Combines three masterpieces from one of Britain's most popular novelists into one beautifully bound volume, which contains A Room With a View,Howard's End, and Where Angels Fear to Tread.
Edward Morgan Forster, generally published as E.M. Forster, was an novelist, essayist, and short story writer. He is known best for his ironic and well-plotted novels examining class difference and hypocrisy in early 20th-century British society. His humanistic impulse toward understanding and sympathy may be aptly summed up in the epigraph to his 1910 novel Howards End: "Only connect".
He had five novels published in his lifetime, achieving his greatest success with A Passage to India (1924) which takes as its subject the relationship between East and West, seen through the lens of India in the later days of the British Raj.
Forster's views as a secular humanist are at the heart of his work, which often depicts the pursuit of personal connections in spite of the restrictions of contemporary society. He is noted for his use of symbolism as a technique in his novels, and he has been criticised for his attachment to mysticism. His other works include Where Angels Fear to Tread (1905), The Longest Journey (1907), A Room with a View (1908) and Maurice (1971), his posthumously published novel which tells of the coming of age of an explicitly gay male character.
All three of these books are wonderful, beautiful books and having them in one edition definitely makes it easy to read and re-read them. ANGELS is actually my favorite Forster novel for some reason- probably because I just love the character of Philip and the scenes between him and Caroline are amongst my favorite literary conversations of all time. ROOM WITH A VIEW and HOWARD'S END are undeniably powerful books in their own right- HOWARD's END in particular is stunningly still relevant, much more so now in the United States than it probably was when it was first published. A ROOM WITH A VIEW remains Forster's most romantic and optimistic novel- life affirming and charming even as it broils with class warfare and issues of social consciousness. Forster really is a master writer and everyone should read his stuff sooner or later- he truly exemplifies how the novel can function both as work of art and intellectual stimulus at the same time, social commentary and spiritual guru. He captures those little moments in our lives that define us as human, and connect us as souls.
These were all great but I think too much Jane Austen has conditioned me to expect happy endings. I was incredibly frustrated when the characters didn't make the obviously "correct' decisions. As I read, I was always shouting "No! Don't do it!" in my head. Of course, that's what makes E.M. Forster great and these novels so compelling. Real life is messy and full of selfish or confused people who won't or can't do the right thing--for other people or even for themselves. Reading E.M. Forster is kind of like reading Thomas hardy-Lite. While the characters are members of the upper middle class, they are still striving for happiness and high ideals and are thwarted by Fate. The results are simply less dramatic (for the most part) and less depressing (hardly anyone dies). So, I guess I'm saying that E.M. Forster is that unique combination of Thomas Hardy and Jane Austen. Since I love both authors, that is high praise indeed.
I didn't actually buy the three novel edition - they just didn't have a photo of the book I had. I read "A Room With a View"
It took me a long time to get into this book. I kept putting it down then picking it up and rereading. After finally getting through it, I watched the DVD (special edition) and I'm really glad I did. Usually the movie version doesn't do the book justice. But in this case it actually brought the novel to life. There were so many scenes where I wanted to freeze the frame, take a photo of it and paint it (like a Monet). Seriously. It was that beautiful.
I have since purchased the Three-novel edition. Not because the story was so compelling that I couldn't wait to read another. The book isn't really about the story. It is about the characters, their emotions, and how they deal with those around them. They are perhaps the most developed characters you'll find in literature. So, I'm curious to see who I'll meet next.
Well written. Showed how people can change if they allow themselves to change and how others are cemented to their weaknesses by pride, stupidity, or the lack of self awareness. I also liked how Forster showed the dangers of clinging fiercely to a moral high-ground. We all must accept the we don't always know or accept what is best for others.
I used to own this book, but alas it was lost in a move. Shall most definitely have to find it again. I was first interested in these after seeing the Merchant Ivory films (all of which star Helena Bonham Carter)but soon became enchanted with the books themselves. To do a more complete review I would have to re-read them, which I hope to do sooner rather than later.
