Dayna Harris > Dayna's Quotes

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  • #1
    Jeff VanderMeer
    “Where lies the strangling fruit that came from the hand of the sinner I shall bring forth the seeds of the dead to share with the worms that gather in the darkness and surround the world with the power of their lives while from the dimlit halls of other places forms that never were and never could be writhe for the impatience of the few who never saw what could have been. In the black water with the sun shining at midnight, those fruit shall come ripe and in the darkness of that which is golden shall split open to reveal the revelation of the fatal softness in the earth. The shadows of the abyss are like the petals of a monstrous flower that shall blossom within the skull and expand the mind beyond what any man can bear, but whether it decays under the earth or above on green fields, or out to sea or in the very air, all shall come to revelation, and to revel, in the knowledge of the strangling fruit—and the hand of the sinner shall rejoice, for there is no sin in shadow or in light that the seeds of the dead cannot forgive. And there shall be in the planting in the shadows a grace and a mercy from which shall blossom dark flowers, and their teeth shall devour and sustain and herald the passing of an age. That which dies shall still know life in death for all that decays is not forgotten and reanimated it shall walk the world in the bliss of not-knowing. And then there shall be a fire that knows the naming of you, and in the presence of the strangling fruit, its dark flame shall acquire every part of you that remains.”
    Jeff VanderMeer, Annihilation

  • #2
    Jeff VanderMeer
    “The effect of this cannot be understood without being there. The beauty of it cannot be understood, either, and when you see beauty in desolation it changes something inside you. Desolation tries to colonize you.”
    Jeff VanderMeer, Annihilation

  • #3
    Jeff VanderMeer
    “That's how the madness of the world tries to colonize you: from the outside in, forcing you to live in its reality.”
    Jeff VanderMeer, Annihilation

  • #4
    Anne Brontë
    “Smiles and tears are so alike with me, they are neither of them confined to any particular feelings: I often cry when I am happy, and smile when I am sad.”
    Anne Brontë, The Tenant of Wildfell Hall

  • #5
    Anne Rice
    “Evil is a point of view. We are immortal. And what we have before us are the rich feasts that conscience cannot appreciate and mortal men cannot know without regret. God kills, and so shall we; indiscriminately He takes the richest and the poorest, and so shall we; for no creatures under God are as we are, none so like Him as ourselves, dark angels not confined to the stinking limits of hell but wandering His earth and all its kingdoms.”
    Anne Rice, Interview with the Vampire
    tags: evil

  • #6
    David Whyte
    “Sometimes it takes darkness and the sweet
    confinement of your aloneness
    to learn

    anything or anyone
    that does not bring you alive

    is too small for you.”
    David Whyte, The House of Belonging

  • #7
    Frank Herbert
    “Do actions agree with words? There's your measure of reliability. Never confine yourself to the words.”
    Frank Herbert, Chapterhouse: Dune

  • #8
    Tennessee Williams
    “We're all sentenced to solitary confinement inside our own skins, for life.”
    Tennessee Williams

  • #9
    Tiffanie DeBartolo
    “There's a big difference between being alone and being lonely. And I'm guessing that once you've discovered this distinction you can't go back to solitary confinement without serious emotional repercussions.”
    Tiffanie DeBartolo, How to Kill a Rock Star

  • #10
    Angela Carter
    “When I saw him look at me with lust, I dropped my eyes but, in glancing away from him, I caught sight of myself in the mirror. And I saw myself, suddenly, as he saw me, my pale face, the way the muscles in my neck stuck out like thin wire. I saw how much that cruel necklace became me. And, for the first time in my innocent and confined life, I sensed in myself a potentiality for corruption that took my breath away.”
    Angela Carter, The Bloody Chamber and Other Stories

  • #11
    Neal Shusterman
    “They have elevated him on a pedestal, but...a pedestal is nothing more than an elegant cage. No walls, no locks, but unless one has wings to fly away, one is trapped. A pedestal is the most insidious prison ever devised.”
    Neal Shusterman, UnSouled

  • #12
    “Centuries of navel-gazing. Millennia of masturbation. Plato to Descartes to Dawkins to Rhanda. Souls and zombie agents and qualia. Kolmogorov complexity. Consciousness as Divine Spark. Consciousness as electromagnetic field. Consciousness as functional cluster.

    I explored it all.

    Wegner thought it was an executive summary. Penrose heard it in the singing of caged electrons. Nirretranders said it was a fraud; Kazim called it leakage from a parallel universe. Metzinger wouldn't even admit it existed. The AIs claimed to have worked it out, then announced they couldn't explain it to us. Gödel was right after all: no system can fully understand itself.

    Not even the synthesists had been able to rotate it down. The load-bearing beams just couldn't take the strain.

