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THE END: Alpha
When a man in power believes he's God, mankind doesn't have a prayer.
===
When Constantine Jedidiah Goodfellow shot up through the senate, people were all-too surprised and delighted to see someone in the prime of life wanting to heal wounds, bring people together, and bring peace, so they elected him President. His aim, however, was to bring the exact opposite.
The year is 2113, and Christianity is under siege. A massive virus has torn across the planet and killed off half of the world’s population and its leaders. Goodfellow, having changed his name to “Nero” in honor of the Roman emperor, has declared himself de facto leader over the remainder of mankind, and commenced the eradication of Christianity.
In a small community outside Chicago, Illinois, 18-year-old Sage Maddox is endowed with wisdom and street smarts well beyond his years. Though his entire family has been killed off by “Guardians” – deceptively-named and ruthless killing machines dispatched by Nero – he is determined to do his part to bring much-needed justice and restore safety to Christians throughout the world.
Simultaneously, the worlds of both Colonel Thomas Drexler of The Defiance, and Nero's most High Vassal Maximillian are on a collision course in a high-stakes game of cat and mouse.
The only question who is the cat, and who is the mouse?
===
Bestselling author Aaron Ryan of the "Dissonance" alien invasion saga presents the first installment in a riveting new post-apocalyptic Christian dystopian fiction series.
"The Alpha" will leave your heart pounding and take you on a thrill ride of epic proportions as you fight to survive along with Sage and the rest of humanity!
===
When Constantine Jedidiah Goodfellow shot up through the senate, people were all-too surprised and delighted to see someone in the prime of life wanting to heal wounds, bring people together, and bring peace, so they elected him President. His aim, however, was to bring the exact opposite.
The year is 2113, and Christianity is under siege. A massive virus has torn across the planet and killed off half of the world’s population and its leaders. Goodfellow, having changed his name to “Nero” in honor of the Roman emperor, has declared himself de facto leader over the remainder of mankind, and commenced the eradication of Christianity.
In a small community outside Chicago, Illinois, 18-year-old Sage Maddox is endowed with wisdom and street smarts well beyond his years. Though his entire family has been killed off by “Guardians” – deceptively-named and ruthless killing machines dispatched by Nero – he is determined to do his part to bring much-needed justice and restore safety to Christians throughout the world.
Simultaneously, the worlds of both Colonel Thomas Drexler of The Defiance, and Nero's most High Vassal Maximillian are on a collision course in a high-stakes game of cat and mouse.
The only question who is the cat, and who is the mouse?
===
Bestselling author Aaron Ryan of the "Dissonance" alien invasion saga presents the first installment in a riveting new post-apocalyptic Christian dystopian fiction series.
"The Alpha" will leave your heart pounding and take you on a thrill ride of epic proportions as you fight to survive along with Sage and the rest of humanity!
- GenresDystopiaYoung Adult
293 pages, Kindle Edition
Published March 4, 2025
11 people are currently reading
21 people want to read
About the author
Aaron Ryan
32 books46 followersAward-winning and bestselling author, speaker, panelist, workshop presenter and voice actor Aaron Ryan lives in Washington with his wife and two sons, along with Macy the dog, Winston the cat, and the finches Inky, Pinky, Blinky & Clyde.
He is the author of the bestselling "Dissonance" 6-book alien invasion saga, the Christian dystopian fiction saga "The End," the sci-fi thrillers "Forecast" and "The Slide," the nonfiction book "God Is Not Santa," the children's picture books "The Ring of Truth," "The Sword of Joy" and "The Book of Power," the business reference books "How to Successfully Self-Publish & Promote Your Self-Published Book" and "The Superhero Anomaly", 6 business books on voiceovers penned under his former stage name (Joshua Alexander), as well as a previous fictional novel, "The Omega Room."
When he was in second grade, he was tasked with writing a creative assignment: a fictional book. And thus, "The Electric Boy" was born: a simple novella full of intrigue, fantasy, and 7-year-old wits that electrified Aaron's desire to write. From that point forward, Aaron evolved into a creative soul that desired to create.
He enjoys the arts, media, music, performing, poetry, and being a daddy. In his lifetime he has been an author, voiceover artist, wedding videographer, stage performer, musician, producer, rock/pop artist, executive assistant, service manager, paperboy, CSR, poet, tech support, worship leader, and more. The diversity of his life experiences gives him a unique approach to business, life, ministry, faith, and entertainment.
Aaron's favorite author by far is J.R.R. Tolkien, but he also enjoys Suzanne Collins, James S.A. Corey, Michael Crichton, Marie Lu, Madeleine L'Engle, John Grisham, Tom Clancy, Tim Lebbon, Christopher Golden, C.S. Lewis, Stephen King and Dave Barry.
Aaron has always had a passion for storytelling. Visit his website at https://www.authoraaronryan.com, the Dissonance saga website at https://www.dissonancetheseries.com, or The End saga website at https://thisisnottheend.com.
He is the author of the bestselling "Dissonance" 6-book alien invasion saga, the Christian dystopian fiction saga "The End," the sci-fi thrillers "Forecast" and "The Slide," the nonfiction book "God Is Not Santa," the children's picture books "The Ring of Truth," "The Sword of Joy" and "The Book of Power," the business reference books "How to Successfully Self-Publish & Promote Your Self-Published Book" and "The Superhero Anomaly", 6 business books on voiceovers penned under his former stage name (Joshua Alexander), as well as a previous fictional novel, "The Omega Room."
When he was in second grade, he was tasked with writing a creative assignment: a fictional book. And thus, "The Electric Boy" was born: a simple novella full of intrigue, fantasy, and 7-year-old wits that electrified Aaron's desire to write. From that point forward, Aaron evolved into a creative soul that desired to create.
He enjoys the arts, media, music, performing, poetry, and being a daddy. In his lifetime he has been an author, voiceover artist, wedding videographer, stage performer, musician, producer, rock/pop artist, executive assistant, service manager, paperboy, CSR, poet, tech support, worship leader, and more. The diversity of his life experiences gives him a unique approach to business, life, ministry, faith, and entertainment.