25/40 classico dimenticato: Monteriano - E. M. Forster ****
La recensione include anche "camera con vista" e "casa Howard" che ho letto in questo unico volume! :)
MONTERIANO: La storia ruota intorno al matrimonio tra Lilia, giovane vedova poco apprezzata per la sua eccentricità dalla famiglia del defunto marito, e Gino, giovane ragazzotto italiano di classe media. I due si conoscono a Monteriano, paese di fantasia nei dintorni di Siena, e, grazie alla bellezza del nostro paesaggio e alla calorosità dell’uomo latino, Lilia non può fare a meno di innamorarsi appassionatamente di questo ragazzo così lontano dai canoni inglesi. A cercar di porre rimedio allo scandalo, intervengono Philip e Harriet, i due cognati, e Caroline, compagna di viaggio di Lilia. Una serie di vicende drammatiche metterà a confronto la cultura rigida e cameratesca inglese con quella sfrontata italiana. Per un lettore italiano il romanzo potrebbe risultare un insieme di luoghi comuni nei confronti del nostro “bel paese” (l’italiano è ozioso e cerca di guadagnare con il minimo sforzo, l’italiano è un bruto maleducato, in Italia devi stare attento che non ti rubino le mutande… ecc) ma a mio avviso, tra le righe, l’autore strizza l’occhio in nostro favore e, con le parole che mette in bocca ai suoi personaggi, sottolinea una certa ironia nei confronti della società inglese tanto fiera quanto rigida. Questo è il primo romanzo di Forster e l’ho trovato un ottimo biglietto da visita.
"La signorina Abbott aveva avuto anche lei una meravigliosa serata, e non ricordava di aver mai visto stelle di quel genere e un cielo simile. Anche la sua testa era piena di musica, e quella notte, aprendo la finestra, la sua camera si riempì di un'atmosfera calda e dolce. Sprofondava nella bellezza, dentro e fuori: non riusciva ad andare a letto per la felicità. Era mai stata tanto felice? Si, una volta, proprio qui, una sera di Marzo, quella in cui Gino e Lilia le avevano parlato del loro amore... La sera i cui guai era venuta adesso a riparare."
“Poggibonsi le apparve, mentre questi cantavano, un luogo disperso e privo di gioia, colmo di gente falsa. “Quando si sveglio riconobbe che quel luogo era Sawston.”
CAMERA CON VISTA: Questo secondo romanzo è quello che mi è piaciuto di più malgrado la prima parte l’abbia seguita poco facilmente trovandola a tratti confusionaria. Protagonista della vicenda è la giovane Lucy, ragazza nubile di buona famiglia in viaggio per l’Italia con un’anziana cugina apprensiva e molto conservatrice. Durante il loro soggiorno a Firenze, descritta magnificamente, si imbattono in alcuni ospiti inglesi che soggiornano alla loro stessa pensione. Tra questi spiccano il signor Emerson, anziano signore dai modi molti bruschi e schietti, e suo figlio George, ragazzo dall’aria triste. I due vengono giudicati personaggi troppo eccentrici per essere apprezzati ma ovviamente Lucy instaurerà con loro un rapporto profondo. Lucy mi ha ricordato un po’ alcune principesse Disney: inizialmente spensierate, poi curiose e determinate a uscire dai loro soliti schemi e infine disposte a tutto per vivere il loro amore. Mr. Emerson padre è un personaggio incredibile, il mio preferito tra tutti quelli incontrati nei tre romanzi.
"Ma l'Italia aveva compiuto un miracolo. Le aveva dato luce, e - cosa cui Cecil dava ancora maggiore importanza - le ombre. Presto egli aveva iniziato a cogliere in lei uno splendido riserbo. Era come una delle donne di Leonardo da Vinci, che amiamo non tanto per come sono in se stesse, quanto per le cose che non ci svelano. Cose che sicuramente non sono di questa vita; nessuna, tra le donne di Leonardo, potrebbe mai avere “una storia>“; no, nulla di così volgare. Lucy si era evoluta in modo meraviglioso, giorno dopo giorno."
CASA HOWARD: Ed eccoci con l’ultimo romanzo di questa raccolta. Il più lungo, il più ricco di temi, l’evoluzione finale della figura femminile (*ATTENZIONE SPOILER* La donna che non necessita della presenza e del sostegno di un uomo per badare a se stessa ma soprattutto per essere felice*FINE SPOILER*. In questo caso è impossibile non affezionarsi a tutti i protagonisti e prendere a cuore le loro vicende. L’incontro/scontro tra due famiglie molto diverse della borghesia inglese e l’indiretta contesa di Casa Howard. Aver letto in sequenza questi tre è stato bellissimo e ora posso confermare E. M. Forster tra i miei scrittori preferiti!
