In 18th-century England, a widowed confectioner is drawn into a web of love, betrayal, and intrigue and a battle of wits in this masterful historical novel from the author of the USATODAY bestseller The Square of Sevens.
Following the murder of her husband in what looks like a violent street robbery, Hannah Cole is struggling to keep her head above water. Her confectionary shop on Piccadilly is barely turning a profit, her suppliers conspiring to put her out of business because they don’t like women in trade. Henry Fielding, the famous author-turned-magistrate, is threatening to confiscate the money in her husband’s bank account because he believes it might have been illicitly acquired. And even those who claim to be Hannah’s friends have darker intent.
Only William Devereux seems different. A friend of her late husband, Devereux helps Hannah unravel some of the mysteries surrounding his death. He also tells her about an Italian delicacy called iced cream, an innovation she is convinced will transform the fortunes of her shop. But their friendship opens Hannah to speculation and gossip and draws Henry Fielding’s attention her way, locking her into a battle of wits more devastating than anything she can imagine.
Laura Shepherd-Robinson was born in Bristol in 1976. She has a BSc in Politics from the University of Bristol and an MSc in Political Theory from the London School of Economics. Laura worked in politics for nearly twenty years before re-entering normal life to complete an MA in Creative Writing at City University. She lives in London with her husband, Adrian.
Clever, clever, clever! Let the games begin! It's 18th-century England and a game of wits ensues when Hannah Cole's husband is murdered, and her confectionary shop is struggling. The magistrate, Henry Fielding, is threatening to confiscate her husband's bank account and William Devereux, a mysterious friend of her husband offers to help!
Being a woman and having a business is hard work, especially during a time when female owned businesses are frowned upon. There are many, including her suppliers, who do not want Hannah to succeed. When Henry Fielding begins his investigation, he suspects her husband was not on the up and up and threatens to take his bank account as the money in it may have been made by illegal means. Hannah needs all the money she can get to pay her suppliers and keep her shop open! It is not an easy time to be a woman, a widow, or a female business owner!
William Devereux offers to help and even introduces Hannah to an Italian delicacy called Iced Cream! It is a hit, and her business may just yet survive! Iced Cream, can you even imagine? Such a tasty treat! People are curious, and she is getting customers! But not so fast Hannah, the gossip mills are spinning overtime! Hannah's relationship with the charming and devilishly handsome, Devereux has caught everyone's eye and as the gossip reaches Henry Fielding, he takes a closer look at Hannah!
This book is told through the POV of both Hannah and William. This was a very nice touch, and readers learn quite a bit about each character with each chapter! Oh, how I loved reading their thoughts and motivations. Each character was fascinating and as the book progressed, I found myself becoming more and move invested in the plot. Both characters are very clever, very resourceful, and quick thinkers.
I enjoyed the descriptions of 18th-century England and how investigations were conducted. I also enjoyed the many twists and turns that occurred along the way. I found this to be a very clever and captivating game of wits and wondered who would come out on top!
Wonderfully written, with descriptions that will have readers feeling as if they are right there in the confectionary shop on Piccadilly trying Iced cream for the first time! Secrets, lies, manipulation, power plays, tasty treats, and quick wits are the name of the game in The Art of a Lie!
Thank you to Atria Books, Edelweiss, and NetGalley who provided me with a copy of this book in exchange for an honest review. All the thoughts and opinions are my own.
"In 18th-century England, a widowed confectioner is drawn into a web of love, betrayal, and intrigue and a battle of wits in this masterful historical novel."
Hannah Cole is desperately trying to figure out how to obtain her husband's money after his untimely death. A magistrate is trying to block the money from leaving probate as he feels it was obtained illegally. On top of that, Hannah has to run their confectionery shop managing employees and mastering a new dessert.
She meets William Devereaux and feels her is the only person she can trust. Or can she? Is this a game of cat and mouse among con artists? Only time will tell!
