Leah’s
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(group member since Apr 07, 2010)
Leah’s
comments
from the Q&A with Leah Stewart group.
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I do struggle with it, though there was only one year, the first after my daughter was born, that I set writing aside completely. I manage it by negotiating time with my husband, getting childcare, and making sure I make time every day both for writing and for the children. The hardest days are the ones when I have to stop writing to take over childcare, but what I've been working on is still on my mind. I'd like to keep thinking, but small children don't have much tolerance for that.

Thank you!

Here's the Amazon link: http://www.amazon.com/Husband-Wife-No...

Do you have any advice for aspiring writers who want to be authors?"
I started writing as a kid--mostly bad poems and imitations of my favorite fantasy novels. I don't know that I ever completed a story until college workshops required me to. After graduate school, I set about trying to write a novel and taught myself how to do it as I went along. My best advice is to make writing part of your routine, whether it's daily or twice-weekly or whatever works for you. Otherwise it's easy to let it fall by the wayside when there are so many other pressing things to take care of. Also, read, read, read, and look for models of the kind of book you want to write.

The kids are based on my kids, at the ages they were when I started the book. The house where Nathan and Sarah live is essentially the house where we used to live in North Carolina. And then, of course, some of the ideas Sarah expresses about art, motherhood, marriage, etc., are things I'd been thinking about. I've been getting asked a lot if the infidelity part is based on my own life, which it isn't, and Nathan is not a portrait of my husband, though my husband is also a fiction writer.
I get the autobiographical question enough that I wonder a couple of things maybe some of you can answer: Do you think people want to hear that a novel IS based in truth? And do you think the interest in autobiographical elements is greater when the writer is a woman? (Just read an article in the NYT about Emily Dickinson and the ongoing speculation about her love life.)

thank you for your consid..."
I wish I could help. I assume it has something to do with foreign rights?

Thanks, Loubna. I hope you do!

Thanks, Mary! I'm really glad your feelings about Nathan changed. I worried about that. I wanted to read his version, too, which is one reason I included the little story he writes at the end.

Thanks for taking questions! I'm wondering about your writing process. Where do you get your ideas? Once you get an idea, do you start with a plot outline and if so how close do you stick..."
Like most writers, I notice a number of details in the world that suggest a good story, but some of them stick in my mind and some don't. Broadly speaking I get my ideas from what I observe in the lives of people around me, but not everything that's interesting leads to a story it would suit me to write. I'm interested in intense emotional experiences, and also in questions of identity, so I keep thinking about the things that press those buttons, and if I keep thinking about something enough I'll realize it's subject matter for a novel. I've tried with only one (still unfinished) book to write a plot outline before I began, and that was a bust. I suppose I need more of a feeling of discovery to keep going. So usually I just start, and I go until I get stuck, and then I try to figure out where I am and where I'm going. At that point I'll often do a plot outline, but it's pretty open. I'll know big turning points in the story, but I don't plan it scene by scene.

Did you set out to write a book about infidelity? Or did it start with creating the main character and the story came from her?"
It's already a little hard to remember, but I think they came together. When I started writing Sarah's voice, she was talking about the scene that opens the book, when her husband confesses his infidelity. And I knew from the beginning that she'd be someone who'd once identified as an artist and wasn't so sure she did anymore, and that for her his infidelity would have to do with that shift in her identity, a shift brought about in large part by motherhood.
This might be hard to believe, if you've already read the first chapter, but she actually sounded a lot angrier at first. And the first two pages, in which she talks more generally about her life, were something I added later. But the first scene--he confesses as they're about to leave for a wedding--is essentially the same.

I heard many, many stories about other friendships, but I only remember the most dramatic ones, like the woman who found her high school best friend in bed with her father, and the woman who lost her best friend when she was killed in Iraq. Hearing other women's stories definitely affirmed my own feeling that these intense friendships are a crucial part of growing up.
I think plenty of people, myself included, have close friendships as adults, but it's hard for them to be as intense, because most of us have neither the time nor the super-dramatic emotions of youth.

