Một xứ sở nơi chỉ có chín tạo vật kỳ lạ sinh sống. Họ hát cho những vì sao suốt đêm thâu, họ mang trên làn da mình hình hài sông núi Trái đất, họ cứ sống ba năm lại ngủ hai trăm năm. Họ chính là những người khổng lồ! Cái xứ hẻo lánh nơi họ sinh sống đã được Archibald Leopold Ruthmore khám phá ra nhưng chính khám phá vĩ đại ấy lại là nguồn cơn của một thảm họa khủng khiếp.
Một cuộc phiêu lưu, một thảm kịch, một truyện kể đầy chất thơ với những minh họa màu nước tinh tế nhưng lại mang đến một bài học vô cùng thực tế, một báu vật nhỏ của văn học thiếu nhi..
After a ferry literary, he makes visual communication studies at the Ecole Estienne. (1974-1977.) He worked for several years as a freelance illustrator for studios of graphics and advertising and professional journals. His first children's book illustrations appear in the Rose Library at Hachette. In 1985, he met Pierre Marchand, publisher Gallimard Jeunesse, who notices his d'adolescent drawings. It shows a series of documentary books on the theme of travel and discover the world, and made his first steps in writing. It helps other nonfiction books, and begins to illustrate novels, notably those of Michael Morpurgo.
In 1992, appears to Casterman Editions The last giants, then, between 1996 and 2000, the three volumes of the Atlas of d'Orbæ geographers, an imaginary atlas built on the principle of the alphabet. This atlas was extended in 2010 by The d'Orbæ secret. He received from the Grand Prix of the Fair of Bologna for the Atlas geographers of Orbae and a Witches Prix Special to reward his work award from youth specialist bookshops and Library Association of France.
In 2008, François contributes to Place du Louvre youth website, alongside the authors Benedict and Emmanuelle de Saint Chamas.
In 2010 his first novel Youth Flying Customs (Gallimard Jeunesse) is distinguished by the magazine read. In 2012, The Secret d'Orbæ receives the prize fiction International Fair Youth Book of Bologna (Italy).
The originals of François Place were regularly exposed, especially with the youth of Montreuil Book Promotion Centre and the Art Gallery page.
đẹp đẽ thơ mộng và tàn ác là như vầy đó hẻ??? o.o sách đẹp tranh đẹp những người khổng lồ thiệt là đẹp đọc tới trang cuối cùng vừa lúc trời rào rào đổ mưa, như trời cũng biết buồn vì những điều đẹp đẽ đã mất, đang mất và sẽ mất dần đi
Une très belle découverte dans le cadre de l'élaboration d'une séquence pour mes élèves de cinquième. Le texte est poétique, les illustrations sublimes et les thèmes très prenants! Cet album jeunesse m'a fait voyager dans tous les sens du terme et je comprends tout à fait la célébrité de François Place.
Un album auquel j’ai réellement apprécié l’écriture et les illustrations. De belles aquarelles accompagnent cette histoire d’exploration et de découverte d’un explorateur à la recherche des Géants. A l’apparence d’un journal, l’explorateur nous décrit son voyage à travers les territoires et sa découverte avec les derniers Géants.
J’ai beaucoup aimé l’écriture qui est à la fois immersive et agréable à la lecture, des messages forts sont véhiculés et je ne m’attendais pas à ce que l’album se termine ainsi, j’ai été surprise mais en y réfléchissant c’est une fin qui fait sens avec une certaine moralité
« Neuf Géants rêveurs d’étoiles et un petit homme aveuglé par son désir de gloire, c’était toute notre histoire ».
I rounded my 3.5 stars up on this one. It really touched my heart. I love the reminder that there are things that should not be shared. There are relationships and experiences that are so sacred that we need to not allow the world to get involved. And it was a reminder that man is often destructive and self-seeking and greedy. The explorer in the story sought personal recognition and gain and it cost those who had cared for and befriended him everything. It may sound strange but as I read this book I kept thinking of one of my favorite scriptures, Luke 2:19, "But Mary kept all these things, and pondered them in her heart." There are things that should just be kept in our hearts and not shared. Perhaps I am taking this wee tale too much to heart, but that is my takeaway from this story of warning.
Encore un livre lu avec Petit Chou (9 ans au compteur). Pour un livre estampillé "jeunesse", c'est tout de même assez relevé en terme de vocabulaire, de ce fait la lecture à deux était un passage presque obligé pour qu'il puisse apprécier cette histoire et comprendre la désillusion du personnage principal. Illustrations splendides qui fourmillent de détails. Le texte est à l'avenant, peaufiné jusqu'au moindre mot.
Que ce soit l'histoire, sa narration, les illustrations, tout est superbe dans cet album teinté de poésie et de mélancolie. Un magnifique album jeunesse, à lire à partir de 10/11 ans (8/9 ans pour les lecteurs confirmés).
Beautiful narrative on the dangers of imperialism. A lot of text on each page accompanied by gorgous pictures. Themes suitable for a middle grade audience. Probably a longer review to come when I’m not in a bookstore.
Un voyage épic vers le pays des géants, dans les années 1800, à l'âge des grandes explorations. Attention, certaines scènes peuvent être troublantes, un peu comme dans Indiana Jones, sans être de mauvais goût.
I recently read about this book on a blog about children's books, and it is presented as being for children. I do think , however, that its subtlety and poignancy will be best appreciated by adults. Perhaps it would be a good book to share and discuss with older children. The book was published in French in 1992, with the English translation appearing in 1993. It is the (fictitious) tale of an Englishman who purchases an intricately carved 'scrimshaw', which the seller claims is a giant's tooth. In 1849, he sets out to trace the race of giants from which the tooth may have come. The illustrations, done by the author, are intricate and detailed. His adventures and subsequent return to England comprise a sort of morality tale, one which you could very well imagine to have really happened. This is a haunting story that will linger in your mind.