I loved this intriguing story set in London in the Georgian era. It is full of mirrors and lies where what you are being shown may not be what you are getting. There is mystery, murder, mayhem, gossip, and romance. The amount of research poured into this novel is impressive! Lots of twists and head games with this one.
Many thanks to NetGalley, Atria Books, and Laura Shepherd Robinson for an advance reader's copy in exchange for my honest review. I listened to the audiobook to supplement the ebook copy and found it an engaging performance with a male and female narrator. Highly recommend!
Iced Creamed Devilry A review of the NetGalley eBook ARC released in advance of the Atria Books hardcover / eBook / audiobook (August 5, 2025).
The Art of a Lie is set in Georgian England at a time when writer Henry Fielding (1707-1754) was an investigating magistrate. Fielding is investigating the death of Jonas Cole, who was apparently killed while being assaulted on the street.
Fielding suspects the victim had a falling-out with criminal partners and that causes him to freeze the Coles' bank account and put widow Hannah Cole in danger of losing her confectionery shop. Fortunately a friend William Deveraux steps in to help Hannah save her business. Part of that involves the popularization of ice cream in London, which was previously little known.
Fielding is generally known for his satirical and picaresque novels and plays, especially for The History of Tom Jones, a Foundling (1749). In The Art of a Lie he is more of a malevalent character, who hopes to confiscate supposed ill-gotten gains in order to fund his dream of a professional London police force, which started with the so-called Bow Street Runners (founded in 1749).
Hannah Cole is forced to match wits with Henry Fielding. This is in alliance with William Devereux at first, but things take a few twists and turns, about which it would be a spoiler to say anything further. Hannah is forced to make some chilling decisions which are far more than just about the process of creating her delicious "iced creams."
This novel was a delight for both its evocation of the period and for the cat and mouse game played between the lead trio of characters.
My thanks to Atria Books and NetGalley for the opportunity to read this advance ARC copy for which I provide this honest review.
Trivia and Links The History of Tom Jones, a Foundling is considered to be one of the first ever English language novels. It was adapted as a popular film Tom Jones in 1963. The Welsh singer Thomas John Woodward was given the stage name Tom Jones (1940-) by his manager Gordon Mills, due to the popularity of the film.
Set in 18th-century London, Hannah Cole, after the murder of her husband, faces struggle of keeping her confectionary shop open with bare profits and men conspiring against her. As Chief Magistrate, Henry Fielding, investigates the case of her husband’s murder and holds her savings, she tries to hold her own.
When William Devereux presents at her shop and claims to be her late husband’s friend, putting claim to some investments, it gives her hope. To present himself even more believable, he gives her recipe of an Italian delicacy called iced cream. Their new friendship draws some attention to speculation and gossip.
The story begins with Hannah’s narrative, and then alternates with William’s narrative, making the story very absorbing as they reveal nuances of their stories. Both backstories are fascinating, with Hannah’s passion for new creations in the world of confectionary. And William’s sad story of his mother who made iced cream for him and was badly mistreated by his father. William’s story can make one feel sympathetic toward him, but Hannah’s uncovering can make one change the mind.
As the story progresses, it becomes even more gripping as both characters try to outwit each other. At the same time, bringing to the surface true colors’ of Hannah’s late husband.
This well-crafted story feels authentic, exploring the characters that represented the middle-class tradespeople who grew substantially in number during the 18th century Georgian London. Also, revealing the Georgian craze for ice cream and the curious method for making it.
Henry Fielding is a historical character, novelist and playwright, later becoming Chief Magistrate of Westminster, who was battling political and judicial abuse of power. Hannah Cole is a fictional character but she represents the ten percent of women who ran businesses in Georgian London despite being disadvantaged by the inheritance laws.
This fast-paced story is filled with twists and turns ruled by corruption, lies and deception led by characters that are complex and intriguing.
Source: ARC was provided by the publisher via NetGalley in exchange for an honest review.
