Giulia Breveglieri > Giulia's Quotes

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  • #1
    Jane Austen
    “Let us never underestimate the power of a well-written letter.”
    Jane Austen, Persuasion

  • #2
    Jane Austen
    “Fanny! You are killing me!"
    "No man dies of love but on the stage, Mr. Crawford.”
    Jane Austen, Mansfield Park

  • #3
    Jane Austen
    “Life seems nothing more than a quick succession of busy nothings.”
    Jane Austen, Mansfield Park

  • #4
    Fyodor Dostoevsky
    “What do you think?" shouted Razumihin, louder than ever, "you think I am attacking them for talking nonsense? Not a bit! I like them to talk nonsense. That's man's one privilege over all creation. Through error you come to the truth! I am a man because I err! You never reach any truth without making fourteen mistakes and very likely a hundred and fourteen. And a fine thing, too, in its way; but we can't even make mistakes on our own account! Talk nonsense, but talk your own nonsense, and I'll kiss you for it. To go wrong in one's own way is better than to go right in someone else's. In the first case you are a man, in the second you're no better than a bird. Truth won't escape you, but life can be cramped. There have been examples. And what are we doing now? In science, development, thought, invention, ideals, aims, liberalism, judgment, experience and everything, everything, everything, we are still in the preparatory class at school. We prefer to live on other people's ideas, it's what we are used to! Am I right, am I right?" cried Razumihin, pressing and shaking the two ladies' hands.”
    Fyodor Dostoevsky, Crime and Punishment

  • #5
    Alexandre Dumas
    “The difference between treason and patriotism is only a matter of dates.”
    Alexandre Dumas, The Count of Monte Cristo

  • #6
    Leigh Bardugo
    “The less you say, the more weight your words will carry.”
    Leigh Bardugo, Siege and Storm

  • #7
    Leigh Bardugo
    “Do you answer a question directly?"
    "Hard to say. Ah, there, I've done it again”
    Leigh Bardugo, Siege and Storm

  • #8
    Victor Hugo
    “Revolutions are not born of chance but of necessity.”
    Victor Hugo, Les Misérables

  • #9
    Honoré de Balzac
    “Conscience, my dear, is a kind of stick that everyone picks up to thrash his neighbor with, but one he never uses against himself.”
    Honoré de Balzac, Lost Illusions

  • #10
    William Shakespeare
    “What do I fear? Myself? There’s none else by.
    Richard loves Richard; that is, I and I.
    Is there a murderer here? No. Yes, I am.
    Then fly! What, from myself? Great reason why:
    Lest I revenge. What, myself upon myself?
    Alack, I love myself. Wherefore? For any good
    That I myself have done unto myself?
    O, no! Alas, I rather hate myself
    For hateful deeds committed by myself.
    I am a villain. Yet I lie. I am not.
    Fool, of thyself speak well. Fool, do not flatter:
    My conscience hath a thousand several tongues,
    And every tongue brings in a several tale,
    And every tale condemns me for a villain.
    Perjury, perjury, in the highest degree;
    Murder, stern murder, in the direst degree;
    All several sins, all used in each degree,
    Throng to the bar, crying all, “Guilty! guilty!”
    I shall despair. There is no creature loves me,
    And if I die no soul will pity me.
    And wherefore should they, since that I myself
    Find in myself no pity to myself?”
    William Shakespeare, Richard III

  • #11
    Sharon Kay Penman
    “I once came upon a definition of history as ‘the process by which complex truths are transformed into simplified falsehoods’. That is particularly true in the case of Richard III, where the normal medieval proclivity for moralizing and partisanship was further complicated by deliberate distortion to serve Tudor political needs.”
    Sharon Kay Penman, The Sunne In Splendour

  • #12
    Charlotte Brontë
    “It is a long way to Ireland, Janet, and I am sorry to send my little friend on such weary travels: but if I can't do better, how is it to be helped? Are you anything akin to me, do you think, Jane?"

    I could risk no sort of answer by this time: my heart was still.