Aaron's favorite author by far is J.R.R. Tolkien, but he also enjoys Suzanne Collins, James S.A. Corey, Michael Crichton, Marie Lu, Madeleine L'Engle, John Grisham, Tom Clancy, Tim Lebbon, Christopher Golden, C.S. Lewis, Stephen King and Dave Barry.
Aaron has always had a passion for storytelling. Visit his website at https://www.authoraaronryan.com, the Dissonance saga website at https://www.dissonancetheseries.com, or The End saga website at https://thisisnottheend.com.
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Displaying 1 - 26 of 26 reviews
March 21, 2025
Aaron Ryan, who previously captivated readers with his bestselling "Dissonance" alien invasion saga, has pivoted into thought-provoking Christian dystopian fiction with "The End: Alpha," the first installment in what promises to be a riveting series. While Ryan's "Dissonance" series (including "Reality," "Reckoning," "Renegade," "Relentless," and "Revelation") explored humanity's struggle against extraterrestrial threats, and his thriller "Forecast" delved into technological dangers, "The End: Alpha" tackles something perhaps more terrifying—a world where faith itself is criminalized.
Set in a dystopian 2113, this novel introduces us to a world devastated by a virus that has killed half the global population. In this power vacuum, Constantine Jedidiah Goodfellow has risen through political ranks, renamed himself "Nero," and declared Christianity illegal. Through multiple compelling viewpoints, Ryan crafts a harrowing tale of persecution, resistance, and unwavering faith.
World-Building That Feels Uncomfortably Plausible
What makes "The End: Alpha" particularly unsettling is how plausible Aaron Ryan makes his dystopian future feel. Unlike many post-apocalyptic scenarios that rely on zombies or nuclear fallout, Ryan has built his dystopia around the all-too-human tendency toward totalitarianism when fear pervades society.
The infrastructure of persecution feels eerily believable—from the mechanized "Guardians" that hunt Christians, to the technology that "marks" believers, to the propaganda system that reframes religious faith as dangerous extremism. Ryan excels at creating a fully realized societal collapse that echoes historical persecutions while incorporating modern surveillance technology.
Ryan's world-building shows considerable evolution from his "Dissonance" series, where the external alien threat served as the primary antagonistic force. Here, the enemy is humanity itself—our capacity for self-deception, our willingness to persecute the "other," and our vulnerability to charismatic leaders who promise security at the cost of freedom.
Multi-Layered Characters Navigating Moral Complexity
The novel's greatest strength lies in its characters, particularly in how Ryan portrays their moral struggles. The three primary viewpoints—Sage Maddox, Colonel Thomas Drexler, and High Vassal Maximillian—provide windows into different facets of this fractured society:
Sage Maddox: An 18-year-old survivor whose family was killed by Nero's forces, Sage embodies resilience and the moral questions facing a new generation raised in persecution. His internal conflict between faith and vengeance creates genuine tension.
Colonel Thomas Drexler: As leader of "The Defiance," Drexler represents organized resistance against tyranny. Through his perspective, Ryan explores the strategic challenges of fighting an overwhelming force while maintaining moral principles.
High Vassal Maximillian: Perhaps the most fascinating character, Maximillian serves Nero with religious devotion. Ryan humanizes a character who could easily have been a one-dimensional villain, instead showing the psychological complexity of blind allegiance.
Unlike the more straightforward heroes of "Dissonance," these characters exist in moral gray areas. Ryan doesn't shy away from showing believers making questionable choices under extreme pressure, creating a narrative that feels honest about human frailty while still affirming the importance of faith.
Theological Depth Without Preachiness
What distinguishes "The End: Alpha" from many works of Christian fiction is Aaron Ryan's willingness to engage with theological questions without offering simplistic answers. The novel grapples with profound questions: How should Christians respond to persecution? Is violent resistance justified? What does forgiveness mean in the face of genocide?
Characters quote scripture throughout, but Ryan weaves these references organically into the narrative. Bible verses aren't just inspirational slogans but lifelines for characters making impossible choices. Ryan's treatment of faith feels authentic—acknowledging doubts and failures while portraying belief as a source of strength and community for the persecuted.
The result is a novel that should appeal to Christian readers looking for representation of their faith in fiction while remaining accessible to secular readers interested in theological questions and dystopian scenarios.
Pacing and Prose That Keep Pages Turning
Ryan has significantly refined his storytelling craft since his earlier works. While "Dissonance" demonstrated his ability to create thrilling action sequences, "The End: Alpha" shows greater control of pacing, balancing intense action with quieter character moments and world-building.
The novel's structure—alternating between its three main viewpoints—creates natural tension and momentum. Each chapter ends with subtle cliffhangers that propel readers forward, while the varying perspectives provide welcome changes in tone and scope.
Ryan's prose has also evolved, becoming more confident and distinctive. His writing seamlessly shifts between the more formal, almost liturgical language of Maximillian's sections to the raw immediacy of Sage's experiences. This versatility helps establish the different worlds these characters inhabit while maintaining a cohesive voice for the novel as a whole.
Thematic Resonance for Our Current Moment
Though set in 2113, "The End: Alpha" explores themes with striking relevance to current societal discussions: the fragility of democracy, the power of propaganda, the vital importance of truth, and the dangers of dehumanizing those with different beliefs.
Ryan avoids heavy-handed allegory, instead letting these themes emerge naturally from his world-building and character development. The result is a novel that invites reflection without telling readers what to think—a difficult balance that Ryan manages with surprising deftness.
Where The Series Could Go
As the first installment in "The End" series, this novel establishes a compelling foundation while leaving many questions unanswered. The interactions between our three main viewpoints remain minimal, suggesting potential convergence in future books. The nature of Nero's power, the full capabilities of The Defiance, and the ultimate fate of Christianity in this dystopian future all remain tantalizingly unresolved.