Phew! Con man alert! 🚨 Gave it a chance and I am glad I did!
It was hard to be a woman in the eighteenth century. Everything was owned it seemed by men. So Hannah Cole, following the murder of her husband, Jonas, is having an especially difficult time maintaining her confectionery shop until one day a man, William Devereux, walks in and seems to be the answer to her nightmare.
William seems to take a liking to her and she to him and with Henry Fielding, author and magistrate, breathing down upon her, she feels that all may be lost. Everything seems to hang on murder and money.
However, William brings an idea with him, ice cream, and the possibility of love. William had been a friend to her late husband so his solicitous care seems to make sense, and Hannah seems to be falling for him.
Both Hannah and William carry secrets which of course could ruin them both, but love is love, and lies are lies, which both of them are ever adept at.
It took me awhile to get into this book and I am so happy I persevered. I so was caught up in the intrigue, the ways of Piccadilly and its shopkeepers, and the times. Hannah and William both had the sense of trust well developed. Both were smart ingenious people so in this duel of wits who would come out on top?
Hannah Cole’s husband Jonas was recently murdered. Henry Fielding, the author who is now the Chief Magistrate of Westminster, suspects that Jonas was involved in criminal activity, and Hannah’s inheritance is threatened. William Devereux, who was acquainted with Jonas, offers to help Hannah discover any secrets that may have led to her husband’s death. He also introduces her to ice cream, the fabulous treat that revives her confectionery business.
Told from the points of view of Hannah and William, layers of deception are revealed. I thought the book was a little slow to get started, but improved considerably once William’s point of view kicked in. The protagonists are intelligent and well matched and Fielding is relentless in his pursuit of the truth. I really hated the ending of the book, but what came before was an entertaining game among worthy opponents. I listened to the audiobook, and both narrators were very good. I particularly liked Justin Avoth.
I received a free copy of this book from the publisher.
5 stars. Set in 18th century London, England, the story follows Hannah Cole, now sole owner of her father/grandfathers confectionery shop after her husband is murdered in a robbery gone awry. Hannah is determined to keep her shop going, however back then it was a man’s world and very few men supported it. This affects her business financially. While Henry Fielding, you heard that right.. that famous author-now magistrate.. investigates the murder, he keeps Hannah’s inheritance from being released. tsk tsk.. so how exactly did her husband accumulate that much money? She then meets and is attracted to an unknown business acquaintance of her husband, William Devereux, who offers to help. I must say I was really surprised by how much I enjoyed this cat and mouse game with battle of the sexes vibes that ensues throughout! So lively and fun how you never knew what to expect or which direction it would go. Also how easily I could imagine the people, places and desserts (like iced cream) of that bygone era. The cover not so great - but the story.. chefs kiss. Pub. 8/5/25
Thanks to NetGalley for the advanced reading copy in exchange for an honest review.
A lively tale set in Georgian England of a romantic conman and his victim, a woman who may not be so innocent herself. The novelist and playwright, Henry Fielding, author of The History of Tom Jones, a Foundling, is the Chief Magistrate of Westminster in 1749 and doggedly investigates the crime of murder at the center of this story. He believes 'that any one of us is capable of acts of great wickedness under the right circumstances.'
This is quite a fun read. I didn't know who I wanted to win this battle of wits but I sure would have loved a taste of any of the iced cream flavors served at The Punchbowl and Pineapple Confectionary! Many thanks to the author and publisher for providing me with an arc via NetGalley. My review is voluntary and the opinions expressed are my own.
Hmm. This author's previous novel was my favorite book I read in all of 2024. This one wasn't as much of a homerun for me.
The writing style is quite good, and it is evident that a lot of research went into bringing 18th century London to life upon the pages here. From Hannah Cole's confectionary shop to the various parks, grand homes, and gambling houses, the details all rang as authentic and do an admirable job dropping the reader directly into the setting. This story is a decent one featuring widows, murderers, con artists, and one satirical novelist turned crime-busting magistrate based off of a real historical figure. There is a mystery that largely stems from not knowing which information you can and cannot trust.
