Laurie’s
Comments
(group member since Aug 19, 2012)
Laurie’s
comments
from the Q&A with Laurie R. King group.
Showing 1-20 of 103

Laurie

Indeed, what is the deal with Mycroft? Perhaps in some future book I will at last tackle The Mycroft Problem and see just what he a) does, b) wants, and c) will do with the world.

Those covers with the dressing gowns were on two hardbacks, and on some of the mass market paperbacks, although not all. In my experience, the writer has some say in the cover art when it comes to rejecting an impossible one, or suggesting ways to make it stronger, but not in proposing art to begin with. The ways of the publisher's Art Department are often inscrutable.

Ditto to the above.

How many Mary Russell books are you planning to write? I love this series!!!"
As many as my mind and body will produce.

I'd guess she had a Spanish-speaking nursemaid in San Francisco. And I can't see Mrs Hudson cottoning on to this foreign food, but you never know.

All kinds of hidden tidbits, my way of nudging fellow readers in their ribs, or tipping my hat at them, depending.

I'd have to choose the Hound of the Baskervilles, for its sheer over-the-topness. Glowing dogs! Lobotomied felon on the loose! London detective living in stone-age dwelling!

The Game
which is not only an interesting mystery but also full of native customs, information and terminology. I do find it a bit disconcerting that Laurie has taken some chronological license with the mention of aeroplanes in a couple of instances. The development of passenger planes was only after WWI and hence after the time frame of this novel. But I'll forgive her for that."
The Game takes place in 1924, when passenger service was very well established. But then, others caught this first, for which thanks, all.

Hmm, I'd thought he was musing on the length of time it had taken him to find an adequate apprentice. Maybe I should re-read it...


I wondered if you could talk about the research you do for the Holmes/Russell books. Do you choose a location first and then start researching it? Or do you do a lot of "useless" (ha!!) research on an ongoing basis, until a place or topic strikes you as a good fit? How much research on average do you do for each of these novels? Is it all nonfiction or do you sometimes read other fiction set in the relevant times/places?
And if you really want to make me happy (I'm a manuscripts archivist), tell me about an experience that you've had -- good or bad -- in an archives or special collections :) "
I generally choose the place first and then start figuring out what was going on there in 1924. Once I've decided what they're doing in that place, I start collecting research materials, although often I don't go into those in any detail until after I've done the first draft--that's all plot, and knowing too much about any one part has a nasty tendency of pulling the story off-center.
In general, I use 20 or more books for any given project, sometimes a lot more. And now that the Internet is beginning to be useful for actual research rather than shallow and frustrating teasers, I have as many or more sections of printout from things I've come across online.
As for finds, I'm forever coming across things in old books that bring their history to life--margin notes from previous owners, corrections and disagreements from other readers, checklists in the guidebooks, even odd bits of paper left behind, stationery or ticket stubs or newspaper articles. It begins to feel like a communal effort, and certainly like an ongoing conversation. Very Talmudic.

Thank you so much for th..."
Life is too complicated to keep an inflexible routine, but I try to write every morning, and generally manage 5 or 6 days a week. Research is sporadic during a first draft, more intense before and after (when I go in search of all the stuff I've realized I don't know.)

Nope, I write in silence, or as silent as the house gets (at the moment renovations mean a constant 9:00-4:00 chorus of hammers, saws, crashes, and the occasional distant radio.)

Question: Are you surprised how well you write male characters, particularly Ali, Mahmoud, and Kim, and how central t..."
Thank you! I'm glad you feel I step into the role of the male characters with some smoothness, I'm never certain my guys aren't women with testosterone supplements. The hardest one was Alan in Keeping Watch, since his experiences and attitudes were so very far from my own.

My question is: Do you have any advice for beginning writers?
I do read a ..."
Yes: write. Read too, in all kinds of areas, even those you don't think you like. But always write, because that's the only way to do it better.

I depend on it.

I've studied a number of them, yes. Don't speak anything but English really well, but then, I'm no Mary Russell.

Well, Japan. That's why I mentioned it in the books, so I'd be forced to write it.

No, I'm not an outliner. A complete surprise, that's what every book is.