florida. I often feel Florida is an under-rated State, which is largely associated only with Theme Parks. This author does what he can to right that.
In this novel, photographer Alexandra Rafferty, is a fascinating character. She has been wounded by a childhood rape and so is very protective of her ex-policeman father who saved her then and has now slipped into senility. She deliberately keeps her talents and emotions in check. Her husband drives an armoured car. He is secretly planning the crime of the century. The rest of the plot involves the search for a killer of young women who leaves his victims in unusual postures.
I found this an interesting, compelling novel. However, I have to confess, this is my favourite genre and I have a great fondness for the State of Florida. I read the book straight through and found the plot was well executed but I found many of the characters difficult to warm to.
I had worked out who the killer was fairly early but the author threw just enough red herrings in to have me questioning my choices a few times. I was right in the end!
The author seemed to go out of his way a few times to be crude. I could have lived without that. However, I did like his description. I found I could really visualise my surroundings. This is the first book I have read by this author, but I doubt it will be my last. If you enjoy crime fiction, I would certainly commend this book to you.