
“What exactly is he trying to sell?’ Ignoring Catherine Austin, Dr Nathan walked over to the photographs of the isolation volunteers on the enamel wall beside the window. The question revealed either astonishing ignorance or a complicity in that conspiracy of the unconscious he had only now begun to unravel. He turned to face the young woman, irritated as always by her strong, quizzical gaze, an overlay of her own potent sexuality. ‘ You, Dr Austin. These advertisements constitute an explicit portrait of yourself, a contour map of your own body, an obscene newsreel of yourself during intercourse.’ He rapped the magazines with his gold cigarette case. ‘These images are fragments in a terminal moraine left behind by your passage through consciousness.”
―
The Atrocity Exhibition
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