However, I found myself kind of annoyed spending time with the main characters. The story alternates between two points of view, and while the reader knows when one person or the other is being lied to, it can be quite frustrating when the characters themselves are unaware of this. You spend your reading time wondering if and when things will come to light for them, or if their part of the tale will continue to see them reacting to false pretenses. This set up had me feeling kind of angsty, and knowing what I knew as the reader sort of left a bad taste in my mouth as I read on.
Many other reviewers seemed to really appreciate the ending, but I have to say that to me it seemed rather sudden and underwhelming. Especially considering this author's other work, I was expecting the rug to be pulled out from under me in much more dramatic fashion at the last moment. There were still unexpected twists throughout, but the final one didn't really wow me the way I think it was intended to.
But in all this is still well written historical fiction with some twisty mystery for added spice. I just had difficulty enjoying my time with the characters in this one.
Loved this! I absolutely loved this! And I have to say this would make a great film! The Georgian streets came to life and Henry Fielding plays a prominent part. I learned quite a bit about him, let me tell you! It’s quite difficult to write much about the story without introducing spoilers- the two main characters were interestingly portrayed, with a certain amount of star-crossing. Many thanks to Netgalley for an arc of this book.
Anyone who’s read any of Laura Shepherd-Robinson’s previous books (and if you haven’t, why not?) will know she’s an author who has perfected the art of the surprise. She delivers several in bravura style in The Art of a Lie. It’s impossible to say more for fear of spoilers but, safe to say, not everything is what it seems and not everyone is what they seem.
This is a book that is plotted with the precision of a Swiss watch with numerous twists and turns, and a delicious sense of jeopardy that keeps you turning the pages. The two main characters, widow Hannah Cole and charming businessman William Devereux, each get their turn to tell their side of the story, the latter in brilliantly colourful fashion. But the whole book is peopled with eccentric characters: some lovable, some amusing and some completely terrifying. It also features actual historical figures.
Chief of these is Henry Fielding who, besides being an author, was, I was fascinated to learn, Chief Magistrate of Westminster and eventually responsible for the establishment of the professional police force initially known as the Bow Street Runners. In the hands of the author, Fielding is a doggedly relentless investigator who is determined to get to the bottom of the murder of Jonas Cole, carefully piecing together fragments of evidence and interviewing witnesses. It’s not an easy task in a world where corruption is rife even – or perhaps, especially – amongst those holding public office. It seems that everyone’s on the take or has something to hide.
The author brilliantly conjures up the atmosphere of Georgian London: the seedy taverns, the opulent gaming houses and vast pleasure gardens. The gulf between the rich and poor is wide, with the destitute forced to sell themselves or beg in the street, whilst the nobility swap the latest gossip or seek out the next sensation, such as Hannah Cole’s revolutionary ‘iced cream’. Ah yes, the ‘iced cream’, one of the delights of the book. I was fascinated by the descriptions of the intricacies involved in its production and amazed by the variety of flavours and combinations of flavours. I might pass on the parmesan flavoured one though.
The Art of Lie is an enthralling battle of wits in which it remains unclear who will come out on top until the very end. If I’m honest, I’d have liked a different ending but I guess you have to expect to get your just desserts.
(Once you’ve finished the book – but not before! – do take the time to read the Historical Note because it contains fascinating background detail.)
I’m not too sure of the ending of this book; our author--Laura Shepherd-Robinson--had me so discombobulated that I don’t trust what I had read. Thank you! I wouldn’t want it any other way.
Hannah Cole is newly widowed and dealing with the misogyny of 18th century England. Her husband has been murdered and all she wants to do is continue to run their candy shop, The Punchbowl and Pineapple. The business has been in her family for generations, but it is her husband who made the decisions. Now that he is dead, she must contend with the restrictions and innuendos that befall her as an unattached woman running a business. Enter the two men who will have considerable impact on her life and decisions.
