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128 pages, Mass Market Paperback
First published January 1, 2010
A volume examining time, and how it affects every person.
Overall, I found the further you got into the collection, the more mature and thought provoking the stories became. I did not enjoy the first two, but gradually became more engrossed by the next four and found myself considering life differently with each new story. That is what short stories should do. I thought that, aside from “The Curious Case of Benjamin Button” and “Head and Shoulders”, Fitzgerald’s characterisation and conflict was very realistic and believable; one can learn more about themselves by considering how they would react in the character’s place. The way Fitzgerald plays with perspective in the last four stories also assists with this.
"The Curious Case of Benjamin Button" - The first word that springs to mind is 'overrated'; I did not enjoy the short story as much as I was led to believe. It was simple, and an interesting idea, but written skin-deep and superficially. My view on the world was neither challenged nor altered, and I was severely underwhelmed. It would have done better as a novel, where numerous issues about societal prejudices could have been explored. Although I dislike persons who compare novels to films, I must say that the movie The Curious Case of Benjamin Button explored these and more than the 28-page story.
"Head and Shoulders" - Slightly better than the first story, I somewhat enjoyed "Head and Shoulders". I thought the characters were underdeveloped and could easily have been explored further. I also think that its conclusion was quite problematic. It portrayed women as only as good as their husbands, and that they were more suited to 'show bizz' than to intellectual activity. Certainly, this was written in the 1920s, and was satirical in the critical way it portrayed Marcia and Horace, but there seemed to be an underlying bitterness in its last page. Surely Fitzgerald, who was surrounded by many inspiring and powerful women (including his wife!) could overlook the accepted ideas about women during the antagonistic time? At the same time, I could be taking it too seriously and the 'bitterness' I'm reading into could be intended comedic effect, considering many of Fitzgerald’s heroines are stronger. It also had a stronger story than the collection's debut.
"The Cut Glass Bowl" - I really enjoyed this story. Evylyn was very well developed, and her husband also. Although it was short, and most of its tension took place in the space of one evening, it was a very interesting examination of common place turn of events from an unexpected perspective. Fitzgerald's portrayal of Evylyn's inner dialogue was also very realistic and believable, and caused great empathy to the reader through all her frustration and worry. I liked the way the cut glass bowl was used as a symbol for pivotal points in her life, and the well-rounded (although sad) conclusion. I thought this was a very interesting short story indeed.
"Four Fists" - Even though the symbolic use of something to represent pivotal points in life is repeated - an action in the case of Samuel and the bowl for Evylyn - it’s still a useful device in this story as it captures the metaphoric feeling of ‘being punched in the face by life’, and being forced to realise something. I think Samuel's character journey was very interesting and open-minded; I like the way Fitzgerald showed how easy it is to swallow one's pride and change your ways in the face of (perceived) rightful adversity. The difficult situations were indicative of realistic dilemmas experienced by most humankind, regardless of period. An interesting exploration of a man's moral maturation.
"May Day" - This was a much more serious story than the others, and the first almost outright criticism of anything Fitzgerald has written. He was clearly suggesting war corrupts the minds of others, and one doesn't have to be directly involved in it to be polluted. I really liked the way the story flowed between the different characters and their interactions. No one appeared to have a happy ending, but it was in a believable way - the sort of misfortune that could be experienced by anyone during that time. Another one of my favourites from this collection.
"'O Russet Witch!'" - A very unfortunate but truthful story about how ignorance can be bliss, and the sad fate of many who lose track of the more fun aspects of life in search of security. Once again, the characterisation was incredibly realistic and believable, maybe not so much of Alicia Dare who seemed to flamboyant to survive in the 1920s but this also assists to develop her magical characterisation. It is clever how Merlin ought to have been so too with such a name, but their contrast merely seeks to further exploit his plain and uninteresting life. I think everyone can see a bit of themselves in Merlin, and I like that this story inspires one to actively search for excitement and knowledge within the media in a comedic and reflective way.
"Crazy Sunday" - Another time Fitzgerald uses the interesting plot device of revolving time around an object, concept, or in this case, day. It is hard for me to speculate on how realistic Joel’s Hollywood lifestyle is, but the relationship between Miles and Stella is truly fascinating, particularly as we examine them through an outsider’s eyes. Here, Fitzgerald's examination of morals is interesting. Generally, he opts for the image of God/religion judging 1920s debauchery and upheaval in a malicious way, but in this story free will is much more prevalent as Joel trusts his own instincts. He still considers his immediate, selfish desires first, and tends to make his own judgement based on a combination of these and an objective view of what is ‘the right thing to do’. It makes for a much deeper, well-rounded character. The way in which Stella and Miles react to his actions further develop them as characters also. I think this story was the perfect length for what it was, and also love the way it reads almost like a film script without the conventions – much like the protagonist’s life.