    All of them, I began to realize, had missed the point. All those theories, all those drugdreams and experiments and models trying to prove what consciousness was: none to explain what it was good for. None needed: obviously, consciousness makes us what we are. It lets us see the beauty and the ugliness. It elevates us into the exalted realm of the spiritual. Oh, a few outsiders—Dawkins, Keogh, the occasional writer of hackwork fiction who barely achieved obscurity—wondered briefly at the why of it: why not soft computers, and no more? Why should nonsentient systems be inherently inferior? But they never really raised their voices above the crowd. The value of what we are was too trivially self-evident to ever call into serious question.

    Yet the questions persisted, in the minds of the laureates, in the angst of every horny fifteen-year-old on the planet. Am I nothing but sparking chemistry? Am I a magnet in the ether? I am more than my eyes, my ears, my tongue; I am the little thing behind those things, the thing looking out from inside. But who looks out from its eyes? What does it reduce to? Who am I? Who am I? Who am I?

    What a stupid fucking question. I could have answered it in a second, if Sarasti hadn't forced me to understand it first.”
    Peter Watts, Blindsight

  • #13
    Stephen        King
    “A tragedy is a tragedy, and at the bottom, all tragedies are stupid. Give me a choice and I'll take A Midsummer Night's Dream over Hamlet every time. Any fool with steady hands and a working set of lungs can build up a house of cards and then blow it down, but it takes a genius to make people laugh.”
    Stephen King

  • #14
    “You were the missing piece of my soul, the breath in my lungs, and the blood in my veins.”
    J.A. Redmerski, The Edge of Never

  • #15
    Sarah Kay
    “But I have seen the best of you and the worst of you, and I choose both. I want to share every single one of your sunshines and save them for later. I will tuck them into my pockets so I can give them back to you when the rain falls hard. Friend, I want to be the mirror that reminds you to love yourself. I want to be the air in your lungs that reminds you to breath. When the walls come down, when the thunder rumbles, when nobody else is home, hold my hand, and I promise I won’t let go.”
    Sarah Kay

  • #16
    “You think that because I am unwanted, because I am neglected and-and discarded-" My voice inches higher with every word, the unrestrained emotions suddenly screaming through my lungs. "You think I don't have a heart? You think I don't feel? You think that because I can inflict pain, that I should? You're just like everyone else. You think I'm a monster just like everyone else. You don't understand me at all.”
    Tahereh Mafi, Shatter Me

  • #17
    Andrea Gibson
    “For Jenn

    At 12 years old I started bleeding with the moon
    and beating up boys who dreamed of becoming astronauts.
    I fought with my knuckles white as stars,
    and left bruises the shape of Salem.
    There are things we know by heart,
    and things we don't.

    At 13 my friend Jen tried to teach me how to blow rings of smoke.
    I'd watch the nicotine rising from her lips like halos,
    but I could never make dying beautiful.
    The sky didn't fill with colors the night I convinced myself
    veins are kite strings you can only cut free.
    I suppose I love this life,

    in spite of my clenched fist.

    I open my palm and my lifelines look like branches from an Aspen tree,
    and there are songbirds perched on the tips of my fingers,
    and I wonder if Beethoven held his breath
    the first time his fingers touched the keys
    the same way a soldier holds his breath
    the first time his finger clicks the trigger.
    We all have different reasons for forgetting to breathe.

    But my lungs remember
    the day my mother took my hand and placed it on her belly
    and told me the symphony beneath was my baby sister's heartbeat.
    And I knew life would tremble
    like the first tear on a prison guard's hardened cheek,
    like a prayer on a dying man's lips,
    like a vet holding a full bottle of whisky like an empty gun in a war zone…
    just take me just take me

    Sometimes the scales themselves weigh far too much,
    the heaviness of forever balancing blue sky with red blood.
    We were all born on days when too many people died in terrible ways,
    but you still have to call it a birthday.
    You still have to fall for the prettiest girl on the playground at recess
    and hope she knows you can hit a baseball
    further than any boy in the whole third grade

    and I've been running for home
    through the windpipe of a man who sings
    while his hands playing washboard with a spoon
    on a street corner in New Orleans
    where every boarded up window is still painted with the words
    We're Coming Back
    like a promise to the ocean
    that we will always keep moving towards the music,
    the way Basquait slept in a cardboard box to be closer to the rain.

    Beauty, catch me on your tongue.
    Thunder, clap us open.
    The pupils in our eyes were not born to hide beneath their desks.
    Tonight lay us down to rest in the Arizona desert,
    then wake us washing the feet of pregnant women
    who climbed across the border with their bellies aimed towards the sun.
    I know a thousand things louder than a soldier's gun.
    I know the heartbeat of his mother.

    Don't cover your ears, Love.
    Don't cover your ears, Life.
    There is a boy writing poems in Central Park
    and as he writes he moves
    and his bones become the bars of Mandela's jail cell stretching apart,
    and there are men playing chess in the December cold
    who can't tell if the breath rising from the board
    is their opponents or their own,
    and there's a woman on the stairwell of the subway
    swearing she can hear Niagara Falls from her rooftop in Brooklyn,
    and I'm remembering how Niagara Falls is a city overrun
    with strip malls and traffic and vendors
    and one incredibly brave river that makes it all worth it.