Henry Fielding (the satirical writer responsible for Tom Jones) is in charge of investigating the murder of Hannah’s husband (later in life, he became a magistrate judge). The suspicious circumstances of his death has made Fielding continue the investigation into a supposedly cut and dry case. This affects any funds and inheritance coming to Hannah. In debt with suppliers, and experiencing a lag of customers, she is in desperate need of money. Enter the dashing William Devereux with a recipe for a new confection: ice cream. Along with this instantly profitable and exotic treat, he offers kindness, friendship, advice, and the possibility of romance.
Now, this sounds like a damsel in distress plot; well, it’s not. Hannah is independent, and hungry to prove herself as an entrepreneur that just happens to be female. She also has a few skeletons in her closet (as do most of the characters). Fielding is shrewd and thorough as every character in the novel comes under suspicion, including the mysterious Devereux. Whom can they (we) trust? It is hard to tell because everyone has a selfish, hidden agenda that keeps them (and us) on our toes.
The New York Times has called it a “delicious puzzle-box of a novel” (a box that cannot be opened unless a series of puzzles are solved). I couldn’t put it any better. There are twists within twists within twists. And then there is the ending…
I would like to thank Atria Books and NetGalley for the opportunity to read and review this delightful novel.
I’ve enjoyed all of Laura Shepherd-Robinson’s previous books, particularly The Square of Sevens, so this is one of the new releases I’ve been most looking forward to reading this year. It has many of the same elements as her others – an 18th century setting, a mystery to be solved, lots of surprising plot twists and characters who are not quite as they seem! This one also features ice cream, which makes it a perfect summer read.
The Art of a Lie opens in London in 1749 and the first section is narrated by Hannah Cole, whose husband Jonas was found dead in the street several months earlier, seemingly the victim of a robbery. Since his death, Hannah has continued running their business, a confectionery shop known as the Punchbowl and Pineapple, but is struggling financially. A visit from the magistrate, Henry Fielding – who is also the author of the recently published Tom Jones – brings her some welcome news: Jonas had a large sum of money in his bank account that she knew nothing about. Unfortunately, her excitement is short-lived because Fielding also tells her that he suspects the money was acquired illicitly and that Jonas was probably not just the victim of a random attack as first thought, but was murdered by someone he knew.
A second way of improving her financial position soon presents itself to Hannah when a gentleman enters the Punchbowl and Pineapple and introduces himself as William Devereux, a friend of her late husband’s. William gives Hannah a recipe for ‘iced cream’, a frozen dessert made by his mother, who was raised in Italy. Despite some initial problems – freezing cream without the aid of an electric freezer is not an easy task – the new treat proves a big success. And soon William is helping her to solve a bigger problem – the question of who killed Jonas Cole and where the money in his bank came from.
The perspective switches between Hannah and William several times throughout the novel, with each narrator being given a distinctive narrative voice of their own. I felt a stronger connection with Hannah, but seeing things from William’s point of view provides a whole different side to the story. It quickly becomes clear to the reader that neither one of them is being completely honest with the other (or with anyone else) and that, as the title suggests, this really is a novel about the art of telling lies! It was fascinating to follow both of their narratives, wondering who was going to come out on top. The ending of the book wasn’t really what I’d expected and although I would have preferred the ending I had expected, it was good to be taken by surprise!
I loved the setting of the book, particularly the descriptions of Hannah’s shop and all the cakes, chocolates and sweets she sells. I enjoyed reading about her experiments with different varieties of ice cream (don’t miss the author’s note at the end of the book, which has some factual information about the history of ice cream in the UK). The inclusion of Henry Fielding as a character in the book was also interesting – he really was Chief Magistrate of Westminster at the time the story is set and was the founder of the Bow Street Runners, London’s first police force.