Aaron Ryan has demonstrated skill at long-form storytelling in his "Dissonance" series, and "The End: Alpha" suggests he's applying those lessons here—creating immediate tension while setting up larger narrative arcs that will presumably unfold across subsequent volumes.
Highlights Worth Noting
Emotional impact: Several scenes pack genuine emotional punch, particularly those involving sacrifice and loss. Ryan excels at making readers care deeply about his characters.
Theological exploration: The novel engages with Christian theology in ways that feel authentic and thought-provoking, regardless of readers' personal beliefs.
Action sequences: Drawing on skills honed in "Dissonance," Ryan crafts tense, cinematic action scenes that immerse readers in the danger.
Moral complexity: Unlike some Christian fiction, Ryan embraces the moral ambiguity of his scenario, showing characters struggling with difficult choices.
Final Verdict: A Promising Start to an Ambitious Series
"The End: Alpha" marks an impressive new direction for Aaron Ryan, combining the tension and excitement of his "Dissonance" series with deeper thematic exploration and character development. It succeeds as both Christian fiction and dystopian thriller, offering enough action to satisfy genre fans while providing substance for readers seeking more than surface-level entertainment.
For fans of thoughtful dystopian fiction like "The Hunger Games" or "Station Eleven," or readers who appreciate faith-informed explorations of moral questions like in Marilynne Robinson's work, "The End: Alpha" offers a compelling reading experience. It's a novel that entertains while prompting deeper reflection—a balance that suggests this series will be worth following to its conclusion.
In an increasingly crowded dystopian fiction landscape, Ryan has carved out a distinctive niche that promises both thrills and substance. "The End: Alpha" is not just entertaining fiction but a meditation on faith, resistance, and human dignity in the face of overwhelming evil—themes that transcend its futuristic setting to speak to our present moment.
Set in a dystopian 2113, this novel introduces us to a world devastated by a virus that has killed half the global population. In this power vacuum, Constantine Jedidiah Goodfellow has risen through political ranks, renamed himself "Nero," and declared Christianity illegal. Through multiple compelling viewpoints, Ryan crafts a harrowing tale of persecution, resistance, and unwavering faith.
World-Building That Feels Uncomfortably Plausible
What makes "The End: Alpha" particularly unsettling is how plausible Aaron Ryan makes his dystopian future feel. Unlike many post-apocalyptic scenarios that rely on zombies or nuclear fallout, Ryan has built his dystopia around the all-too-human tendency toward totalitarianism when fear pervades society.
The infrastructure of persecution feels eerily believable—from the mechanized "Guardians" that hunt Christians, to the technology that "marks" believers, to the propaganda system that reframes religious faith as dangerous extremism. Ryan excels at creating a fully realized societal collapse that echoes historical persecutions while incorporating modern surveillance technology.
Ryan's world-building shows considerable evolution from his "Dissonance" series, where the external alien threat served as the primary antagonistic force. Here, the enemy is humanity itself—our capacity for self-deception, our willingness to persecute the "other," and our vulnerability to charismatic leaders who promise security at the cost of freedom.
Multi-Layered Characters Navigating Moral Complexity
The novel's greatest strength lies in its characters, particularly in how Ryan portrays their moral struggles. The three primary viewpoints—Sage Maddox, Colonel Thomas Drexler, and High Vassal Maximillian—provide windows into different facets of this fractured society:
Sage Maddox: An 18-year-old survivor whose family was killed by Nero's forces, Sage embodies resilience and the moral questions facing a new generation raised in persecution. His internal conflict between faith and vengeance creates genuine tension.
Colonel Thomas Drexler: As leader of "The Defiance," Drexler represents organized resistance against tyranny. Through his perspective, Ryan explores the strategic challenges of fighting an overwhelming force while maintaining moral principles.
High Vassal Maximillian: Perhaps the most fascinating character, Maximillian serves Nero with religious devotion. Ryan humanizes a character who could easily have been a one-dimensional villain, instead showing the psychological complexity of blind allegiance.
Unlike the more straightforward heroes of "Dissonance," these characters exist in moral gray areas. Ryan doesn't shy away from showing believers making questionable choices under extreme pressure, creating a narrative that feels honest about human frailty while still affirming the importance of faith.
Theological Depth Without Preachiness
What distinguishes "The End: Alpha" from many works of Christian fiction is Aaron Ryan's willingness to engage with theological questions without offering simplistic answers. The novel grapples with profound questions: How should Christians respond to persecution? Is violent resistance justified? What does forgiveness mean in the face of genocide?
Characters quote scripture throughout, but Ryan weaves these references organically into the narrative. Bible verses aren't just inspirational slogans but lifelines for characters making impossible choices. Ryan's treatment of faith feels authentic—acknowledging doubts and failures while portraying belief as a source of strength and community for the persecuted.
The result is a novel that should appeal to Christian readers looking for representation of their faith in fiction while remaining accessible to secular readers interested in theological questions and dystopian scenarios.
Pacing and Prose That Keep Pages Turning
Ryan has significantly refined his storytelling craft since his earlier works. While "Dissonance" demonstrated his ability to create thrilling action sequences, "The End: Alpha" shows greater control of pacing, balancing intense action with quieter character moments and world-building.
The novel's structure—alternating between its three main viewpoints—creates natural tension and momentum. Each chapter ends with subtle cliffhangers that propel readers forward, while the varying perspectives provide welcome changes in tone and scope.
Ryan's prose has also evolved, becoming more confident and distinctive. His writing seamlessly shifts between the more formal, almost liturgical language of Maximillian's sections to the raw immediacy of Sage's experiences. This versatility helps establish the different worlds these characters inhabit while maintaining a cohesive voice for the novel as a whole.
Thematic Resonance for Our Current Moment
Though set in 2113, "The End: Alpha" explores themes with striking relevance to current societal discussions: the fragility of democracy, the power of propaganda, the vital importance of truth, and the dangers of dehumanizing those with different beliefs.
