With Intent to Kill

Pierre Chambrun Mystery #17

by Hugh Pentecost

Pierre Chambrun, manager of New York's top luxury hotel, the Beaumont, races against time to stop a series of murders occurring in the hotel

Genres: Mystery

199 pages, Hardcover

First published January 1, 1982

About the author

Hugh Pentecost was a penname of mystery author Judson Philips. Born in Massachusetts, Philips came of age during the golden age of pulp magazines, and spent the 1930s writing suspense fiction and sports stories for a number of famous pulps. His first book was Hold 'Em Girls! The Intelligent Women's Guide to Men and Football (1936). In 1939, his crime story Cancelled in Red won the Red Badge prize, launching his career as a novelist. Philips went on to write nearly one hundred books over the next five decades.

His best-known characters were Pierre Chambrun, a sleuthing hotel manager who first appeared in The Cannibal Who Overate (1962), and the one-legged investigative reporter Peter Styles, introduced in Laughter Trap (1964). Although he spent his last years with failing vision and poor health, Philips continued writing daily. His final novel was the posthumously published Pattern for Terror (1989).

Reviews

[alexander burrus · Rating 4 out of 5]

Pretty good tale

First Pentecost book was really worthwhile. Debonair beginning flexuous story that I’m happy to have giving a chance and now look forward to my second Hugh Pentecost book.

[Teresa · Rating 5 out of 5]

Another good old story from Hugh Pentecost. I’ve always liked these Chambrun stories, even though they’re dated.

[Leona · Rating 4 out of 5]

I really love this series of books by Hugh Pentecost and this one was a good one with a lock-door mystery. I miss the time period in which these books are set - so very unlike the sterile politically correct atmosphere we're in now. But I do think there was far too much repetition in the conversations amongst all the characters. Other than that, I think this is a good one. All the loose strings were put together very neatly in the end.