Kristen > Kristen's Quotes

“I thought, it's a shame that we have to live, but it's a tragedy that we get to live only one life, because if I'd had two lives, I would have spent one of them with her.”
― Jonathan Safran Foer, Extremely Loud & Incredibly Close

“Instead of singing in the shower, I would write out the lyrics of my favourite songs, the ink would turn the water blue or red or green, and the music would run down my legs.”
― Jonathan Safran Foer, Extremely Loud & Incredibly Close

“Sometimes I can hear my bones straining under the weight of all the lives I'm not living.”
― Jonathan Safran Foer, Extremely Loud & Incredibly Close

“Why didn't I learn to treat everything like it was the last time. My greatest regret was how much I believed in the future.”
― Jonathan Safran Foer, Extremely Loud & Incredibly Close

“I like to see people reunited, I like to see people run to each other, I like the kissing and the crying, I like the impatience, the stories that the mouth can't tell fast enough, the ears that aren't big enough, the eyes that can't take in all of the change, I like the hugging, the bringing together, the end of missing someone.”
― Jonathan Safran Foer, Extremely Loud & Incredibly Close

“I regret that it takes a life to learn how to live.”
― Jonathan Safran Foer, Extremely Loud & Incredibly Close

“I hope that one day you will have the experience of doing something you do not understand for someone you love.”
― Jonathan Safran Foer, Extremely Loud & Incredibly Close

“There were things I wanted to tell him. But I knew they would hurt him. So I buried them, and let them hurt me.”
― Jonathan Safran Foer, Extremely Loud & Incredibly Close

“Why do beautiful songs make you sad?' 'Because they aren't true.' 'Never?' 'Nothing is beautiful and true.”
― Jonathan Safran Foer, Extremely Loud & Incredibly Close

“Songs are as sad as the listener.”
― Jonathan Safran Foer, Extremely Loud & Incredibly Close

“What about little microphones? What if everyone swallowed them, and they played the sounds of our hearts through little speakers, which could be in the pouches of our overalls? When you skateboarded down the street at night you could hear everyone's heartbeat, and they could hear yours, sort of like sonar. One weird thing is, I wonder if everyone's hearts would start to beat at the same time, like how women who live together have their menstrual periods at the same time, which I know about, but don't really want to know about. That would be so weird, except that the place in the hospital where babies are born would sound like a crystal chandelier in a houseboat, because the babies wouldn't have had time to match up their heartbeats yet. And at the finish line at the end of the New York City Marathon it would sound like war.”
― Jonathan Safran Foer, Extremely Loud & Incredibly Close

“We need enormous pockets, pockets big enough for our families and our friends, and even the people who aren't on our lists, people we've never met but still want to protect. We need pockets for boroughs and for cities, a pocket that could hold the universe.”
― Jonathan Safran Foer, Extremely Loud & Incredibly Close

“My life story is the story of everyone I've ever met.”
― Jonathan Safran Foer, Extremely Loud & Incredibly Close

“In bed that night I invented a special drain that would be underneath every pillow in New York, and would connect to the reservoir. Whenever people cried themselves to sleep, the tears would all go to the same place, and in the morning the weatherman could report if the water level of the Reservoir of Tears had gone up or down, and you could know if New York is in heavy boots.”
― Jonathan Safran Foer, Extremely Loud & Incredibly Close

“I missed you even when I was with you. That’s been my problem. I miss what I already have, and I surround myself with things that are missing.”
― Jonathan Safran Foer, Extremely Loud & Incredibly Close

“We had everything to say to each other, but no ways to say it”
― Jonathan Safran Foer, Extremely Loud & Incredibly Close

“Don’t try to make life a mathematics problem with yourself in the center and everything coming out equal. When you’re good, bad things can still happen. And if you’re bad, you can still be lucky.”
― Barbara Kingsolver, The Poisonwood Bible

“Nothing happened. And everything did. Your whole life you can be told something is wrong and so you believe it. Why should you question it? But then slowly seeds are planted inside of you, one by one, by a touch or a look or a day skateboarding in a park, and they start to burst out of old hulls shells and they start to sprout. And pretty soon there are so many of them. They are named Love and Trust and Kindness and Joy and Desire and Wonder and Spirit and Soulmate. They grow into a garden so dense and thick that it starts to invade your brain where the old things you were once told are dying. ”
― Francesca Lia Block, Wasteland

“You asked me who I thought I was before. I said maybe I was a fish because I love water and you said, you thought a mermaid, maybe.
If you were a mermaid, you said, if you were a mermaid, I was the sea.”
― Francesca Lia Block, Wasteland

“I'll be inside the one who holds you. And then I won't be. ”
― Francesca Lia Block, Wasteland

“You were just a boy on a bed in a room, like a kaleidoscope is a tube full of bits of broken glass. But the way I saw you was pieces refracting the light, shifting into an infinite universe of flowers and rainbows and insects and planets, magical dividing cells, pictures no one else knew ...”
― Francesca Lia Block, Wasteland

“i could see the veins through your skin like a map to inside you. how could skin be that thin? i was so afraid you might drop and break. i stopped breathing so you wouldn't.”
― Francesca Lia Block, Wasteland

“We got quiet. The garden was combing her hair and putting on earrings. The house was full of dancing creatures, not male and female but both, two lovers in one body. The books downstairs were reciting their poetry to each other, rubbing together, whispering through the leather covers. Wine was flowing through the water pipes. You had caught my leaping heart in your hand like a fish.”
― Francesca Lia Block, Wasteland

“You turned your head to look at me. Your eyes looked so big in your face, so mysterious — wide and flickering like a butterfly-wing mask. When you saw me the wails turned to sobs, and then just quieter heaves of your body. I held out my finger through the bars. Then you reached out and curled your fingers around mine, so tight. I knew you recognized me. That was the first time I knew I had a heart inside my body.”
― Francesca Lia Block, Wasteland

“Sometimes I wanted to peel away all of my skin and find a different me underneath.”
― Francesca Lia Block, Wasteland

“...It felt like they were telling each other secrets. Everything they said felt like that—whispered, tender, full of other meanings, like when you tell someone a dream or talk about your astrological signs as code for all the things you love about each other.”
― Francesca Lia Block, Wasteland

“What did it mean for us? Because everything I did, everything that happened to me, that was what I asked myself - what does this mean for us. It meant that I was farther away from you, different. It meant that if we let ourselves, we could get closer than we had ever been. Disappear into each other. You’d bleed and I wouldn’t. Then we both would.”
― Francesca Lia Block, Wasteland

“You still cry too easily, but without your tears, at least, everything would burn. You are Spring in your jeans, in the laughing leaves. I think pearls melted over your bones.”
― Francesca Lia Block, Wasteland

“She wasn’t crying at all. This was what scared him the most. Where had she locked up the things he’d seen her feeling that day when she heard? She wasn’t that big a girl to hold all of it—to hold her brother’s life and his death inside of her. To hold all his long-limbed raging tidal motion and all the loss of that.”
― Francesca Lia Block, Wasteland

“My mind is like the valley—this vast barren waste. Car lots. Malls. Tract homes. I know there are other worlds beyond it—of canyons full of coyote and monarch butterflies, squirrels, bunnies, purple and yellow wildflowers, of magical boulevards lined with palatial movie theaters and movie-star haunted mansions, of parks and palms and palisades, especially, especially of the ocean, where it all ends and everything begins. I know the rest is out there but from where I sit in my head it’s like being on the bottom of a hot sunken pit—you can’t see anything else around you no matter how hard you try.”
― Francesca Lia Block, Wasteland