What do you think?
Rate this book
If the Other Guy Isn't Jack Nicholson, I've Got the Part
From long-ago casting decisions to the creation of today's stars, this fascinating narrative will delight all film buffs.
Hardcover
First published October 1, 1994
1 person is currently reading
50 people want to read
About the author
Ron Base
39 books40 followersRon Base was born in Belleville, Ontario, Dec. 9. His bank manager father, Eric, moved the family—mother Jean and younger brother Ric—from Belleville to Cobourg to Picton, and finally to Brockville, Ontario. Here Base finished elementary school and then attended Brockville Collegiate Institute and Vocational School.
He began writing for a weekly newspaper, The United Counties Packet, when he was 15 years old. Based on his work for the weekly, he landed a part-time job at the daily Recorder and Times where he wrote a column for teenagers and worked as a general assignment reporter during the summer. He was also the Brockville correspondent for the Kingston Whig Standard.
He dropped out of high school at the age of 18 but was able to attend the journalism school at Algonquin College for one year in 1967-1968. While at the college, he wrote freelance pieces for the Ottawa Journal.
Although he did not graduate from Algonquin, Base landed a fulltime job as general assignment reporter at the Oshawa Times in the summer of 1968. Three months later, he was hired at the Windsor Star where he wrote obituaries before being assigned to the night desk. Several months later, he was named the paper’s media columnist.
After five years at the Windsor Star, Base was hired by publisher Douglas Creighton as a feature writer when the Toronto Sunday Sun began publication in 1973. He wrote pieces for the Sunday newspaper’s magazine section and also did the weekly cover story for the paper’s TV guide.
After three years at the Sun, he left to work briefly at the Toronto Star, returned to the Sun, just as briefly, before leaving to write magazine pieces. During this period, Base worked for a New York-based magazine syndicate, Writers Bloc, and produced profiles on everyone from actgor Peter O’Toole and former New York governor Nelson Rockefeller to author Tom Wolfe, mystery writer Mickey Spillane, and Robert Blake before he was accused of killing anyone.
Those stories and others appeared in such publications as the Washington Post, New York Newsday, The New York Post, Chicago Tribune, The Miami Herald, and the Los Angeles Times. He also wrote several profiles for Cosmopolitan magazine and freelanced for Maclean’s Magazine, first as its television critic and later as a contributing editor writing profiles.
Among the other publications Base wrote for during that period: TV Guide, Chatelaine, Quest Magazine, Canadian Business, and Toronto Life.
Returning to the Toronto Star in 1980, Base wrote TV criticism for a year and then replaced the newspaper’s longtime movie critic Clyde Gilmour. From 1981 to 1987, Base wrote movie reviews as well as profiled the major stars of the day, including Clint Eastwood, Paul Newman, Meryl Streep, Goldie Hawn, Michael Caine, Eddie Murphy, Richard Burton, Dustin Hoffman, Warren Beatty, Diane Keaton, Woody Allen, Oprah Winfrey, Steven Spielberg, Tom Hanks, and Kevin Costner.
During this time, he hosted a syndicated radio show, Marquee Magazine at the Movies and also co-hosted The Movie Show with Alex Barris for TV Ontario. The series lasted for two seasons before being cancelled. He also appeared frequently on the CTV network’s Canada AM to talk about movies.
Heavenly Bodies, a script Base had co written while freelancing, was released by MGM in 1985, and sank at the box office. However, the movie about three young women who start their own workout club found renewed life in the burgeoning home video market, and, much to Base’s continuing bemusement, refused to go away, becoming something of a cult hit, complete with an annual screening in Los Angeles.
During this time, Doubleday published Base’s first novel, Matinee Idol. Base left the Star in 1987 and co-produced and wrote a thriller, White Light, directed by Al Waxman and starring Martin Kove. The film played theatrically in Canada.
He also worked with David Haslam, publisher of Marquee Magazine, to produce a number of movie-orient
He began writing for a weekly newspaper, The United Counties Packet, when he was 15 years old. Based on his work for the weekly, he landed a part-time job at the daily Recorder and Times where he wrote a column for teenagers and worked as a general assignment reporter during the summer. He was also the Brockville correspondent for the Kingston Whig Standard.
