Milad > Milad's Quotes

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  • #1
    Gustave Flaubert
    “[T]he truth is that fullness of soul can sometimes overflow in utter vapidity of language, for none of us can ever express the exact measure of his needs or his thoughts or his sorrows; and human speech is like a cracked kettle on which we tap crude rhythms for bears to dance to, while we long to make music that will melt the stars.”
    Gustave Flaubert, Madame Bovary

  • #2
    Gustave Flaubert
    “He had heard these things said to him so often that for him there was nothing original about them. Emma was like any other of his mistresses, and the charm of novelty slipping off gradually like a peace of clothing revealed in his nakedness the eternal monotony of passion which always assumes the same form and uses the same languages. He could not perceive, this man of such broad experiences, the difference in feelings that might underlay similarities of expression.”
    Gustave Flaubert

  • #3
    Gustave Flaubert
    “The tenderness of the old days came back to their hearts, full and silent as the flowing river, with the softness of the perfume of the syringas, and threw across their memories shadows more immense and more sombre than those of the still willows that lengthened out over the grass.”
    Gustave Flaubert, Madame Bovary

  • #4
    Gustave Flaubert
    “Human speech is like a cracked kettle on which we tap crude rhythms for bears to dance to, while we long to make music that will melt the stars.”
    Gustave Flaubert, Madame Bovary

  • #5
    Gustave Flaubert
    “Pleasures, like schoolboys in a school courtyard, had so trampled upon his heart that no green thing grew there, and that which passed through it, more heedless than children, did not even, like them, leave a name carved upon the wall.”
    Gustave Flaubert, Madame Bovary

  • #6
    Gustave Flaubert
    “She was not happy--she never had been. Whence came this insufficiency in life--this instantaneous turning to decay of everything on which she leaned? But if there were somewhere a being strong and beautiful, a valiant nature, full at once of exaltation and refinement, a poet's heart in an angel's form, a lyre with sounding chords ringing out elegiac epithalamia to heaven, why, perchance, should she not find him? Ah! How impossible! Besides, nothing was worth the trouble of seeking it; everything was a lie. Every smile hid a yawn of boredom, every joy a curse, all pleasure satiety, and the sweetest kisses left upon your lips only the unattainable desire for a greater delight.”
    Gustave Flaubert, Madame Bovary

  • #7
    Gustave Flaubert
    “First he anointed her eyes, once so covetous of all earthly luxuries; then her nostrils, so gluttonous of caressing breezes and amorous scents; then her mouth, so prompt to lie, so defiant in pride, so loud in lust; then her hands that had thrilled to voluptuous contacts; and finally the soles of her feet, once so swift when she had hastened to slake her desires, and now never to walk again.”
    Gustave Flaubert

  • #8
    Gustave Flaubert
    “At the bottom of her heart, however, she was waiting for something to happen. Like shipwrecked sailors, she turned despairing eyes upon the solitude of her life, seeking afar off some white sail in the mists of the horizon. She did not know what this chance would be, what wind would bring it her, towards what shore it would drive her, if it would be a shallop or a three-decker, laden with anguish or full of bliss to the portholes. But each morning, as she awoke, she hoped it would come that day; she listened to every sound, sprang up with a start, wondered that it did not come; then at sunset, always more saddened, she longed for the morrow.”
    Gustave Flaubert, Madame Bovary

  • #9
    William Shakespeare
    “Fair is foul, and foul is fair, hover through fog and filthy air.”
    Willam Shakesphere, Macbeth

  • #10
    William Shakespeare
    “By the pricking of my thumbs,
    Something wicked this way comes.”
    William Shakespeare, Macbeth

  • #11
    William Shakespeare
    “To-morrow, and to-morrow, and to-morrow,
    Creeps in this petty pace from day to day,
    To the last syllable of recorded time;
    And all our yesterdays have lighted fools
    The way to dusty death. Out, out, brief candle!
    Life's but a walking shadow, a poor player,
    That struts and frets his hour upon the stage,
    And then is heard no more. It is a tale
    Told by an idiot, full of sound and fury,
    Signifying nothing.”
    William Shakespeare, Macbeth

  • #12
    William Shakespeare
    “Stars, hide your fires; Let not light see my black and deep desires.”
    William Shakespeare, Macbeth

  • #13
    William Shakespeare
    “What's done cannot be undone.”
    William Shakespeare , Macbeth

  • #14
    William Shakespeare
    “Things without all remedy should be without regard: what's done is done.”
    William Shakespeare, Macbeth
    tags: past

  • #15
    C.G. Jung
    “When dark figures turn up in our dreams and seem to want something, we cannot be sure whether they personify merely a shadowy part of ourselves, or the Self, or both at the same time. Divining in advance whether our dark partner symbolizes a shortcoming that we should overcome or a meaningful bit of life that we should accept—this is one of the most difficult problems that we encounter on the way to individuation. Moreover, the dream symbols are often so subtle and complicated that one cannot be sure of their interpretation. In such a situation all one can do is accept the discomfort of ethical doubt—making no final decisions or commitments and continuing to watch the dreams. This resembles the situation of Cinderella when her stepmother threw a heap of good and bad peas in front of her and asked her to sort them out. Although it seemed quite hopeless, Cinderella began patiently to sort the peas, and suddenly doves (or ants, in some versions) came to help her. These creatures symbolize helpful, deeply unconscious impulses that can only be felt in one’s body, as it were, and that point to a way out.”
    C.G. Jung, Man and His Symbols



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