Ryan avoids heavy-handed allegory, instead letting these themes emerge naturally from his world-building and character development. The result is a novel that invites reflection without telling readers what to think—a difficult balance that Ryan manages with surprising deftness.
Where The Series Could Go
As the first installment in "The End" series, this novel establishes a compelling foundation while leaving many questions unanswered. The interactions between our three main viewpoints remain minimal, suggesting potential convergence in future books. The nature of Nero's power, the full capabilities of The Defiance, and the ultimate fate of Christianity in this dystopian future all remain tantalizingly unresolved.
Aaron Ryan has demonstrated skill at long-form storytelling in his "Dissonance" series, and "The End: Alpha" suggests he's applying those lessons here—creating immediate tension while setting up larger narrative arcs that will presumably unfold across subsequent volumes.
Highlights Worth Noting
Emotional impact: Several scenes pack genuine emotional punch, particularly those involving sacrifice and loss. Ryan excels at making readers care deeply about his characters.
Theological exploration: The novel engages with Christian theology in ways that feel authentic and thought-provoking, regardless of readers' personal beliefs.
Action sequences: Drawing on skills honed in "Dissonance," Ryan crafts tense, cinematic action scenes that immerse readers in the danger.
Moral complexity: Unlike some Christian fiction, Ryan embraces the moral ambiguity of his scenario, showing characters struggling with difficult choices.
Final Verdict: A Promising Start to an Ambitious Series
"The End: Alpha" marks an impressive new direction for Aaron Ryan, combining the tension and excitement of his "Dissonance" series with deeper thematic exploration and character development. It succeeds as both Christian fiction and dystopian thriller, offering enough action to satisfy genre fans while providing substance for readers seeking more than surface-level entertainment.
For fans of thoughtful dystopian fiction like "The Hunger Games" or "Station Eleven," or readers who appreciate faith-informed explorations of moral questions like in Marilynne Robinson's work, "The End: Alpha" offers a compelling reading experience. It's a novel that entertains while prompting deeper reflection—a balance that suggests this series will be worth following to its conclusion.
In an increasingly crowded dystopian fiction landscape, Ryan has carved out a distinctive niche that promises both thrills and substance. "The End: Alpha" is not just entertaining fiction but a meditation on faith, resistance, and human dignity in the face of overwhelming evil—themes that transcend its futuristic setting to speak to our present moment.
April 8, 2025
Aaron Ryan's "The End: Alpha" introduces readers to a chillingly plausible dystopian future where Christianity has become the target of systematic eradication. Set in 2113, following a devastating virus that has decimated half the world's population, the novel presents a world where Constantine Jedidiah Goodfellow—now calling himself "Nero"—has risen to power with one clear mission: to eliminate all traces of Christian faith.
What immediately strikes me about this novel is Ryan's skill at weaving multiple perspectives into a cohesive narrative. Through the eyes of teenager Sage Maddox, resistance leader Colonel Thomas Drexler, and Nero's devoted servant High Vassal Maximillian, we experience different facets of this fractured society. Each character brings unique insights—Sage's youthful determination despite personal tragedy, Drexler's strategic resistance, and Maximillian's gradual questioning of blind allegiance.
The novel's world-building feels meticulously crafted. Ryan has created a surveillance state reminiscent of Orwell but with technological elements that feel genuinely possible—the Guardian machines that hunt Christians, the amber marks that identify believers, and the propaganda system that turns neighbor against neighbor. These elements combine to create an atmosphere of constant tension that propels the narrative forward.
What elevates "The End: Alpha" above typical dystopian fare is Ryan's willingness to grapple with profound questions about faith under fire. Characters must decide whether to deny their beliefs to survive, whether violence is justified in defense of the innocent, and how to maintain hope when all seems lost. Scripture is woven naturally throughout the story, functioning not as platitudes but as essential lifelines for the persecuted.
The novel builds to a convergence point that leaves readers eagerly anticipating the next installment while still delivering a satisfying narrative arc. Ryan, who previously demonstrated his storytelling prowess in the "Dissonance" alien invasion saga, has evolved as a writer, creating characters of greater depth and moral complexity.
"The End: Alpha" is both a thrilling dystopian adventure and a thoughtful examination of faith, sacrifice, and resistance in the face of overwhelming evil.
What immediately strikes me about this novel is Ryan's skill at weaving multiple perspectives into a cohesive narrative. Through the eyes of teenager Sage Maddox, resistance leader Colonel Thomas Drexler, and Nero's devoted servant High Vassal Maximillian, we experience different facets of this fractured society. Each character brings unique insights—Sage's youthful determination despite personal tragedy, Drexler's strategic resistance, and Maximillian's gradual questioning of blind allegiance.
The novel's world-building feels meticulously crafted. Ryan has created a surveillance state reminiscent of Orwell but with technological elements that feel genuinely possible—the Guardian machines that hunt Christians, the amber marks that identify believers, and the propaganda system that turns neighbor against neighbor. These elements combine to create an atmosphere of constant tension that propels the narrative forward.
What elevates "The End: Alpha" above typical dystopian fare is Ryan's willingness to grapple with profound questions about faith under fire. Characters must decide whether to deny their beliefs to survive, whether violence is justified in defense of the innocent, and how to maintain hope when all seems lost. Scripture is woven naturally throughout the story, functioning not as platitudes but as essential lifelines for the persecuted.
The novel builds to a convergence point that leaves readers eagerly anticipating the next installment while still delivering a satisfying narrative arc. Ryan, who previously demonstrated his storytelling prowess in the "Dissonance" alien invasion saga, has evolved as a writer, creating characters of greater depth and moral complexity.
"The End: Alpha" is both a thrilling dystopian adventure and a thoughtful examination of faith, sacrifice, and resistance in the face of overwhelming evil.
April 8, 2025
In an age where dystopian fiction often feels like a warning rather than entertainment, Aaron Ryan's "The End: Alpha" cuts uncomfortably close to the bone. The year is 2113, and half of humanity has been wiped out by a devastating virus. From the ashes rises Constantine Jedidiah Goodfellow—a name dripping with irony—who transforms into "Nero" and launches a systematic purge of Christianity with mechanical precision.