    Ya'll, I know this world is far from perfect.
    I am not the type to mistake a streetlight for the moon.
    I know our wounds are deep as the Atlantic.
    But every ocean has a shoreline
    and every shoreline has a tide
    that is constantly returning
    to wake the songbirds in our hands,
    to wake the music in our bones,
    to place one fearless kiss on the mouth of that brave river
    that has to run through the center of our hearts
    to find its way home.”
    Andrea Gibson

  • #18
    Fall Out Boy
    “I wanna scream I love you from the top of my lungs
    But I'm afraid that someone else will hear me”
    Fall Out Boy

  • #19
    “You’re a coward,” he whispers. “You want to be with me and it terrifies you. And you’re ashamed,” he says. “Ashamed you could ever want someone like me. Aren’t you?” He drops his gaze and his nose grazes mine and I can almost count the millimeters between our lips. I’m struggling to focus, trying to remember that I’m mad at him, mad about something, but his mouth is right in front of mine and my mind can’t stop trying to figure out how to shove aside the space between us.
    “You want me,” he says softly, his hands moving up my back, “and it’s killing you.”
    I jerk backward, breaking away, hating my body for reacting to him, for falling apart like this. My joints feel flimsy, my legs have lost their bones. I need oxygen, need a brain, need to find my lungs—
    “You deserve so much more than charity,” he says, his chest heaving. “You deserve to live. You deserve to be alive.” He’s staring at me, unblinking.
    “Come back to life, love. I’ll be here when you wake up.”
    Tahereh Mafi, Ignite Me

  • #20
    Iain S. Thomas
    “If I breathe you in and you breathe me out, I swear we can breathe forever. I swear I’ll find summer in your winter and spring in your autumn and always, hands at the ends of your fingers, arms at the ends of your shoulders and I swear, when we run out of forever, when we run out of air, your name will be the last word that my lungs make air for.”
    Iain Thomas

  • #21
    Jennifer Niven
    “You don’t know how it is. It’s like I’ve got this angry little person inside me, and I can feel him trying to get out. He’s running out of room because he’s growing bigger and bigger, and so he starts rising up, into my lungs, chest, throat, and I just push him right back down. I don’t want him to come out. I can’t let him out.”
    Jennifer Niven, All the Bright Places

  • #22
    Paulo Coelho
    “After all, what is happiness? Love, they tell me. But love doesn't bring and never has brought happiness. On the contrary, it's a constant state of anxiety, a battlefield; it's sleepless nights, asking ourselves all the time if we're doing the right thing. Real love is composed of ecstasy and agony.”
    Paulo Coelho, The Witch of Portobello

  • #23
    Corrie ten Boom
    “Worrying is carrying tomorrow's load with today's strength- carrying two days at once. It is moving into tomorrow ahead of time. Worrying doesn't empty tomorrow of its sorrow, it empties today of its strength.”
    Corrie Ten Boom

  • #24
    Lemony Snicket
    “To hear the phrase "our only hope" always makes one anxious, because it means that if the only hope doesn't work, there is nothing left.”
    Lemony Snicket, The Blank Book

  • #25
    George Bernard Shaw
    “There are two tragedies in life. One is to lose your heart's desire. The other is to gain it.”
    George Bernard Shaw, Man and Superman

  • #26
    Sarah Ockler
    “Weeping is not the same thing as crying. It takes your whole body to weep, and when it's over, you feel like you don't have any bones left to hold you up.”
    Sarah Ockler, Twenty Boy Summer

  • #27
    M.L. Rio
    “But that is how a tragedy like ours or King Lear breaks your heart—by making you believe that the ending might still be happy, until the very last minute.”
    M.L. Rio, If We Were Villains

  • #28
    Euripides
    “Come back. Even as a shadow, even as a dream.”
    Euripides

  • #29
    John Fowles
    “The human race is unimportant. It is the self that must not be betrayed."

    "I suppose one could say that Hitler didn't betray his self."

    "You are right. He did not. But millions of Germans did betray their selves. That was the tragedy. Not that one man had the courage to be evil. But that millions had not the courage to be good.”
    John Fowles, The Magus

  • #30
    Oscar Wilde
    “It often happens that the real tragedies of life occur in such
    an inartistic manner that they hurt us by their crude violence, their
    absolute incoherence, their absurd want of meaning, their entire lack
    of style. They affect us just as vulgarity affects us. They give us
    an impression of sheer brute force, and we revolt against that.
    Sometimes, however, a tragedy that possesses artistic elements of
    beauty crosses our lives. If these elements of beauty are real, the
    whole thing simply appeals to our sense of dramatic effect. Suddenly
    we find that we are no longer the actors, but the spectators of the
    play. Or rather we are both. We watch ourselves, and the mere wonder
    of the spectacle enthralls us.”
    Oscar Wilde, The Picture of Dorian Gray



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