The Square of Sevens is still my favourite Laura Shepherd-Robinson book, but I think it’s just a matter of personal taste and I’m sure some readers will like this one better. It reminded me very much of The Queen of Fives by Alex Hay and I think if you enjoyed that one you’ll probably enjoy this one as well.
"'I love you' She'd said and I hadn't seen the truth of that moment either. Not a sigh of surrender, but a declaration of war."
oh my god i actually have no words for how UNWELL i am. read this book. dont ask any questions. just do it. and listen to lana's Henry, Come on, while your doing that this BOOK THIS book. first half was kind of slow, but that all led up to a world shattering ending my guy just trust me
I enjoy historical mystery and while I enjoyed aspects of this story, overall, this one was just an average read for me.
I liked that the story was told from two POVs and enjoyed the cat-and-mouse games between the two MCs, one a con artist, the other, a desperate widow. I thought the use of the first person perspective for each POV was effectively done and helped me learn about the characters.
The historical details, including the popularity of ice cream in Georgian London, added to the setting of the 1700s in England as did details around societal norms, corruption, and classism. However, at the same time, I found the descriptions to be overly done and served to slow the story and parts of it dragged. I found my interest waning at times.
Thanks to the publisher for this complimentary digital copy. All opinions are my own.
A promising premise that didn’t quite deliver as I’d hoped. This book is set in 18th century England. Hannah Cole is a widowed confectioner who is trying to make ends meet after her husband’s murder. Her shop is struggling, and she’s not sure what she’s going to do.
When William Devereaux enters the picture, a friend of her late husband, things begin to change. He introduces her to ‘iced cream’, which she perfects and it becomes a big sensation. And she is intrigued by him.
But the local magistrate, Henry Fielding, is like a dog with a bone investigating the murder of Hannah’s husband and is holding inheritance money hostage until the investigation is complete. Who is telling the truth, and who is lying?
This book is part mystery, and historical romance as well. Is Devereaux too good to be true… An easily readable story that left me feeling like I wasn’t really rooting for one character more than another.
One thing that was off-putting for me was the use of vulgar phrases and words. I know this book involves lies and shady characters, but I felt like it didn’t fit the 18th-century vibes to me, and would’ve been better without it, in my opinion.
I enjoyed the descriptions of the treats and delicacies made in Hannah’s Punchbowl and Pineapple confectionery shop.
⚠️| Contains a number of instances of a crude and vile word, brief intimate scenes and some strong profanity. Also includes descriptions of murder
London, 1749. Following the horrific and tragic murder of her husband in what could only be described as a violent and needless street robbery, Hannah Cole is struggling to make ends meet and keep her head firmly above water. The Punchbowl and Pineapple, her pride and joy that is a luxuriant confectionery shop sure to satisfy even the sweetest tooth, is barely turning what anyone could call a profit and with every passing day, it feels increasingly harder to stay positive as Henry Fielding, the famous author and new magistrate threatens to confiscate the money in her husbands bank account, believing it was acquired through illegal avenues, and even those Hannah thought to trust have their own ideas on her… William Devereux seems different. Apparently a friend of her departed husband, Devereux helps Hannah to unravel some of the mysteries haunting her surrounding the death of her husband. And he also tells her about an Italian delicacy that they call iced cream, an innovative new way to help finally turn her luck around and transform her shop into something she can truly be proud of - if only she knew of its methods to make such a thing. However their friendship soon spins into speculative gossip which does not escape the beady and enquiring eye of Henry Fielding and the two find themselves in a battle of wits, for Hannah is not half as innocent as she projects to others….and neither is William… A tension filled game of cat and mouse, jaded wife and shunned stranger, all make for a plot most devilish and masterful!
Set in Georgian England, against the ice cream craze, this historical fiction mystery provides for two narrators - the widow Hannah Cole, and the friend of her late husband, William Devereux.