What haunts me most about Ryan's vision isn't the technology—though the amber-marked necks of believers and the relentless Guardian machines that hunt them are terrifying innovations—but the plausibility of how quickly society accepts the persecution. The way neighbors inform on neighbors. The way faith becomes criminal overnight. The way the question "Citizen, do you recant?" becomes a death sentence.
Ryan masterfully orchestrates three distinct perspectives: eighteen-year-old Sage Maddox, whose family has been executed by Guardians; resistance leader Colonel Thomas Drexler, orchestrating The Defiance from the shadows; and High Vassal Maximillian, whose slavish devotion to Nero reveals the psychological underpinnings of totalitarianism. Through these lenses, we witness both humanity's capacity for cruelty and its potential for transcendent courage.
The novel's greatest strength lies in how it portrays faith under fire. When young Luca faces a Guardian and shouts "Jesus Christ reigns!" knowing it means certain death, or when an elderly believer named Jasper finds creative ways to survive without denying his Lord, Ryan captures the essence of what belief means when it carries mortal consequences.
Having previously crafted the alien-invasion saga "Dissonance," Ryan brings that same intensity to a more intimate apocalypse. His prose carries urgency without sacrificing depth, particularly in moments of quiet reflection between harrowing escapes.
As Sage's journey intersects with revelations about his true identity, and Maximillian begins questioning everything he believes, "The End: Alpha" sets the stage for a series that promises not just thrills but genuine philosophical weight. In a world increasingly hostile to faith of all kinds, Ryan's novel feels less like fiction and more like a mirror—reflecting both our darkest possibilities and our most profound hopes.
What haunts me most about Ryan's vision isn't the technology—though the amber-marked necks of believers and the relentless Guardian machines that hunt them are terrifying innovations—but the plausibility of how quickly society accepts the persecution. The way neighbors inform on neighbors. The way faith becomes criminal overnight. The way the question "Citizen, do you recant?" becomes a death sentence.
Ryan masterfully orchestrates three distinct perspectives: eighteen-year-old Sage Maddox, whose family has been executed by Guardians; resistance leader Colonel Thomas Drexler, orchestrating The Defiance from the shadows; and High Vassal Maximillian, whose slavish devotion to Nero reveals the psychological underpinnings of totalitarianism. Through these lenses, we witness both humanity's capacity for cruelty and its potential for transcendent courage.
The novel's greatest strength lies in how it portrays faith under fire. When young Luca faces a Guardian and shouts "Jesus Christ reigns!" knowing it means certain death, or when an elderly believer named Jasper finds creative ways to survive without denying his Lord, Ryan captures the essence of what belief means when it carries mortal consequences.
Having previously crafted the alien-invasion saga "Dissonance," Ryan brings that same intensity to a more intimate apocalypse. His prose carries urgency without sacrificing depth, particularly in moments of quiet reflection between harrowing escapes.
As Sage's journey intersects with revelations about his true identity, and Maximillian begins questioning everything he believes, "The End: Alpha" sets the stage for a series that promises not just thrills but genuine philosophical weight. In a world increasingly hostile to faith of all kinds, Ryan's novel feels less like fiction and more like a mirror—reflecting both our darkest possibilities and our most profound hopes.
April 8, 2025
There's something unnervingly prescient about Aaron Ryan's "The End: Alpha." In a literary landscape cluttered with post-apocalyptic scenarios, Ryan has crafted something distinct—a world where the enemy isn't zombies or nuclear fallout, but the systematic eradication of faith itself.
The year is 2113. A devastating virus has culled half of humanity, creating the perfect power vacuum for Constantine Jedidiah Goodfellow—now self-proclaimed "Emperor Nero"—to rise and declare war on Christianity. What begins as a census becomes a branding operation, with infrared marks that glow amber at believers' napes, transforming them into walking targets for mechanized "Guardians" that patrol the ruined landscape.
Through the intertwining perspectives of young survivor Sage Maddox, resistance leader Colonel Drexler, and Nero's devoted High Vassal Maximillian, Ryan creates a tapestry of moral complexity rarely seen in dystopian fiction. Each viewpoint provides a different window into this fractured world—from Sage's underground community struggling to survive, to the corridors of power where Nero orchestrates his "cleansing," to the resistance fighters working to sabotage the technologically-advanced killing machines.
The novel's strength lies in its intimate portrayal of faith under fire. When Guardians demand recantation with their cold, mechanical voices—"Citizen, this is your final warning. Do you recant?"—Ryan forces us to confront what we would do when belief means death. Characters make different choices, and the novel refuses easy judgments about courage or cowardice.
Having proven his storytelling prowess with the "Dissonance" alien invasion saga, Ryan demonstrates remarkable versatility here. His world-building feels lived-in, with details like signal-blocking "chokers" and underground church networks that lend authenticity to this speculative future.
As identities are revealed and loyalties tested, "The End: Alpha" builds toward a convergence that promises an even more explosive continuation. Ryan has delivered that rarest of dystopian novels—one that entertains while forcing us to examine our deepest convictions, asking not just "Would you survive?" but the far more challenging question: "What would you be willing to die for?"
The year is 2113. A devastating virus has culled half of humanity, creating the perfect power vacuum for Constantine Jedidiah Goodfellow—now self-proclaimed "Emperor Nero"—to rise and declare war on Christianity. What begins as a census becomes a branding operation, with infrared marks that glow amber at believers' napes, transforming them into walking targets for mechanized "Guardians" that patrol the ruined landscape.
Through the intertwining perspectives of young survivor Sage Maddox, resistance leader Colonel Drexler, and Nero's devoted High Vassal Maximillian, Ryan creates a tapestry of moral complexity rarely seen in dystopian fiction. Each viewpoint provides a different window into this fractured world—from Sage's underground community struggling to survive, to the corridors of power where Nero orchestrates his "cleansing," to the resistance fighters working to sabotage the technologically-advanced killing machines.
