In this long-awaited sequel to The Invention of Culture, Roy Wagner tackles the logic and motives that underlie cultural invention. Could there be a single, logical factor that makes the invention of the distinction between self and other possible, much as specific human genes allow for language?
Wagner explores what he calls “the reciprocity of perspectives” through a journey between Euro-American bodies of knowledge and his in-depth knowledge of Melanesian modes of thought. This logic grounds variants of the subject/object transformation, as Wagner works through examples such as the figure-ground reversal in Gestalt psychology, Lacan’s theory of the mirror-stage formation of the Ego, and even the self-recursive structure of the aphorism and the joke. Juxtaposing Wittgenstein’s and Leibniz’s philosophy with Melanesian social logic, Wagner explores the cosmological dimensions of the ways in which different societies develop models of self and the subject/object distinction. The result is a philosophical tour de force by one of anthropology’s greatest mavericks.
He received a B.A. in Medieval History from Harvard University (1961), and a Ph.D. in Anthropology from the University of Chicago (1966), where he studied under David M. Schneider. He conducted fieldwork among the Daribi of Karimui, in the Simbu Province of Papua New Guinea, as well as the Usen Barok of New Ireland. Wagner taught at Southern Illinois University and Northwestern University before accepting the chairmanship of the Department of Anthropology at the University of Virginia, where he currently teaches.
Specializations Indigenous conceptual systems, especially involving kin relations; ritual, myth and worldview in Melanesia, Australia, and North America; pragmatics of cultural representation (imagery, writing, and speech) as a basis for symbolism; shamanism and curing techniques exclusive of psychological, political, or "ethnic" perspectives; studies involving the human element in technology and power concepts.