“Per loro, Casa Howard era una casa: essi non potevano sapere che per lei era stata uno spirito, per il quale desiderava un erede spirituale. E - facendo ancora un passo in queste nebbie - non potrebbero essi aver deciso anche meglio di quanto supponessero? È credibile che i possessi dello spirito possano essere lasciati in eredità? L'anima ha discendenza? L'olmo gigante, una vigna, un pugno di fieno con della rugiada... Può la passione per simili cose venire trasmessa dove non vi è vincolo di sangue? No; i Wilcox non possono essere biasimati. Il problema è terrificante, ed essi non potevano nemmeno percepire un problema. No; è naturale e conforme ad a essi che dopo una debita discussione, abbiano strappato il biglietto e l'abbiano gettato dentro il fuoco della sala da pranzo. Il moralista pratico può decisamente assolverli. Chi cerca di guardare più in profondità può... Quasi assolverli. Perché rimane un fatto duro. Hanno ignorato un appello personale. La donna che era morta aveva detto “fate questo>“ ed essi avevano risposto “non lo faremo”.”
I will have to read all three of these novels again, as the language was oddly difficult for me to follow, and I didn't absorb a lot of the passages. Anyhow... I would say my favorite of the three was "Howard's End", which I mistakenly first thought was a book about the death of someone named Howard. :-) This novel provided me with a "first". It was the first time I slammed down a novel, hurled insults at it. This happened during the engagement of Margaret and Mr. Wilcox. Need I say more?!
I have rated two of the three books 4 and one a three for an overall rating of 4. I frankly was surprised that I liked Forster. So many of the English authors are boring. Each book looks at the British middle class. Howard's End was my favorite of the three. If you've had enough Hardy or Austen, try Forster. I have reviewed each of the 3 individually. Check the individual books.
I discovered through this collection have no taste for Forster. I clearly recollect getting about a third of my way into the collection and then stopping to read some articles on the chauvinism of the author and rather lost interest in the endeavor.
Forster's works are expert explorations of class and gender differences, and the difficulty of finding true connections within societal constraints. I wish this compilation had included his masterful "A Passage to India," but one mustn't quibble. "Passage," along with "Howard's End" and "A Room With a View," have all been turned into expertly crafted movies that do justice to the original source material.
3 stars for Where Angels Fear to Tread, 4 stars for Howards End, and 3.5 stars for A Room With a View
Angels is a bit crazy, but reflective of the Pope allusion. Howards End deals with some more serious issues and is a thought-provoking character study, and A Room is a pleasant novel.
I enjoy Forster's intertwining humor and his somewhat unexpected endings are (I think) worth the read.
Really enjoyed this book. My husband bought it for me for Christmas, because A Room with a View is my favorite movie. Was very surprised at how similar the book is to the movie. Must say though, it was much enjoyable to see the small differences in the characters and learn their "stories", more than you would in the movie. Fun!
I didn't love any of the three novels, but I'll say I liked Howard's End the best, mostly because of the philosophical discussions among the characters. And now having read the books I do think the film adaptations of Howard's End and A Room With a View have merit. But I've never liked Helena Bonham Carter.
Howards's End was certainly my favorite of the three books. All three are deeply philosophical as was the norm of literature written in this era. I was actually into the final third of Howard's End before my interest in the plot really intensified. The characters had finally been laid bare to the reader and the story could proceed to the end.
I only read A Room With a View. I might have given this 3.5 stars if that were a possibility. I enjoyed the characters and story line, but did find it a bit hard to get into. However, once I got into the text, I liked it. I can't imagine being Lucy Honeychurch and having so much put upon me simply because I'm a woman!
Monday night book club read A Room With A view this month. There was a great deal of discussion on the "view' and the nature of the characters created. Many also questioned the nature of what makes a classic as many felt that they would not find the novel particularly memorable. Many of us enjoyed the humour and pointed digs at class.
I read this for last month's book club at the store and I had forgotten how much I enjoy E.M. Forester's writing. I mean, he's no Elizabeth Gaskell or Henry James, but I do love his stories. They are filled with rich characters and I love them...I do however have to be in the mood...
All three are delightful -- my favorite is, and always will be, A Room With a View. Howard's End was a delightful summer read, although the philosophical discussions got a bit stuffy for me. One simply can't stomach so much philosophy when it's 103 degrees outside.
I finally finished the third and final in this volume, Where Angels Fear to Tread. It was my second favorite, I think, after A Room With a View. I like Forster and would recommend these if you're looking for a lighter classic.
Spoil yourself by reading A Room with A View. Read one story in this compilation for each leg of your travel. Forester's clever, subtle banter between characters is legendary but if you've seen the movies and listened to the soundtracks, you'll have a vivid backdrop. You're better for it.
E.M. Forster’s dictum to “always connect” applies to novels. “Howard’s End” is most famous - spinster, older, women dealing with ostracism in bastard birth, and how they contend with prejudice. For Forster, slights are anathema, and sociologically worthless. Taboos are bent, if not broken.
Another Book-of-the-Month acquisition. I read the books to see if it gives me any insite to the movie I already saw. Forster reminds me of Austen. Like the romance.