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510 pages, Paperback
First published September 17, 1991
This inquiry began with a deceptively simple question. How does it happen that serious people continue to believe in progress, in the face of massive evidence that might have been expected to refute the idea of progress once and for all?So opens The True and Only Heaven, Christopher Lasch's penultimate book of cultural criticism. There have been many such critiques aimed at the United States over the past half-century—most more jeremiad than reasoned analysis—but I have always believed Lasch to produce not only the most thoughtful of such works, but the best written. He began as an exuberant leftist, but became increasingly disillusioned and dismayed by Stalinist excesses and Khruschevian failures and their corrosive influence on the West. Finding himself deeply troubled by the emergence of the New Left in the sixties, he commenced a continuously evolving marriage of left-wing and conservative thought, a union that allowed him his unique voice in criticizing the course of Western democratic capitalism—and the US in particular. Lasch's prime target became the curious hybrid of capitalist progressivism that he deemed so enervating and destructive to the roots of Western family, society, and culture.