The novel's strength lies in its intimate portrayal of faith under fire. When Guardians demand recantation with their cold, mechanical voices—"Citizen, this is your final warning. Do you recant?"—Ryan forces us to confront what we would do when belief means death. Characters make different choices, and the novel refuses easy judgments about courage or cowardice.
Having proven his storytelling prowess with the "Dissonance" alien invasion saga, Ryan demonstrates remarkable versatility here. His world-building feels lived-in, with details like signal-blocking "chokers" and underground church networks that lend authenticity to this speculative future.
As identities are revealed and loyalties tested, "The End: Alpha" builds toward a convergence that promises an even more explosive continuation. Ryan has delivered that rarest of dystopian novels—one that entertains while forcing us to examine our deepest convictions, asking not just "Would you survive?" but the far more challenging question: "What would you be willing to die for?"
February 26, 2025
Aaron Ryan once again immerses us into a dystopian future. Excellent world building through the use of different character perspectives and backgrounds stories. Vivid descriptions give an added layer of depth. A perfect balance between suspenseful action sequences and thought-provoking introspective conversations. Just when you think you know where the story is headed, you’re in for a shock or two. An excellent start to this series that surely won’t disappoint.
March 12, 2025
Gripping
What a gripping and thought-provoking story! THE END: Alpha delivers non-stop suspense while exploring faith, survival, and the battle between good and evil. The villain, Nero, is truly frightening, and the dangers feel real. The book made me think deeply about the challenges Christians could face in extreme situations. A powerful read that I won’t forget anytime soon.
What a gripping and thought-provoking story! THE END: Alpha delivers non-stop suspense while exploring faith, survival, and the battle between good and evil. The villain, Nero, is truly frightening, and the dangers feel real. The book made me think deeply about the challenges Christians could face in extreme situations. A powerful read that I won’t forget anytime soon.
February 27, 2025
Aaron Ryan knocks another one out of the park! He is beoming to the dystopian future genre what Tom Clancy is to military history, techno-thriller, historical fiction, and espionage. If fast paced, faith infused action is what you're looking for, look no further - you've found it!
April 8, 2025
In the haunting silence after a Guardian's mechanical voice asks, "Citizen, do you recant?" lies the beating heart of Aaron Ryan's "The End: Alpha." This isn't merely dystopian fiction—it's a soul-searing examination of faith when confession means execution.
Set in 2113, after a virus has decimated half of humanity, Ryan introduces us to a world where Constantine Jedidiah Goodfellow has rebranded himself as "Nero" and declared war on Christianity. The novel's genius lies in its three-pronged narrative: 18-year-old Sage Maddox, whose family was slaughtered in "The Cleansing"; Colonel Thomas Drexler, leader of the resistance movement known as The Defiance; and High Vassal Maximillian, whose blind devotion to Nero gradually fractures under the weight of truth.
What distinguishes Ryan's work from other post-apocalyptic stories is the visceral authenticity of persecution. Christians have been marked with an amber glow at the nape of their necks—branded at a "virus screening" that was actually a census to identify believers. Now they hide in basements, abandoned schools, and forest shelters, always one informant away from execution by the relentless Guardians.
The novel doesn't flinch from difficult questions. When young Luca faces a Guardian and chooses martyrdom over denial, or when elderly Jasper finds creative loopholes in his interrogation ("Those ain't no men," he justifies after recanting to machines), Ryan forces us to confront what belief costs when the price is blood.
Having previously crafted the alien-invasion "Dissonance" series, Ryan brings similar intensity to this more intimate apocalypse, but with greater theological depth. Scripture isn't decoration here but oxygen for the persecuted, memorized and recited as both comfort and resistance.
As revelations about Sage's true identity emerge alongside Maximillian's crisis of faith, "The End: Alpha" builds toward a convergence that promises an even more explosive continuation. Ryan has created more than entertainment—he's crafted a mirror reflecting our deepest convictions, challenging us to consider what we would sacrifice when faith becomes a death sentence and when survival means surrender.
Set in 2113, after a virus has decimated half of humanity, Ryan introduces us to a world where Constantine Jedidiah Goodfellow has rebranded himself as "Nero" and declared war on Christianity. The novel's genius lies in its three-pronged narrative: 18-year-old Sage Maddox, whose family was slaughtered in "The Cleansing"; Colonel Thomas Drexler, leader of the resistance movement known as The Defiance; and High Vassal Maximillian, whose blind devotion to Nero gradually fractures under the weight of truth.
What distinguishes Ryan's work from other post-apocalyptic stories is the visceral authenticity of persecution. Christians have been marked with an amber glow at the nape of their necks—branded at a "virus screening" that was actually a census to identify believers. Now they hide in basements, abandoned schools, and forest shelters, always one informant away from execution by the relentless Guardians.
The novel doesn't flinch from difficult questions. When young Luca faces a Guardian and chooses martyrdom over denial, or when elderly Jasper finds creative loopholes in his interrogation ("Those ain't no men," he justifies after recanting to machines), Ryan forces us to confront what belief costs when the price is blood.
Having previously crafted the alien-invasion "Dissonance" series, Ryan brings similar intensity to this more intimate apocalypse, but with greater theological depth. Scripture isn't decoration here but oxygen for the persecuted, memorized and recited as both comfort and resistance.
As revelations about Sage's true identity emerge alongside Maximillian's crisis of faith, "The End: Alpha" builds toward a convergence that promises an even more explosive continuation. Ryan has created more than entertainment—he's crafted a mirror reflecting our deepest convictions, challenging us to consider what we would sacrifice when faith becomes a death sentence and when survival means surrender.
March 19, 2025
Creative!
If you are a fan of books that propose post-apocalyptic dystopias, thrillers, fiction and action, this book combines those elements in a very clever way to keep you connected the whole read.
