Kurt Schwitters' stated goal was to "erase the boundaries between the arts." This collection, culled from the five-volume German edition of Schwitters' writings, introduces the total work of art that is Merz through Schwitters' words. Included is the complete text for the "Ursonate," Schwitters' legendary and lengthy epic of sound poetry, which, as poets, editors and translators Jerome Rothenberg and Pierre Joris comment, "is to sound poetry what Joyce's Ulysses is to the twentieth-century novel."
Kurt Schwitters was a painter, sculptor, designer and writer and worked in several genres and media, including Dada, Constructivism, Surrealism, poetry, sound, painting, sculpture, graphic design, typography, and what came to be known as installation art. Between 1923-32, Schwitters edited the magazine Merz.
Kurt Schwitters is an inspiration! Uncompromisingly absurd, endlessly playful. I often find myself just silently contemplating the Cathedral of Erotic Misery. Also, I imagine the Ur sonata would be a hit at parties, or would get me thrown out of parties. Either is fine. If you desire some more DADA in your life seek out PPPPPP. This is probably not something you're going to want to read cover to cover straight through, but it's the right amount Kurt Schwitters to keep diving into whenever you find you need it.
It is the complement with the book of Schwitters. Ursonate phonetic poem. There is first the importance of graphism. The choice of the words, spacing of the lines, sizes and police of the text takes part in work. After, it's nécessairy to read aloud to understand the difficulty of the exercise. Raoul Haussmann, other dada's artist write also good phonetic poems.