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“
The shortness of High Renaissance is typical of the fate of all the periods of classical style in modern times; since the end of feudalism the epochs of stability have been nothing but short episodes. The rigorous formalism of the High Renaissance has certainly remained a constant temptation for later generations, but, apart from short, mostly sophisticated, and educationally inspired movements, it has never prevailed again. On the other hand, it has proved to be the most important undercurrent
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― The Social History of Art: Volume 2: Renaissance, Mannerism, Baroque
― The Social History of Art: Volume 2: Renaissance, Mannerism, Baroque
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Put shortly, these are the two views, then. One, that man is intrinsically good, spoilt by circumstance; and the other that he is intrinsically limited, but disciplined by order and tradition to something fairly decent. To the one party man's nature is like a well, to the other like a bucket. The view which regards man as a well, a reservoir full of possibilities, I call the romantic; the one which regards him as a very finite and fixed creature, I call the classical.
One may note here that t
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