In my opinion, the way the author combines topics that are not usually combined such as apocalyptic with faith and Christianity makes it a book like no other and is so unique that it is interesting.
I also loved that the main character was such a complex character and that the plot was so suspenseful and action packed because there wasn't a single minute of the book that I didn't feel connected!
If you are a fan of books that propose post-apocalyptic dystopias, thrillers, fiction and action, this book combines those elements in a very clever way to keep you connected the whole read.
In my opinion, the way the author combines topics that are not usually combined such as apocalyptic with faith and Christianity makes it a book like no other and is so unique that it is interesting.
I also loved that the main character was such a complex character and that the plot was so suspenseful and action packed because there wasn't a single minute of the book that I didn't feel connected!
March 15, 2025
A brilliant mix of Christian fiction and dystopian action! The characters are strong, the stakes are high, and the pacing is perfect. I loved the way the book explored faith under extreme circumstances. The battle between Sage and Nero feels like a true fight between light and darkness. This is a story that stays with you long after you finish reading.
March 18, 2025
The future it presents is dark and unsettling, but the message of faith and perseverance is strong. I loved the mix of action, suspense, and biblical themes. The characters are well-written, and the villain is truly evil. It’s rare to find a book that blends Christian themes with such an exciting plot. Highly recommend!
March 20, 2025
Aaron Ryan has created a terrifying and believable future where Christianity is under attack. The story is full of twists, suspense, and powerful themes. Nero is one of the most ruthless villains I’ve read about in a long time. This book will make you think while keeping you entertained. A perfect blend of action, faith, and dystopian storytelling!
March 22, 2025
A thrilling read
A wonderfully written work of fiction steeped in biblical facts, I enjoyed this post-apocalyptic work on survival during the end times. So much in this story mirrors the realities faced generation after generation.
A wonderfully written work of fiction steeped in biblical facts, I enjoyed this post-apocalyptic work on survival during the end times. So much in this story mirrors the realities faced generation after generation.
April 5, 2025
It's 2113, and Constantine Goodfellow, vowing to unite the people and bring about lasting peace, is elected President. Following a global pandemic that takes the lives of millions of people and their leaders, Constantine finds himself in a position to rule the world. Shaping his government in the form of ancient Rome and renaming himself Nero, he reinvented persecution and eradication of Christianity. His campaign against the Christians, led by his Most High Vassal, Maximilian, and the mechanical warriors known as the Guardians, struggles against the resistance led by Colonel Thomas Drexler on the one hand, and an 18-year-old fighter with instincts and warrior knowledge beyond his years, Sage Maddox.
Having read the first three novels in the Dissonance Saga, I was eager to dive into the first novel of Aaron Ryan's new saga, The End: Alpha, and what a great read it is. Ryan's ability to write first-person narratives from both the primary protagonist and antagonist, switching seamlessly between them in a smooth transition of point of view without causing confusion, lends itself beautifully to an automatic and in-depth overview of the story. Every character, like in real life, has their own tone, word use, and syntax, such that readers can, after only a few pages, associate the dialogue with a specific character, even without the "he said, she said" distinction. Switching from protagonist to antagonist or from a particular character to another, Ryan creates a cinematic-like story that readers will find extraordinary and enjoyable.
The End: Alpha is a fantastic opening to what will surely be a bestseller, not only because it's a great, well-written story but also because the themes and characters in The End, intentionally or not, evoke a sense of the reality that is evolving in the United States today.
Having read the first three novels in the Dissonance Saga, I was eager to dive into the first novel of Aaron Ryan's new saga, The End: Alpha, and what a great read it is. Ryan's ability to write first-person narratives from both the primary protagonist and antagonist, switching seamlessly between them in a smooth transition of point of view without causing confusion, lends itself beautifully to an automatic and in-depth overview of the story. Every character, like in real life, has their own tone, word use, and syntax, such that readers can, after only a few pages, associate the dialogue with a specific character, even without the "he said, she said" distinction. Switching from protagonist to antagonist or from a particular character to another, Ryan creates a cinematic-like story that readers will find extraordinary and enjoyable.
The End: Alpha is a fantastic opening to what will surely be a bestseller, not only because it's a great, well-written story but also because the themes and characters in The End, intentionally or not, evoke a sense of the reality that is evolving in the United States today.
March 4, 2025
The End: Alpha is a high-action, multi-narrative, post-apocalyptic rollercoaster of a story. A tech-savvy dictator capitalizes on a deadly virus in order to root out and later blame Christians. Consequently, when public outrage reaches fever pitch, Emperor Nero orders a cleansing to kill all Christians. The book picks up a decade and a half after The Cleansing, where life is a dystopian nightmare aided by Nero’s high-tech AI-powered droids called Guardians, who are dispatched all over the world to kill any remaining ‘undesirables’. Sage, an 18 year-old Christian, manages to hide and eke out some semblance of existence amongst a small community of believers. Wise leader, Swifty is both a father figure and a Bible scholar, allowing Ryan to plunge deeply and organically into theological discussions amidst the action-packed and harrowing tales of survival. Through an additional narrator, Maximilian, Ryan explores devoted worship to a cruel dictator.
Just as in his previous series, Dissonance, Ryan’s strength in The End lies in the high action, multi-dimensional characters, and his ability to explore deep theological questions of suffering, predestination, and forgiveness with tremendous heart and Biblical agility. I thoroughly enjoyed this first installment of The End. A beautiful and worthy read, I can’t wait to see what happens next.
Just as in his previous series, Dissonance, Ryan’s strength in The End lies in the high action, multi-dimensional characters, and his ability to explore deep theological questions of suffering, predestination, and forgiveness with tremendous heart and Biblical agility. I thoroughly enjoyed this first installment of The End. A beautiful and worthy read, I can’t wait to see what happens next.
March 1, 2025
The End is a gripping dystopian thriller that follows the rise of a sinister figure named Nero, a man who emerges from the shadows of a global pandemic to seize control of the world. With the backing of dark forces, Nero manipulates chaos and fear to establish a new order—one that bends to his iron will.
