Plasencia was a square, medium-sized house of red brick, built some sixty years ago, in those days when ar-chitects knew a great deal about comfort, but cared so lit-tle about line that every house they designed, however spacious, was uncompromisingly a “villa.” Viewed from the front, it was substantial and home-like, and suggest-ed, even in the height of summer, a “merry Christmas” and fire-light glinting off the leaves of holly; from the back, however, it had a look of instability, of somehow being not firmly rooted in the earth—a cumbersome Ark, awkwardly perched for a moment on Ararat, before plunging with its painted wooden crew into the flood, and sailing off to some fantastic port.
Hope Mirrlees (1887-1978) was a British translator, poet and novelist. She published three novels in her lifetime, Madeleine: One of Love’s Jansenists (1919), The Counterplot (1924) and the fantasy novel Lud-in-the-Mist (1926); three volumes of poetry, including Paris: A Poem (1919), described by the critic Julia Briggs as "modernism's lost masterpiece"; and A Fly in Amber (1962), a biography of the British antiquarian Sir Robert Bruce Cotton.