Shonda Danos > Shonda's Quotes

“If he had heard of the kiss, he would know I do not care for Holden, right? Foster and I have spent so much time together over the past month. And he said last night he would come again tonight. Why would he not?”
― Tricia Copeland, To Be a Fae Queen

“Being magnanimous in victory usually worked, but to keep abreast of the situation he had to 
pump the girl for all she knew. Was there a pang of remorse for his actions in his mind? 
Possibly, but what choice did he have? If he wanted to survive, he had no room for weakness.”
― Max Nowaz, The Arbitrator

“Jack. You called? What’s up, buddy?”
When he calls me Jack, I know he is worried or anxious about something. Otherwise, it’s either Ludicrous or Swamp. Not sure where the ‘buddy’ came from. That was a new one.”
― Behcet Kaya, Murder in Buckhead

“You see, there are no pretty pink flowers in the woods at night.”
― J.K. Franko, Eye for Eye

“…. ‘George said he needed a break. And there was something about Jonathan taking over …’   ‘That’s exactly what I mean,’ said Maxwell, ‘It seems like there’s all kinds of goings on there now.’ ‘What did the agents say then?’ ‘Your brother … he must still have a key. I told them to check, I told them. I expect they overlooked it. Hugo’s been going in and there are some women there apparently, I mean at the Manor House, Jonathan’s up to his usual tricks taking in every Tom, Dick and Harry and giving all kinds of undesirables a home, and there’s something about them chasing Hugo and taunting him, yesterday the buyers were viewing again and measuring up for curtains and things, I said they could, and they saw something going on outside, some shouting and laughing …’   ‘Women! What women? Jonathan’s not like that …’   ‘Not like that huh! He’s flesh and blood like the rest of us.’  ‘That’s not what I meant. Please don’t be angry Max, it’s not my fault.’ ‘Jonathan this and Jonathan that. Why do people think he’s so bloody marvellous eh! What the hell does he think he’s doing. People spilling over into my garden and wrecking the peace and quiet. George was completely mad to do this …”
― Elizabeth Tebby Germaine, A MAN WHO SEEMED REAL: A story of love, lies, fear and kindness

“I’m in love with Montana. For other states I have admiration, respect, recognition, even some affection. But with Montana it is love. And it’s difficult to analyze love when you’re in it.”
― John Steinbeck, Travels with Charley: In Search of America

“They had come to the edge of the wood now, with no sign of slowing their rapid jog. The road, where it angled across the meadow, was just ahead, dazzling white in the open sunlight. And there, standing on the road, was the man from the night before, the man in the yellow suit, his black hat on his head.
Discovering him, seeing his surprise, and presented at once with choices, Winnie’s mind perversely went blank. Instead of crying out for help, she merely goggled at him as they fled past the spot where he stood. Mae Tuck was the only one who spoke, and the most she could offer was: “Teaching our little girl . . . how to ride!”
― Natalie Babbitt, Tuck Everlasting

“Liberation, I guess, is everybody getting what they think they want, without knowing the whole truth. Or in other words, liberation finally amounts to being free from things we don't like in order to be enslaved by things we approve of. Here's to the eternal tandem.”
― Robert Fulghum, All I Really Need to Know I Learned in Kindergarten

“Oh yes. His voice has music.”
― Ally Condie, Matched

“I'm not a body with a soul, I'm a soul that has a visible part called the body.”
― Paulo Coelho, Eleven Minutes

“He was too young to know that, in any novel with a reasonable amount of forethought, there were no coincidences.”
― John Irving, Last Night in Twisted River