The novel masterfully blends political intrigue, supernatural horror, and psychological suspense. As Nero consolidates power, resistance factions of Christians begin to rise, questioning whether humanity can escape his demonic grasp or if they are doomed to eternal subjugation. The author’s portrayal of Nero is chillingly compelling; he is both charismatic and ruthless, a leader whose every move feels inevitable yet terrifying.
The pacing is relentless, keeping readers hooked with unexpected twists and eerie revelations. The book raises thought-provoking questions about power, free will, and the nature of evil, making it more than just a dark fantasy—it’s a cautionary tale. Fans of apocalyptic fiction and supernatural thrillers will find The End a haunting and unforgettable read
The novel masterfully blends political intrigue, supernatural horror, and psychological suspense. As Nero consolidates power, resistance factions of Christians begin to rise, questioning whether humanity can escape his demonic grasp or if they are doomed to eternal subjugation. The author’s portrayal of Nero is chillingly compelling; he is both charismatic and ruthless, a leader whose every move feels inevitable yet terrifying.
The pacing is relentless, keeping readers hooked with unexpected twists and eerie revelations. The book raises thought-provoking questions about power, free will, and the nature of evil, making it more than just a dark fantasy—it’s a cautionary tale. Fans of apocalyptic fiction and supernatural thrillers will find The End a haunting and unforgettable read
February 24, 2025
Beta reader here, and I really REALLY liked this, possibly better than his Dissonance stuff. The god-complex is alive and well, and the reader will no doubt raw inferences between Nero and certain other, hmm, deluded techno-trillionaires. I don't think Ryan meant that nor do I think that it's a referendum on our current political climate. It really smacks of 1984 and dystopian oppression. The 'Guardians' sound like they're nothing of the kind: terrifying and unstoppable, like anti-Christian terminators. On that note, warning: if you're not a Christian, you may find some of this hard to stomach, because it's clearly the stuff of Christian end-times Revelation, although it has a unique twist in that its...not. No spoilers, you'll see. And I think you'll come away from each chapter with Maximillian wanting a shower to cleanse off the filth. Ick. Also I really like the triple 1st person perspective. I liked that a lot. A great opener to what's sure to be a great series.
March 12, 2025
Constantine Goodfellow rose to prominence through the senate in the year 2113. A virus has eradicated half of the Earth’s population, and the remaining pockets of humanity have little to believe in. They elect Goodfellow president. However, they have no idea that his next move will be to attempt to eliminate Christianity. Goodfellow, now calling himself Nero, dispatches ruthless Guardians to eradicate any who won’t fall in line with his new vision for the world.
One rises against him: Sage Maddox, a teen with street smarts and a dislike of authority. Now, Sage is attempting to pit himself against Nero, and there’s a climactic battle coming between these two. Who will come out on top in this exciting, post-apocalyptic showdown?
One rises against him: Sage Maddox, a teen with street smarts and a dislike of authority. Now, Sage is attempting to pit himself against Nero, and there’s a climactic battle coming between these two. Who will come out on top in this exciting, post-apocalyptic showdown?
April 9, 2025
Aaron Ryan has no problem getting the story started. It's a wild ride from the very beginning.
What got me with this one? It's lots of high-action fun, with each sub-plot proving to be a little story in its own right.
Many underlying themes that are recognizable and well presented just add to the experience.
Is this the return of the YA Dystopian craze? I hope so! Rich in characterization, detail, and action, this one is one not to be missed.
What got me with this one? It's lots of high-action fun, with each sub-plot proving to be a little story in its own right.
Many underlying themes that are recognizable and well presented just add to the experience.
Is this the return of the YA Dystopian craze? I hope so! Rich in characterization, detail, and action, this one is one not to be missed.
February 26, 2025
LOVED this. Frightening as, um, "heck!" (edited since it's Christian fiction...)
Can't wait for the next one. I absolutely loved the switch at the end. There are a lot of nailbiters in here, and the death of someone precious is never easy to read, and probably harder to write. Nice work, Mr. Ryan.
Can't wait for the next one. I absolutely loved the switch at the end. There are a lot of nailbiters in here, and the death of someone precious is never easy to read, and probably harder to write. Nice work, Mr. Ryan.
March 12, 2025
This book is intense from the first page. The world Aaron Ryan creates is terrifying and feels all too real. The idea of a leader turning against Christianity in a dystopian future is chilling, and the stakes are incredibly high. Sage is a strong, determined character, and I couldn’t help but root for him. If you love action-packed Christian fiction, this is a must-read!
March 18, 2025
THE END: Alpha is a thrilling and powerful story. It has all the action of a great dystopian novel while staying true to its Christian foundation. The fight for survival is gripping, and the themes of faith and resistance make it even more meaningful. Aaron Ryan has written a book that both entertains and inspires. I can’t wait for the next one!
July 21, 2025
The premise was highly imaginative, the characters engaging, and the allegory inspired.
I can happily report that this novel is appropriate for all ages, a clean book for young teens or older teens. And the messages of family and purpose were spot on.
This was great from beginning to end. It was powerful, engaging, and so much fun to read.
I can happily report that this novel is appropriate for all ages, a clean book for young teens or older teens. And the messages of family and purpose were spot on.
This was great from beginning to end. It was powerful, engaging, and so much fun to read.
March 12, 2025
The dystopian world is well-developed, and the tension never lets up. Sage is a fantastic protagonist, and I loved how his strength and faith carried him through impossible situations. The action scenes are intense, and the emotional moments hit hard. Can’t wait to see where the series goes next!
March 19, 2025
This book grabs you and holds you down. It is an intense post-apocalyptic dystopian drama. The worldly outlook and the faith infused battle leave you breathless. It is very telling in light of what is happening in the world today. Highly recommend this book.
April 1, 2025
A unique storyline that is colorful described, yet disturbing in how people can blindly follow evil people under the guise of being holy, or honorable when deep inside the are not. Very I interesting and delightful characters throughout the story.
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