He dropped out of high school at the age of 18 but was able to attend the journalism school at Algonquin College for one year in 1967-1968. While at the college, he wrote freelance pieces for the Ottawa Journal.
Although he did not graduate from Algonquin, Base landed a fulltime job as general assignment reporter at the Oshawa Times in the summer of 1968. Three months later, he was hired at the Windsor Star where he wrote obituaries before being assigned to the night desk. Several months later, he was named the paper’s media columnist.
After five years at the Windsor Star, Base was hired by publisher Douglas Creighton as a feature writer when the Toronto Sunday Sun began publication in 1973. He wrote pieces for the Sunday newspaper’s magazine section and also did the weekly cover story for the paper’s TV guide.
After three years at the Sun, he left to work briefly at the Toronto Star, returned to the Sun, just as briefly, before leaving to write magazine pieces. During this period, Base worked for a New York-based magazine syndicate, Writers Bloc, and produced profiles on everyone from actgor Peter O’Toole and former New York governor Nelson Rockefeller to author Tom Wolfe, mystery writer Mickey Spillane, and Robert Blake before he was accused of killing anyone.
Those stories and others appeared in such publications as the Washington Post, New York Newsday, The New York Post, Chicago Tribune, The Miami Herald, and the Los Angeles Times. He also wrote several profiles for Cosmopolitan magazine and freelanced for Maclean’s Magazine, first as its television critic and later as a contributing editor writing profiles.
Among the other publications Base wrote for during that period: TV Guide, Chatelaine, Quest Magazine, Canadian Business, and Toronto Life.
Returning to the Toronto Star in 1980, Base wrote TV criticism for a year and then replaced the newspaper’s longtime movie critic Clyde Gilmour. From 1981 to 1987, Base wrote movie reviews as well as profiled the major stars of the day, including Clint Eastwood, Paul Newman, Meryl Streep, Goldie Hawn, Michael Caine, Eddie Murphy, Richard Burton, Dustin Hoffman, Warren Beatty, Diane Keaton, Woody Allen, Oprah Winfrey, Steven Spielberg, Tom Hanks, and Kevin Costner.
During this time, he hosted a syndicated radio show, Marquee Magazine at the Movies and also co-hosted The Movie Show with Alex Barris for TV Ontario. The series lasted for two seasons before being cancelled. He also appeared frequently on the CTV network’s Canada AM to talk about movies.
Heavenly Bodies, a script Base had co written while freelancing, was released by MGM in 1985, and sank at the box office. However, the movie about three young women who start their own workout club found renewed life in the burgeoning home video market, and, much to Base’s continuing bemusement, refused to go away, becoming something of a cult hit, complete with an annual screening in Los Angeles.
During this time, Doubleday published Base’s first novel, Matinee Idol. Base left the Star in 1987 and co-produced and wrote a thriller, White Light, directed by Al Waxman and starring Martin Kove. The film played theatrically in Canada.
He also worked with David Haslam, publisher of Marquee Magazine, to produce a number of movie-orient
Ratings & Reviews
Friends & Following
Create a free account to discover what your friends think of this book!
Community Reviews
Displaying 1 - 2 of 2 reviews
August 7, 2021
A fun, summer read. Interesting to learn about some of the behind the scenes happenings of Hollywood and the movie industry.
February 13, 2016
Primarily focused on casting - it was fascinating to see who was originally chosen to play certain parts and why they turned them down, particularly when we're used to thinking of certain movies as integrally bound up with the actor(s) who played in them. Hard to think of Tom Selleck as Indiana Jones, for instance, rather than Harrison Ford.
Bad judgment, bad timing, sometimes probably a better choice of roles, more often a worse choice. It was also fascinating to see how many parts that turned out great for the actor in wildly successful movies were turned down by lots of actors - it makes the whole process seem really random!
At any rate, a really interesting book, if you're interested in movies.
Bad judgment, bad timing, sometimes probably a better choice of roles, more often a worse choice. It was also fascinating to see how many parts that turned out great for the actor in wildly successful movies were turned down by lots of actors - it makes the whole process seem really random!
At any rate, a really interesting book, if you're interested in movies.
Displaying 1 - 2 of 2 reviews