Art Technique Books
Showing 1-50 of 1,328

by (shelved 12 times as art-technique)
avg rating 3.87 — 374,655 ratings — published 1979

by (shelved 9 times as art-technique)
avg rating 4.11 — 17,900 ratings — published 2010

by (shelved 8 times as art-technique)
avg rating 4.00 — 62,235 ratings — published 1941

by (shelved 8 times as art-technique)
avg rating 4.21 — 1,982 ratings — published 1940

by (shelved 7 times as art-technique)
avg rating 4.11 — 8,447 ratings — published 2009

by (shelved 7 times as art-technique)
avg rating 3.99 — 23,340 ratings — published 1943

by (shelved 5 times as art-technique)
avg rating 4.25 — 555 ratings — published 1976

by (shelved 5 times as art-technique)
avg rating 4.34 — 9,660 ratings — published 2006

by (shelved 5 times as art-technique)
avg rating 4.04 — 7,981 ratings — published 1977

by (shelved 5 times as art-technique)
avg rating 4.06 — 28,073 ratings — published 2001

by (shelved 5 times as art-technique)
avg rating 4.14 — 3,971 ratings — published 2006

by (shelved 4 times as art-technique)
avg rating 3.95 — 14,322 ratings — published 1971

by (shelved 4 times as art-technique)
avg rating 4.23 — 6,523 ratings — published 1956

by (shelved 4 times as art-technique)
avg rating 4.33 — 2,201 ratings — published 1998

by (shelved 4 times as art-technique)
avg rating 4.27 — 401 ratings — published 1989

by (shelved 4 times as art-technique)
avg rating 4.14 — 35 ratings — published 1967

by (shelved 4 times as art-technique)
avg rating 4.08 — 8,767 ratings — published 1964

by (shelved 4 times as art-technique)
avg rating 4.15 — 10,374 ratings — published 2010

by (shelved 4 times as art-technique)
avg rating 4.00 — 170 ratings — published 2008

by (shelved 4 times as art-technique)
avg rating 4.02 — 22,266 ratings — published 1973

by (shelved 4 times as art-technique)
avg rating 4.06 — 7,435 ratings — published 1986

by (shelved 3 times as art-technique)
avg rating 4.10 — 5,779 ratings — published 1971

by (shelved 3 times as art-technique)
avg rating 4.58 — 12 ratings — published 1950

by (shelved 3 times as art-technique)
avg rating 4.26 — 2,199 ratings — published 1939

by (shelved 3 times as art-technique)
avg rating 4.39 — 2,254 ratings — published 1947

by (shelved 3 times as art-technique)
avg rating 4.24 — 215 ratings — published 1979

by (shelved 3 times as art-technique)
avg rating 3.95 — 117,704 ratings — published 2002

by (shelved 3 times as art-technique)
avg rating 4.25 — 369 ratings — published 2009

by (shelved 3 times as art-technique)
avg rating 4.61 — 278 ratings — published 2012

by (shelved 3 times as art-technique)
avg rating 4.56 — 1,170 ratings — published 2012

by (shelved 3 times as art-technique)
avg rating 4.38 — 441 ratings — published 2009

by (shelved 3 times as art-technique)
avg rating 4.03 — 2,388 ratings — published 2004

by (shelved 3 times as art-technique)
avg rating 4.10 — 610 ratings — published 2013

by (shelved 3 times as art-technique)
avg rating 4.19 — 4,824 ratings — published 1991

by (shelved 3 times as art-technique)
avg rating 4.09 — 2,945 ratings — published 1972

by (shelved 3 times as art-technique)
avg rating 4.00 — 130,015 ratings — published 1993

by (shelved 3 times as art-technique)
avg rating 4.14 — 4,168 ratings — published 1999

by (shelved 3 times as art-technique)
avg rating 4.08 — 750 ratings — published 2011

by (shelved 3 times as art-technique)
avg rating 4.25 — 541 ratings — published 1987

by (shelved 3 times as art-technique)
avg rating 4.15 — 527 ratings — published 1960

by (shelved 3 times as art-technique)
avg rating 3.93 — 29 ratings — published 1988

by (shelved 3 times as art-technique)
avg rating 4.03 — 87 ratings — published 1915

by (shelved 3 times as art-technique)
avg rating 4.19 — 309 ratings — published 1920

by (shelved 3 times as art-technique)
avg rating 4.30 — 1,982 ratings — published 2006

by (shelved 3 times as art-technique)
avg rating 3.42 — 19 ratings — published 1998

by (shelved 3 times as art-technique)
avg rating 4.08 — 106 ratings — published 2006

by (shelved 3 times as art-technique)
avg rating 4.12 — 82 ratings — published 2003

by (shelved 3 times as art-technique)
avg rating 4.08 — 6,256 ratings — published 1951

by (shelved 3 times as art-technique)
avg rating 4.01 — 4,539 ratings — published 1970

by (shelved 3 times as art-technique)
avg rating 4.21 — 172 ratings — published 2008
“Artistic "style" that does not evolve as a result of a natural process is the embodiment of "fake it till you make it," referring to the way something APPEARS, not the way that it IS. It's a veneer, a hollow afterthought technique hung on the artwork to dress it up... I prefer to think in terms of the artist's VOICE. Voice is deeper, manifested from the very core of your being. You earn it through research, experimentation, and discovery. It is a synthesis of the experiences, intellectual concepts, and aesthetic interests you possess, executed in your distinctive way, in the formal, emotional and intellectual language of your chosen medium. When successful, the realization of your voice follows the gestalt principle. The combination of your ideas and the work's physical embodiment is greater than the sum of its parts and distinguishes your outcome from everyone else's.”
― Art from Your Core: A Holistic Guide to Visual Voice
― Art from Your Core: A Holistic Guide to Visual Voice
“In the summer of 1961, Segal taught an adult painting class in New Brunswick. The class was encouraged to make use of odd and unlikely materials in assemblages, and one woman brought to class a box of surgeon's bandages. Segal took some home, with the intention of wrapping them around one of his chicken wire framworks. Then a thought occurred to him: why not dip the cloth bandages in plaster, and apply them directly to the body? Segal sat on a chair and instructed his wife to cover him in soaked bandages. The new technique led to a few anxious moments when the plaster began to harden, heat up, and contract, and the artist lost a good portion of his body hair in the course of frantically removing the casts. With great difficulty, he was able to reassemble the pieces into a complete figure which he then placed on a chair. Next Segal provided an environment for his plaster effigy. The chair was moved up to a table, to which was nailed an old window frame. The result, entitled Man Sitting at a Table, marked the discovery of a new sculptural technique and a turning point in the artist's career.
Segal has never looked back.”
― George Segal
Segal has never looked back.”
― George Segal