Metafiction


If on a Winter’s Night a Traveler
Slaughterhouse-Five
House of Leaves
The Eyre Affair (Thursday Next, #1)
Pale Fire
The Princess Bride
The New York Trilogy (New York Trilogy, #1-3)
Breakfast of Champions
Cloud Atlas
Redshirts
The Name of the Rose
Sophie’s World
Lost in a Good Book (Thursday Next, #2)
The Neverending Story
The Blind Assassin
M.J. Nicholls
Why do I covet metafiction so much? Why do I nurture a style that David Foster Wallace purportedly exploded in the late 1980s, that is derided by most literary theorists as passé, that people tend to agree serves no worldly, moral purpose other than to draw attention to the writer’s own navel? Because, dammit, metafiction is relevant to today.
M.J. Nicholls

Ashim Shanker
The arrow of time obscures memory of both past and future circumstance with innumerable fallacies, the least trivial of which is perception.
Ashim Shanker, Only the Deplorable

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