The alternating narrative allows the reader to witness events from these two viewpoints, as Hannah's husband's shady dealings are revealed, bringing her to the attention of local magistrate Henry Fielding. What the reader will have to decide is which of these two are Hannah's enemy, or something darker at work.
Whilst well researched to bring 18th century Georgian England to life, I found my attention wavering and my interest in both the characters, the narrative and the mystery itself dwindling as the pages passed by. This period of historical fiction is out of my usual reading comfort zone, but that really was not the reason for my lack of engagement. Can't specifically put my finger on it, but it just wasn't enough for me. I am sure others will feel differently and devour with this eagerness.
The Art of a Lie by Laura Shepherd-Robinson is a great historical fiction that kept me engaged from beginning to end.
This is an engaging, thrilling, and overall very difficult to put down novel that takes us into the heart of London in the 18th century. There is mystery, intrigue, double crossing, twists/turns, and a fascinating plot that kept me up late several nights trying to get to the end and the “A-Ha!” Moments.
The characters were well-thought out and complex, the pacing was perfect, and it really held my interest. Yes, this is an historical fiction that alternates between character POVs, however do not let it fool you…it is so much more.
5/5 stars
Thank you NG and Atria Books for this wonderful arc and in return I am submitting my unbiased and voluntary review and opinion.
I am posting this review to my GR and Bookbub accounts immediately and will post it to my Amazon, Instagram, and B&N accounts upon publication on 8/5/25.
Mind-bendingly excellent. I was biting my cuticles—literally—as I watched this battle of wits unfold like a tennis match, secrets and lies volleying back and forth with each chapter.
The result is a historical thriller that’s deliciously taut, with layered deceptions that feel as dangerous, slippery, and fresh as anything you’d read in contemporary crime.
I’d recommend this book for readers who are looking for historical fiction that feels like a beach read. I believe there will be many readers who enjoy this book, but it just wasn’t for me.
My expectations were a little off (not the author’s fault) - I was expecting more of a mystery/thriller with some historical elements, but it’s actually historical fiction with a little dash of a mystery. It sort of reminds me of Sarah Waters’ book Fingersmith, which many people love but I did not enjoy. Similar to Fingersmith, The Art of a Lie alternates between two perspectives — the characters are lying to one another, but we as the reader are in on both of their lies. The story is less about the reader looking for clues, and more about following the characters as they try to figure out what the other one is up to. Unfortunately, I found this frustrating.
Others are really enjoying this book, so please consider the overwhelmingly positive reviews too before making a decision!
This book was very entertaining. It had me hooked from the beginning. It was fast-paced and well written.
I was a little thrown off when we changed povs. They had such a different feel. William's pov had more language and felt a little crude. But I understand why we needed both sides.
All the lies were so intriguing, seeing who would figure out what first.
The ending wasn't satisfying, but it was interesting and felt kind of appropriate.
And I really enjoyed reading the historical note at the end and seeing what was real and fictional and all the research that went into it.
This was not at all what I expected, but I enjoyed it very much. I planned to read just a few chapters last night before bed, but then I got to the last sentence of chapter 5, and from that point on I couldn’t put the book down until I was finished. (Who needs sleep?)
Set in London during the Georgian era, it starts like your typical historical mystery about a character – Hannah – whose life was upended by a crime (the murder of her husband), and who finds out her dead loved one kept quite a few secrets from her, so she starts investigating. But then it took a completely unexpected turn in a direction that gripped me even more. Battles of wit! Confidence schemes! (Though again, not in the way you would expect.) Sign me up!
It’s hard to say anything about this story without getting into spoiler territory, but I loved how it always kept you guessing who had the upper hand in the characters’ games of deception. You could never be completely sure who currently fell for (or didn’t fall for) whose lies and manipulations.
