Great African Reads discussion

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Say You're One of Them
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Akpan: Say You're One of Them (Short Story) | (CL) first read: Jan 2013
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Has anyone else started this? or if anyone has already read this (i think many have), feel free to share any thoughts you have...



I just started the second story. I like that the stories are bit longer than traditional short stories – I am able to lose myself in them a bit more. :)

Without giving anything away, I feel like Akpan writes in such a way that you keep expecting things to turn out okay, but if you don't just let your mind gloss over it, there is incredible violence present in each story. In a few of them, you have to understand what the child characters do not. I feel grateful for the ignorance of childhood, but these are devastating. Each and every one.
I'm glad we chose this book though. Many of the stories are set in countries of Africa that I don't know well - Niger, Rwanda, Benin, Sierra Leone.

Without giving anything away, I feel l..."
wow Jenny...thanks for the heads up about tears. i will plan my reading accordingly.
I'm going to start (hopefully finish) the second selection today.
I didn't read your review yet; i will wait until i've read all the stories. But in the meantime, can i ask you if there was any particular story that affected you the most? or one that you felt was weaker than the others?



I'm going to start (hopefully finish) the second selection today.
I didn't read your review yet; i will wait until i've read all the stories. But in the meantime, can i ask you if there was any particular story that affected you the most? or one that you felt was weaker than the others? "
I would say that the very last one was the hardest, at least the most bloody. The second one has some humor and some dialect that remove you a bit from the core of terrible things.



It was also the little things in the description that stayed with me:
- the mother taking pride and careful care to use two plastic bags as galoshes. Items that often seen as nuisance in the world I live in.
- the young child (2 years) waking up squatting to use the bathroom where he just slept and then grabbing his mother's breast so he could have "breakfast"
- the sniffing of chemicals to "erase" hunger
- these "street children" who come back home to their families at night (this opposed to reading about street child who lived in packs among themselves on the street)
- the brother refusing to go to school (though he dreams of attending) when he sister becomes "full time)

But it is the last line that tells it all - "I ran and I ran, though I knew I would never outrun my sister's wailing."


"
Very powerful line. I still managed to talk myself into it 'just' being about slavery, not sex slavery.



"
Very powerful line. I still managed to talk myself into it 'just' being about slavery, not sex slavery."
Jenny - I think the truth is that it is probably not "sexual" slavery but based on that these children would be stripped of their humanity - there was probably going to be a sexual element to their treatment as a slave.

Without giving anything away, I feel l..."
Jenny - I have to agree with you that I too kept thinking that everything will be not as bad as the endings especially were.
Especially in the last two stories - I thought that once the bus got moving that things would settle down a little on the travels. Jubril (Gabriel) did a good job of hiding his wrist and holding in his emotions but could not stop the tears from flowing and using his right arm to wipe them away.
And in the last story - I am glad it was one of the more shorter story and the author had us "knowing" the characters before the horrors they inflict on each other.

I found "Fattening for Gabon" very interesting, as I'd not really considered the process through which children end up as slaves in that way - that there would be a period of training.
I'm maybe a third of the way into the fourth story now.

I really liked the book, as hard as it was to read. There was one thing that pestered me throughout the book and that was the word dey. I couldn't quite figure out what it meant/how it was used.
Luxurious Hearses tied in nicely to the chapter of African history I'm studying at the moment.

2. dey 37
1. to be
2. to exist
3. the state of being or existing
That thing still dey?
Send me text I no fit hear you, I dey for club.
You still dey into shipping business?

Two big things were pointed out: first that the dialogue was hard to follow and to be honest, maybe I'm a jerk, but I tend to find that sort of comment indicative more of a lazy reader who is quite sheltered in their exposure to only English and only their own kind of English. I've lived in Canada, Scotland and South Korea and I've been exposed to lots of different dialects and kinds of English slang and taught the language to ESL students and travelled widely in countries where English is widely spoken though not as a first language, and I think perhaps that makes it easier for me to not only appreciate the language in this book but also to be unbothered by what I don't understand.
The second thing that came up a few times was that the narrative was very detached or unemotional. I really didn't find that to be true. In fact, I thought in particular of having the child narrators and their imperfect understandings of the situations slowly becoming more clear really made for an emotional punch in the gut by the end. What did everyone else think?

in fact, i have had trouble finishing it because of that punch in the gut. i read the very last story a long time ago, in granta, or in the new yorker maybe...so i'm trying to finish Luxurious Hearses tonight. i had such a hard time getting through Fattening for Gabon. but not because of detachment or because i was having trouble with the language. the language *did* slow me down, but i do not consider that something that takes away from my reading experience.


Short stories are often not the fav genre of many and that would influence ratings. The stories while connected by a similar theme were not necessarily linear and was not always clear on some of the background information and which country (situation) the storyline was about.
And while the language was not a problem for me - I can see why it would be for many.
January features the short story. Our first contemporary work of African literature this year is the short story collection Say You're One of Them by Uwem Akpan.
Uwem Akpan is a Jesuit priest from Nigeria and currently serves in Lagos. He received his MFA in creative writing in 2006, three years after his ordination as a priest. Clearly Akpan is gifted. :)
His first collection of short stories (which we are reading right now!) won the Commonwealth Writer's Prize and the PEN Open Book Award.
I'm excited to be reading this with all of you because i tried to read it a year or so ago, but felt overwhelmed by the power of his writing. I plan to read one story every few days. Please do start sharing your thoughts as you read!
ETA: i linked to his website above, but he also has a fan page here at goodreads.