Nutsa Otkhvani > Nutsa's Quotes

“There is always something left to love.”
― Gabriel García Márquez, One Hundred Years of Solitude

“It's enough for me to be sure that you and I exist at this moment.”
― Gabriel García Márquez, One Hundred Years of Solitude

“He dug so deeply into her sentiments that in search of interest he found love, because by trying to make her love him he ended up falling in love with her. Petra Cotes, for her part, loved him more and more as she felt his love increasing, and that was how in the ripeness of autumn she began to believe once more in the youthful superstition that poverty was the servitude of love. Both looked back then on the wild revelry, the gaudy wealth, and the unbridled fornication as an annoyance and they lamented that it had cost them so much of their lives to find the paradise of shared solitude. Madly in love after so many years of sterile complicity, they enjoyed the miracle of living each other as much at the table as in bed, and they grew to be so happy that even when they were two worn-out people they kept on blooming like little children and playing together like dogs.”
― Gabriel García Márquez, One Hundred Years of Solitude

“...time was not passing...it was turning in a circle...”
― Gabriel García Márquez, One Hundred Years of Solitude

“[A]nd both of them remained floating in an empty universe where the only everyday and eternal reality was love.”
― Gabriel García Márquez, One Hundred Years of Solitude

“What does he say?' he asked.
'He’s very sad,’ Úrsula answered, ‘because he thinks that you’re going to die.'
'Tell him,' the colonel said, smiling, 'that a person doesn’t die when he should but when he can.”
― Gabriel García Márquez, One Hundred Years of Solitude

“Gaston was not only a fierce lover, with endless wisdom and imagination, but he was also, perhaps, the first man in the history of the species who had made an emergency landing and had come close to killing himself and his sweetheart simply to make love in a field of violets.”
― Gabriel Garcia Marquez, One Hundred Years of Solitude

“He really had been through death, but he had returned because he could not bear the solitude.”
― Gabriel García Márquez, One Hundred Years of Solitude

“Intrigued by that enigma, he dug so deeply into her sentiments that in search of interest he found love, because by trying to make her love him he ended up falling in love with her.”
― Gabriel García Márquez, One Hundred Years of Solitude

“Before reaching the final line, however, he had already understood that he would never leave that room, for it was foreseen that the city of mirrors (or mirages) would be wiped out by the wind and exiled from the memory of men at the precise moment
when Aureliano Babilonia would finish deciphering the parchments, and that everything written on them was unrepeatable since time immemorial and forever more, because races condemned to one hundred years of solitude did not have a second opportunity on earth.”
― Gabriel García Márquez, One Hundred Years of Solitude

“Many years later, as he faced the firing squad, Colonel Aureliano Buendía was to remember that distant afternoon when his father took him to discover ice...”
― Gabriel García Márquez, One Hundred Years of Solitude

“Things have a life of their own," the gypsy proclaimed with a harsh accent. "It's simply a matter of waking up their souls.”
― Gabriel García Márquez, One Hundred Years of Solitude

“One minute of reconciliation is worth more than a whole life of friendship!”
― Gabriel Garcí­a Márquez, One Hundred Years of Solitude

“But would you kindly ponder this question: What would your good do if
evil didn't exist, and what would the earth look like if all the shadows
disappeared? After all, shadows are cast by things and people. Here is the
shadow of my sword. But shadows also come from trees and living beings.
Do you want to strip the earth of all trees and living things just because
of your fantasy of enjoying naked light? You're stupid.”
― Mikhail Bulgakov, The Master and Margarita

“Everything will turn out right, the world is built on that.”
― Mikhail Bulgakov, The Master and Margarita

“You're not Dostoevsky,' said the citizeness, who was getting muddled by Koroviev. Well, who knows, who knows,' he replied.
'Dostoevsky's dead,' said the citizeness, but somehow not very confidently.
'I protest!' Behemoth exclaimed hotly. 'Dostoevsky is immortal!”
― Mikhail Bulgakov, The Master and Margarita

“Follow me, reader! Who told you that there is no true, faithful, eternal love in this world! May the liar's vile tongue be cut out! Follow me, my reader, and me alone, and I will show you such a love!”
― Mikhail Bulgakov, The Master and Margarita

“The tongue can conceal the truth, but the eyes never! You're asked an unexpected question, you don't even flinch, it takes just a second to get yourself under control, you know just what you have to say to hide the truth, and you speak very convincingly, and nothing in your face twitches to give you away. But the truth, alas, has been disturbed by the question, and it rises up from the depths of your soul to flicker in your eyes and all is lost.”
― Mikhail Bulgakov, The Master and Margarita

“Kindness. The only possible method when dealing with a living creature. You'll get nowhere with an animal if you use terror, no matter what its level of development may be. That I have maintained, do maintain and always will maintain. People who think you can use terror are quite wrong. No, no, terror is useless, whatever its colour – white, red or even brown! Terror completely paralyses the nervous system.”
― Mikhail Bulgakov, Heart of a Dog

“And now tell me, why is it that you use me words "good people" all the time? Do you call everyone that, or what?
- Everyone, - the prisoner replied. - There are no evil people in the world.

(- А теперь скажи мне, что это ты все время употребляешь слова добрые
люди"? Ты всех, что ли, так называешь?
- Всех, - ответил арестант, - злых людей нет на свете.)”
― Mikhail Bulgakov, The Master and Margarita

“How much can we ever know about the love and pain in another heart? How much can we hope to understand those who have suffered deeper anguish, greater deprivation, and more crushing disappointments than we ourselves have known?”
― Orhan Pamuk, Snow

“There are two kind of men,' said Ka, in a didatic voice. 'The first kind does not fall in love until he's seen how the girls eats a sandwich, how she combs her hair, what sort of nonsense she cares about, why she's angry at her father, and what sort of stories people tell about her. The second type of man -- and I am in this category -- can fall in love with a woman only if he knows next to nothing about her.”
― Orhan Pamuk, Snow

“As much as I live I shall not imitate them or hate myself for being different to them”
― Orhan Pamuk, Snow

“What is the thing you want most from me? What can I do to make you love me?'

Be yourself,' said Ipek.”
― Orhan Pamuk, Snow

“There's a lot of pride involved in my refusal to believe in god.”
― Orhan Pamuk, Snow

“Suddenly Ka realized he was in love with İpek. And realizing that this love would determine the rest of his life, he was filled with dread.”
― Orhan Pamuk, Snow

“There are too many confusing things present. Things I know. Thoughts I have. Sarcasm. Things I think I ought to be doing and places I ought to be going. Always other places.”
― Erlend Loe, Naïve. Super

“What really knocks me out is a book that, when you're all done reading it, you wish the author that wrote it was a terrific friend of yours and you could call him up on the phone whenever you felt like it. That doesn't happen much, though.”
― J.D. Salinger, The Catcher in the Rye

“Don't ever tell anybody anything. If you do, you start missing everybody.”
― J. D. Salinger

“I am always saying "Glad to've met you" to somebody I'm not at all glad I met. If you want to stay alive, you have to say that stuff, though.”
― J.D. Salinger, The Catcher in the Rye