    "Because, he said, "I sometimes have a queer feeling with regard to you - especially when you are near me, as now: it is as if I had a string somewhere under my left ribs, tightly and inextricably knotted to a similar string situated in the corresponding quarter of your little frame. And if that boisterous channel, and two hundred miles or so of land some broad between us, I am afraid that cord of communion will be snapt; and then I've a nervous notion I should take to bleeding inwardly. As for you, - you'd forget me.”
    Charlotte Brontë, Jane Eyre

  • #13
    William Shakespeare
    “These violent delights have violent ends
    And in their triumph die, like fire and powder,
    Which as they kiss consume. The sweetest honey
    Is loathsome in his own deliciousness
    And in the taste confounds the appetite.
    Therefore love moderately; long love doth so;
    Too swift arrives as tardy as too slow.”
    William Shakespeare, Romeo and Juliet

  • #14
    Philip Roth
    “The fact remains that getting people right is not what living is all about anyway. It's getting them wrong that is living, getting them wrong and wrong and wrong and then, on careful reconsideration, getting them wrong again. That's how we know we're alive: we're wrong.”
    Philip Roth, American Pastoral

  • #15
    Gustave Flaubert
    “I'm absolutely removed from the world at such times...The hours go by without my knowing it. Sitting there I'm wandering in countries I can see every detail of - I'm playing a role in the story I'm reading. I actually feel I'm the characters - I live and breath with them.”
    Gustave Flaubert, Madame Bovary

  • #16
    William Shakespeare
    “To be, or not to be: that is the question:
    Whether 'tis nobler in the mind to suffer
    The slings and arrows of outrageous fortune,
    Or to take arms against a sea of troubles,
    And by opposing end them? To die: to sleep;
    No more; and by a sleep to say we end
    The heart-ache and the thousand natural shocks
    That flesh is heir to, 'tis a consummation
    Devoutly to be wish'd. To die, to sleep;
    To sleep: perchance to dream: ay, there's the rub;
    For in that sleep of death what dreams may come
    When we have shuffled off this mortal coil,
    Must give us pause: there's the respect
    That makes calamity of so long life;
    For who would bear the whips and scorns of time,
    The oppressor's wrong, the proud man's contumely,
    The pangs of despised love, the law's delay,
    The insolence of office and the spurns
    That patient merit of the unworthy takes,
    When he himself might his quietus make
    With a bare bodkin? who would fardels bear,
    To grunt and sweat under a weary life,
    But that the dread of something after death,
    The undiscover'd country from whose bourn
    No traveller returns, puzzles the will
    And makes us rather bear those ills we have
    Than fly to others that we know not of?
    Thus conscience does make cowards of us all;
    And thus the native hue of resolution
    Is sicklied o'er with the pale cast of thought,
    And enterprises of great pith and moment
    With this regard their currents turn awry,
    And lose the name of action.--Soft you now!
    The fair Ophelia! Nymph, in thy orisons
    Be all my sins remember'd!”
    William Shakespeare, Hamlet

  • #17
    Jane Austen
    “I can listen no longer in silence. I must speak to you by such means as are within my reach. You pierce my soul. I am half agony, half hope. Tell me not that I am too late, that such precious feelings are gone for ever. I offer myself to you again with a heart even more your own than when you almost broke it, eight years and a half ago. Dare not say that man forgets sooner than woman, that his love has an earlier death. I have loved none but you. Unjust I may have been, weak and resentful I have been, but never inconstant. You alone have brought me to Bath. For you alone, I think and plan. Have you not seen this? Can you fail to have understood my wishes? I had not waited even these ten days, could I have read your feelings, as I think you must have penetrated mine. I can hardly write. I am every instant hearing something which overpowers me. You sink your voice, but I can distinguish the tones of that voice when they would be lost on others. Too good, too excellent creature! You do us justice, indeed. You do believe that there is true attachment and constancy among men. Believe it to be most fervent, most undeviating, in F. W.

    I must go, uncertain of my fate; but I shall return hither, or follow your party, as soon as possible. A word, a look, will be enough to decide whether I enter your father's house this evening or never.”
    Jane Austen, Persuasion

  • #18
    Lisa Kleypas
    “A well-read woman is a dangerous creature.”
    Lisa Kleypas, A Wallflower Christmas

  • #19
    Franz Kafka
    “I think we ought to read only the kind of books that wound or stab us. If the book we're reading doesn't wake us up with a blow to the head, what are we reading for? So that it will make us happy, as you write? Good Lord, we would be happy precisely if we had no books, and the kind of books that make us happy are the kind we could write ourselves if we had to. But we need books that affect us like a disaster, that grieve us deeply, like the death of someone we loved more than ourselves, like being banished into forests far from everyone, like a suicide. A book must be the axe for the frozen sea within us. That is my belief.”
    Franz Kafka

  • #20
    Edith Wharton
    “We can't behave like people in novels, though, can we?”
    Edith Wharton, The Age of Innocence



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