I loved Hannah, she was smart, resourceful and likeable. I was rooting for her the entire time. But I also enjoyed Billy’s POV. He was less likeable, but no less intriguing. And the inclusion of Henry Fielding as another major character in this cat-and-mouse game was also very interesting.
Fair warning about the male POV, which doesn’t appear until later in the book (about 70 pages in): It contains strong language and really is a shift in tone from Hannah’s narrative voice. If that sort of thing puts you off, maybe skip this book. But if you don’t mind strong language, I definitely recommend this. And I loved the ending, which was positively Shakespearean. (Karma? Irony? Tragedy?)
I’m also really craving ice cream now. 😉
I received a review copy of this book from the publisher, Pan Macmillan, via NetGalley. This review reflects my honest opinion.
Thank you to Atria Books for providing this ARC for review consideration via NetGalley. All opinions are my own.
The Art of a Lie by Laura Shepherd-Robinson is a story that blends historical fiction, thriller, and crime drama. The story interjects the colorful details and intriguing characters of Georgian London into a game of cat and mouse, in which both of the narrators are very much in both roles. I was delighted to find that the author did a significant amount of research on the middle-class tradespeople of the era and included fictionalized accounts of real-life figures; chiefly Fielding. I appreciate when authors take the time to make an effort when crafting a reasonably authentic image of a setting. The setting of a confectionary was also a really fun and compelling choice; who doesn’t love crime and ice cream?
I liked that this book was committed to keeping the reader on the back foot. In switching narrators, the reader gets lulled into the sense they have an idea of all of the information, but like the characters, they’re often scheming based on false assumptions or lies. I thought this book would be a murder mystery set in a frilly ice cream parlor, but was actually pleasantly surprised when it veered in a different direction. While the “iced creams” may be the constant, the intrigue seems to shift quickly through the story.
Overall, I thought this was a very fun read. I think for fans of historical fiction that want a break from princesses or war stories, this is a great choice. I think fans of thrillers and mysteries may also find this a pretty engaging choice that’s slightly lower stakes than other options. For me, it’s a very solid 4/5 stars.
The first chapter or two felt slow. I briefly thought of DNFing. And then I turn the page and - well, that’s a twist I didn’t see coming. And then another one. And another one.
I really liked Hannah: she was a woman ahead of her time. She knew her worth and that she was the best in her field. The mystery surrounding her husband’s death becomes central to three very different people, with all of them seeking to profit in different ways. The writing was excellent, giving a snapshot of Georgian England without being too heavy on the exposition.
I can’t really explain too much more without spoilers, but I guarantee that this historical fiction is as suspenseful as a modern-day thriller. I can’t say enough good things about this book!
Thank you to NetGalley, Laura Shepherd-Robinson, and Atria Books for an advanced copy in exchange for an honest review.
Another fab book by Laura! I was really drawn in by the title and cover for this one and only had a quick scan of the blurb as I like going in blind.
*Spoiler Free*
There are some great twists and turns in this story, the first coming only five chapters in, and was a big one at that! I was so shocked that I actually gasped and swore out loud 🫢. Each twist pulled me in further, making it hard for me to put the book down. I loved the characters of Hannah and William, who were both well written. Their stories play out brilliantly right to the very end. I enjoyed reading about the era this book is set in and was pleased to read that the characters and shops were actually accurate to real life at that time. It was great to hear the background to them in the author notes at the end, and I felt it really added to the story.
The Art of a Lie offers an excellent, multi-layered plot filled with surprises from beginning to end. Each time I though I'd really pinned down where the novel was headed—Bam! I'd be hit with a new complication or realize I had badly misunderstood some earlier event. Shepherd-Robinson's novel will get you into the "just one more chapter" loop. Her depictions of 18th Century London are detailed and, as far as I can tell, accurate. If you enjoy novels where brilliant minds are pitted against one another, you're in for a treat with The Art of a Lie.
I received a free electronic review copy of this title from the publisher via Edelweiss; the opinions are my own.