This indispensible text can justly be regarded as the forerunner to the great flowering of Dostoevsky's novels which was to follow. The first part of this unusual work is often treated as a philosophical text in its own right; the second part illustrates the theory of the first by means of its own fictional practice. At the same time, the reader is introduced to the phenomenon of the 'Underground Man', one of the first genuine anti-heroes in European literature.
Weird and intense. Horrific, but comical. Only a great writer could make a book out of this perverse person that I HAD TO finish, even if sometimes I was just disgusted. The psychology is so well seen. Dostojewski isn't afraid of the abysses in human beings.
Never have I abhorred a protagonist (who really is an antagonist) with such a passion- but I simply could not put the book down. Great, great, great read.
The protagonist is vile, pompous and inconsistent and as "anti-heroes" go, more zero than hero. though perversely captivating.
Philosophy is articulated, then brutally highlighted in the the second act, with a rather discomforting story of his relationship with a prostitute, who is the catalyst for some selfish self loathing and brutal verbal violence.
Not an easy read and a book that would probably take 10 reads to understand the subtext.
Ever feel sorry for yourself? Ever want to feel sorry about someone else to feel better about ever feeling sorry? Shame, rudeness, poverty, despair. Notes of the underground might not bring you to your local underground, but you’ll probably feel as low. 5/5