Completists' Club discussion
Nonauthor-oriented Completion
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Rabelais' Codpiece
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I've got a looong way to go to work through this one.

I pray daily that the above is not exhaustive. The prayers are unnecessary. There's lots more.


Who is this Cucornet? Ducornet, if you please.


I have placed an order for a new keyboard.

Reallyreally looking forward to Moore's second volume this fall. THAT should be consisting of some serious UNEARTHING.


Yes. Volume II is quite bulk'd with books. Lots and lots and lots.


I was on my way over there to take inventory. I think I'm tallying over at ::
https://www.goodreads.com/review/show...

Haven't made much progress since I last checked in. But those porto=spanish and Latin=American things are my focus veryvery soon.

Bely’s Petersburg
Witkiewicz’s Insatiability
Barnes’ Ryder and Ladies Almanack
Gombrowicz’s Polish jokes
Flann O’Brien’s Irish farces
Philip Wylie’s Finnley Wren
- all of which are well worth investigating...

Witkiewicz’s Insatiability -- oh yes I know!
Barnes’ Ryder and Ladies Almanack -- yep. And reread Nightwood.
Gombrowicz’s Polish jokes -- I just recently (finally!) got his Pornografia
Flann O’Brien’s Irish farces -- thought I'd get the novels-in-one-volume (too much $$ usually) so I should just start picking up those Dalkeys -- because they've been on my to=due for three+years.
Philip Wylie’s Finnley Wren -- really no excuses.
Books mentioned in this topic
Pornografia (other topics)The Novel: An Alternative History: Beginnings to 1600 (other topics)
And I reproduce it again below for your pleasure. My completionist intent on this one is to read all the books explicitly listed or at least one novel from authors for which no specific book is rec'd. Give me a few moments to collect my current score.
“With the motto ‘Do What You Will,’ Rabelais gave himself permission to do anything he damn well pleased with the language and the form of the novel; as a result, every author of an innovative novel mixing literary forms and genres in an extravagant style is indebted to Rabelais, directly or indirectly. Out of his codpiece came
Aneau’s Alector
Nashe’s Unfortunate Traveller
López de Úbeda’s Justina
Cervantes’ Don Quixote
Béroalde de Verville’s Fantastic Tales
Sorel’s Francion
Burton’s Anatomy
Swift’s Tale of a Tub and Gulliver’s Travels
Fielding’s Tom Jones
Amory’s John Buncle
Sterne’s Tristram Shandy
the novels of Diderot
and maybe Voltaire (a late convert)
Smollet’s Adventures of an Atom
Hoffmann’s Tomcat Murr
Hugo’s Hunchback of Notre-Dame
Southey’s Doctor
Melville’s Moby-Dick
Flaubert’s Temptation of Saint Anthony and Bouvard and Becuchet
Twain’s Adventures of Huckleberry Finn
Frederick Rolfe’s ornate novels
Bely’s Petersburg
Joyce’s Ulysses
Witkiewicz’s Insatiability
Barnes’ Ryder and Ladies Almanack
Gombrowicz’s Polish jokes
Flann O’Brien’s Irish farces
Philip Wylie’s Finnley Wren
Patchen’s tender novels
Burroughs’s and Kerouac’s mad ones
Nabokov’s later works
Schmidt’s fiction
the novels of Durrell
Burgess (especially A Clockwork Orange and Earthly Powers)
Gaddis and
Pynchon
Barth
Coover
Sorrentino
Reed’s Mumbo Jumbo
Brossard’s later works
the masterpieces of Latin American magic realism ( Paradiso, The Autumn of the Patriarch, Three Trapped Tigers, I the Supreme, Avalovara, Terra Nostra, Palinuro of Mexico)
the fabulous creations of those gay Cubans Severo Sarduy and Reinaldo Arenas
Markson’s Springer’s Progress
Mano’s Take Five
Ríos’s Larva and otros libros
the novels of Paul West
Tom Robbins
Stanley Elkin
Alexander Theroux
W M. Spackman
Alasdair Gray
Gaétan Soucy and
Rikki Ducornet (‘Lady Rabelais,’ as one critic called her)
Mark Leyner’s hyperbolic novels
the writings of Magister Gass
Greer Gilman’s folkloric fictions and
Roger Boylan’s Celtic comedies
Vollmann’s voluminous volumes
Wallace’s brainy fictions
Siegel’s Love in a Dead Language
Danielewski’s novels
Jackson’s Half Life
Field’s Ululu
De La Pava’s Naked Singularity and
James McCourt’s ongoing Mawrdew Czgowchwz saga.”
--from Steven Moore, The Novel: An Alternate History volume 1: Beginnings to 1600, p330-331.
Any takers?